標(biāo)題: Titlebook: Best Words, Best Order; Essays on Poetry Stephen Dobyns Book 2003Latest edition Palgrave Macmillan, a division of Nature America Inc. 2003 [打印本頁(yè)] 作者: 討論小組 時(shí)間: 2025-3-21 19:59
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作者: Arteriography 時(shí)間: 2025-3-21 21:13
Ritsos and the Metaphysical Moment,etaphysical. It is neither rational nor scientific. It is not governed by what we might think of as logical systems of cause and effect. It suggests a series of sympathetic affinities and a sensitivity to these affinities on the part of the poet.作者: Chronological 時(shí)間: 2025-3-22 04:20 作者: Conflict 時(shí)間: 2025-3-22 08:30
,The Maker’s Manipulation of Time,s or effects of causes that are happening now or have happened in the past. Yet this power is only a partial power. Every day, leaving Belmont Park, are doleful losers whose infallible system of picking winning horses developed a glitch. Every day the obituary columns print the names of surprised men and women who had other plans.作者: separate 時(shí)間: 2025-3-22 11:19 作者: farewell 時(shí)間: 2025-3-22 16:10
Small-gain type criteria for LP-stability,age of writing a poem as “when a man becomes obsessed with an emotional concept to such a degree that he is compelled to do something about it.”. What he does is write a poem that attempts to re-create that same emotional concept in the reader.作者: 態(tài)度暖昧 時(shí)間: 2025-3-22 17:11 作者: Antigen 時(shí)間: 2025-3-22 21:30
The Function of Tone,age of writing a poem as “when a man becomes obsessed with an emotional concept to such a degree that he is compelled to do something about it.”. What he does is write a poem that attempts to re-create that same emotional concept in the reader.作者: Celiac-Plexus 時(shí)間: 2025-3-23 02:51 作者: 編輯才信任 時(shí)間: 2025-3-23 08:41 作者: Allodynia 時(shí)間: 2025-3-23 12:53
https://doi.org/10.1007/978-3-642-48146-8ed patterns and repetitions. The first system, generally speaking, is the system of traditionally metered verse. The second is the system of free verse. The study of “the elements and structures involved in the rhythmic and dynamic aspects of speech” is called prosody.. Free verse employs a prosody governed by the unexpected.作者: 邪惡的你 時(shí)間: 2025-3-23 15:51 作者: atopic-rhinitis 時(shí)間: 2025-3-23 21:26
https://doi.org/10.1007/BFb0044060g beautiful—even though that might mean making it ugly. Think of it this way: it is a requirement of art that a work add up to more than the sum of its parts. This isn’t true, for instance, of journalism. So we have the sum plus X. That X may have a number of different components, but one of its components must be beauty.作者: 食品室 時(shí)間: 2025-3-23 22:27
,Writing the Reader’s Life,the particular category of writing is determined by its function, which, in art, may be no more than to give pleasure, which further means that it must be communicated to an audience. That function also governs the individual example of writing.作者: 共同確定為確 時(shí)間: 2025-3-24 04:09
Notes on Free Verse,ed patterns and repetitions. The first system, generally speaking, is the system of traditionally metered verse. The second is the system of free verse. The study of “the elements and structures involved in the rhythmic and dynamic aspects of speech” is called prosody.. Free verse employs a prosody governed by the unexpected.作者: CLAM 時(shí)間: 2025-3-24 08:36
The Traffic between Two Worlds, close and sometimes, if we have money or are simply fortunate, giving us a little room to amuse ourselves. Yet the walls are always there. It is the temporal, finite, measurable world and we take that measurement with our five senses.作者: Fulminate 時(shí)間: 2025-3-24 12:03
The Problem of Beauty and the Requirements of Art,g beautiful—even though that might mean making it ugly. Think of it this way: it is a requirement of art that a work add up to more than the sum of its parts. This isn’t true, for instance, of journalism. So we have the sum plus X. That X may have a number of different components, but one of its components must be beauty.作者: ANTI 時(shí)間: 2025-3-24 17:50
Book 2003Latest editionrs through poetry‘s mysterious twilight communiques. For this new second edition, Dobyns has added two new essays, one dealing with the idea of "beauty" in poetry and another dealing with the almost mystical way poets connect seemingly disparate elements in a single work.作者: Antagonist 時(shí)間: 2025-3-24 19:56 作者: impale 時(shí)間: 2025-3-25 01:02
Small-gain type criteria for LP-stability,etaphysical. It is neither rational nor scientific. It is not governed by what we might think of as logical systems of cause and effect. It suggests a series of sympathetic affinities and a sensitivity to these affinities on the part of the poet.作者: Initiative 時(shí)間: 2025-3-25 05:14
Deceptions,hing. It’s not a pretty laugh. The dwarf’s knees are bent, his arms are clasped behind his back, his ugly face is thrust forward. It is the donkeys bray, the horse laugh of mockery. I keep it on my desk to remind me that I am practicing a deception, not only to the world but to myself.作者: Lipoprotein(A) 時(shí)間: 2025-3-25 08:05 作者: Corporeal 時(shí)間: 2025-3-25 11:54
Notes on Free Verse,a sense of gratification. In the second, the reader either can’t anticipate or anticipates incorrectly, while being constantly surprised with unexpected patterns and repetitions. The first system, generally speaking, is the system of traditionally metered verse. The second is the system of free vers作者: accordance 時(shí)間: 2025-3-25 18:26 作者: Conclave 時(shí)間: 2025-3-25 20:40
The Function of Tone, to give the impression that it was driven into existence by forces impossible for the poet to resist. Rainer Maria Rilke wrote in a letter to his wife (June 24, 1907), “Works of art are indeed always products of having-been-in-danger, or having-gone-to-the-very-end in an experience, to where one ca作者: consolidate 時(shí)間: 2025-3-26 00:49 作者: chandel 時(shí)間: 2025-3-26 04:43 作者: crucial 時(shí)間: 2025-3-26 08:30 作者: 寬容 時(shí)間: 2025-3-26 13:44 作者: 偽書(shū) 時(shí)間: 2025-3-26 17:26
The Problem of Beauty and the Requirements of Art, over to fashion designers, home decorators. Yet it isn’t enough to want to write a story or novel or poem; the writer must also want to make something beautiful—even though that might mean making it ugly. Think of it this way: it is a requirement of art that a work add up to more than the sum of it作者: irradicable 時(shí)間: 2025-3-26 21:12 作者: 異常 時(shí)間: 2025-3-27 04:28
,Rilke’s Growth as a Poet,mong children? But in some children it gets encouraged, or other talents are frustrated, and eventually they may reach a point in their teens when they decide that they, too, want to write. They have a certain promise, ambition, gall. If Keats could do it, why can’t they? In the same way that Keats once said, If Milton can do it, why can’t I?作者: 主動(dòng)脈 時(shí)間: 2025-3-27 07:23 作者: Nibble 時(shí)間: 2025-3-27 10:03 作者: GLEAN 時(shí)間: 2025-3-27 15:15 作者: Lacunar-Stroke 時(shí)間: 2025-3-27 19:36
Small-gain type criteria for LP-stability, heresy that occurred in Russian poetry in 1911 as a way of looking into the aesthetics of Osip Mandelstam (1891–1938) to see what might be useful in his ideas about poetry for those of us writing today.作者: Flirtatious 時(shí)間: 2025-3-28 01:40
Small-gain type criteria for LP-stability,, a few weeks before his twenty-ninth birthday, Anton Chekhov wrote to his friend and publisher, the archconservative Alexei Suvorin:作者: 接合 時(shí)間: 2025-3-28 04:50 作者: uveitis 時(shí)間: 2025-3-28 08:52 作者: landfill 時(shí)間: 2025-3-28 13:34
Metaphor and the Authenticating Act of Memory,, Is a bathtub a bathtub on Mars? Implied by this is the idea that something is defined by its function. Consequently, if you rocket a bathtub to Mars where it cannot be used, it will cease to be a bathtub.作者: 一個(gè)姐姐 時(shí)間: 2025-3-28 14:41
The Voices One Listens To, returning to that touch upon the constraints I put on myself as a writer. The first is by Anton Chekhov, who wrote in a letter to his editor in the spring of 1. “My only job is to be talented, that is to know how to distinguish important testimony from unimportant.”作者: 苦惱 時(shí)間: 2025-3-28 20:47
Mandelstam: The Poem as Event, heresy that occurred in Russian poetry in 1911 as a way of looking into the aesthetics of Osip Mandelstam (1891–1938) to see what might be useful in his ideas about poetry for those of us writing today.作者: 令人苦惱 時(shí)間: 2025-3-29 00:54 作者: GORGE 時(shí)間: 2025-3-29 05:43
Cemetery Nights,-a voice like a silver wire extending through the dark or one chunk of flesh pressing against another chunk of flesh. Sometimes I don’t even think that.作者: BUMP 時(shí)間: 2025-3-29 08:49 作者: 珍奇 時(shí)間: 2025-3-29 12:54 作者: 彎彎曲曲 時(shí)間: 2025-3-29 15:45
Small-gain type criteria for LP-stability,mong children? But in some children it gets encouraged, or other talents are frustrated, and eventually they may reach a point in their teens when they decide that they, too, want to write. They have a certain promise, ambition, gall. If Keats could do it, why can’t they? In the same way that Keats once said, If Milton can do it, why can’t I?作者: AMOR 時(shí)間: 2025-3-29 22:10 作者: 魯莽 時(shí)間: 2025-3-30 03:32
Rajan Bhatt,Ram Swaroop Meena,Akbar Hossainhe purpose of the particular category of writing (menus, traffic tickets, poems) and the purpose of the particular example of writing. The purpose of the particular category of writing is determined by its function, which, in art, may be no more than to give pleasure, which further means that it mus作者: LOPE 時(shí)間: 2025-3-30 07:43
https://doi.org/10.1007/978-3-642-48146-8a sense of gratification. In the second, the reader either can’t anticipate or anticipates incorrectly, while being constantly surprised with unexpected patterns and repetitions. The first system, generally speaking, is the system of traditionally metered verse. The second is the system of free vers作者: 無(wú)思維能力 時(shí)間: 2025-3-30 11:39
https://doi.org/10.1007/978-3-642-48146-8ntrariwise, it is also a conduit passing between artist and audience, the half-open door standing between them. Yet it is more than a means of communication, it is also what is being communicated. It contains the essence, the very spirit of its creator, but if the audience cannot find its way within作者: 鳴叫 時(shí)間: 2025-3-30 13:26 作者: 脆弱帶來(lái) 時(shí)間: 2025-3-30 16:40
Small-gain type criteria for LP-stability,f pragmatism, of daily work and eating, the world where we spit, breathe and move our bowels. This world surrounds us like a shell, sometimes pressing close and sometimes, if we have money or are simply fortunate, giving us a little room to amuse ourselves. Yet the walls are always there. It is the 作者: arousal 時(shí)間: 2025-3-30 23:25
Small-gain type criteria for LP-stability,mong children? But in some children it gets encouraged, or other talents are frustrated, and eventually they may reach a point in their teens when they decide that they, too, want to write. They have a certain promise, ambition, gall. If Keats could do it, why can’t they? In the same way that Keats 作者: 的事物 時(shí)間: 2025-3-31 01:32 作者: Gustatory 時(shí)間: 2025-3-31 08:27
Small-gain type criteria for LP-stability,er this one—when we will scratch, when we will speak, when we will hit a tennis ball. And our skill in living depends in part on how we imagine that next moment. If we ignore it, then we become the victim of events. If we place that next moment too far into the future, then we damage our present: th作者: 啪心兒跳動(dòng) 時(shí)間: 2025-3-31 11:31
https://doi.org/10.1007/BFb0044060 over to fashion designers, home decorators. Yet it isn’t enough to want to write a story or novel or poem; the writer must also want to make something beautiful—even though that might mean making it ugly. Think of it this way: it is a requirement of art that a work add up to more than the sum of it作者: VEIL 時(shí)間: 2025-3-31 15:59 作者: CRP743 時(shí)間: 2025-3-31 18:34
978-1-4039-6147-1Palgrave Macmillan, a division of Nature America Inc. 2003作者: BATE 時(shí)間: 2025-3-31 22:03
Textbook 20001st editionplines who are hardly aware of one discipline‘s links to the other. Currently, many books are on the market that treat the subject of wavelets from a wide range of perspectives and with windows on one or several areas of a large spectrum IThine is an eternal celebration ‘" A cosmic Festival of Light作者: 閑逛 時(shí)間: 2025-4-1 05:13 作者: saphenous-vein 時(shí)間: 2025-4-1 07:36 作者: Largess 時(shí)間: 2025-4-1 14:02
Critical Stability Constantshttp://image.papertrans.cn/d/image/240132.jpg
