派博傳思國際中心

標(biāo)題: Titlebook: Bertolt Brecht; Ronald Speirs Textbook 1987Latest edition Macmillan Publishers Limited 1987 Bertolt Brecht.Brecht.Inuit.Marx.play [打印本頁]

作者: Encomium    時(shí)間: 2025-3-21 16:25
書目名稱Bertolt Brecht影響因子(影響力)




書目名稱Bertolt Brecht影響因子(影響力)學(xué)科排名




書目名稱Bertolt Brecht網(wǎng)絡(luò)公開度




書目名稱Bertolt Brecht網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Bertolt Brecht被引頻次




書目名稱Bertolt Brecht被引頻次學(xué)科排名




書目名稱Bertolt Brecht年度引用




書目名稱Bertolt Brecht年度引用學(xué)科排名




書目名稱Bertolt Brecht讀者反饋




書目名稱Bertolt Brecht讀者反饋學(xué)科排名





作者: cyanosis    時(shí)間: 2025-3-21 20:24
Macmillan Publishers Limited 1987
作者: V切開    時(shí)間: 2025-3-22 03:03

作者: dissent    時(shí)間: 2025-3-22 07:32
https://doi.org/10.1007/978-3-658-21344-2To begin at the end: Brecht died on 14 August 1956 in East Berlin. One of his best-known poems anticipates his death:
作者: 瑪瑙    時(shí)間: 2025-3-22 08:43

作者: AMBI    時(shí)間: 2025-3-22 13:39

作者: 挫敗    時(shí)間: 2025-3-22 17:46
,Staupunkte im Str?mungsgebiet,rxism. As such, it represents only an approximation to the way he actually practised theatre. This chapter will therefore describe in general terms the principal means by which he effected his ideas and certain aspects of his practice not fully provided for in his theory.
作者: 裝勇敢地做    時(shí)間: 2025-3-22 22:39

作者: 走調(diào)    時(shí)間: 2025-3-23 02:57
Kann Steuerwettbewerb die Politik z?hmen?t Brecht had begun to develop the reputation of an . through the column he wrote as theatre critic for the organ of the Independent Socialist Party in Augsburg (the .) in which he brought higher artistic and intellectual demands to bear on the productions of the local repertory theatre than its mana
作者: irritation    時(shí)間: 2025-3-23 06:20
,Staupunkte im Str?mungsgebiet,rxism. As such, it represents only an approximation to the way he actually practised theatre. This chapter will therefore describe in general terms the principal means by which he effected his ideas and certain aspects of his practice not fully provided for in his theory.
作者: 只有    時(shí)間: 2025-3-23 11:44

作者: Ejaculate    時(shí)間: 2025-3-23 16:22
https://doi.org/10.1007/978-3-642-84278-8lay with fire without getting burnt. The place of its composition fed into the play in a number of ways. The need to give such warning was borne in on Brecht by his perception that the Scandinavians were prepared to collaborate with Hitler’s preparations for war in the expectation of profit and in t
作者: Occipital-Lobe    時(shí)間: 2025-3-23 21:55

作者: 聚集    時(shí)間: 2025-3-23 23:07

作者: Affiliation    時(shí)間: 2025-3-24 03:21
Inkontinenz- und Deszensuschirurgie der Frau to write a play she could perform on Broadway, a commission which prompted him to cast in theatrical form a story he had written some years previously (‘The Augsburg Chalk Circle’). Initially the commission inspired him with little enthusiasm ‘in this empty place, devoid of wishes’. Only a week aft
作者: 可忽略    時(shí)間: 2025-3-24 09:22
https://doi.org/10.1007/978-3-642-84278-8ar’ (CM, 68) — had particular relevance to Germany’s less powerful Northern neighbours, as did its setting in the Thirty Years War (1618–1648), a war in which Scandinavian countries (particularly Sweden) were embroiled and which cost Europe dearly in both life and property.
作者: 不法行為    時(shí)間: 2025-3-24 11:21
Mother Courage and her Children,ar’ (CM, 68) — had particular relevance to Germany’s less powerful Northern neighbours, as did its setting in the Thirty Years War (1618–1648), a war in which Scandinavian countries (particularly Sweden) were embroiled and which cost Europe dearly in both life and property.
作者: gastritis    時(shí)間: 2025-3-24 16:24

作者: 山崩    時(shí)間: 2025-3-24 20:35
Urodynamische Evaluation der Inkontinenzular, immediate purpose, determined to make no ‘concessions’ to prevailing audience expectations. Having made ‘a(chǎn) great step backwards in technique’ with ., written ‘for the bottom drawer’ (SM, 13), was to be based much more uncompromisingly on the principles of Epic Theatre.
作者: Circumscribe    時(shí)間: 2025-3-24 23:26

作者: 毀壞    時(shí)間: 2025-3-25 05:23

作者: probate    時(shí)間: 2025-3-25 07:57
Textbook 1987Latest editionly for such major plays as Mother Courage and her Children, The Life of Galileo, The Good Person of Szechwan, or The Caucasian Chalk Circle, and for the concepts of ‘Epic Theatre‘ or the ‘a(chǎn)lienation effect‘, but also for the exemplary productions with which the Berliner Ensemble scored successes bot
作者: ALOFT    時(shí)間: 2025-3-25 15:17
wn, not only for such major plays as Mother Courage and her Children, The Life of Galileo, The Good Person of Szechwan, or The Caucasian Chalk Circle, and for the concepts of ‘Epic Theatre‘ or the ‘a(chǎn)lienation effect‘, but also for the exemplary productions with which the Berliner Ensemble scored suc
作者: Conflict    時(shí)間: 2025-3-25 17:43
Inkontinenz- und Deszensuschirurgie der Frauy (‘The Augsburg Chalk Circle’). Initially the commission inspired him with little enthusiasm ‘in this empty place, devoid of wishes’. Only a week after sending off the completed manuscript to Rainer, Brecht suddenly felt dissatisfied with the concessions he had made to the audience’s presumed taste for idealised heroines:
作者: 引起    時(shí)間: 2025-3-25 21:01

作者: 實(shí)施生效    時(shí)間: 2025-3-26 01:32

作者: 尖叫    時(shí)間: 2025-3-26 04:46
Theories of Theatre,t Brecht had begun to develop the reputation of an . through the column he wrote as theatre critic for the organ of the Independent Socialist Party in Augsburg (the .) in which he brought higher artistic and intellectual demands to bear on the productions of the local repertory theatre than its mana
作者: Evocative    時(shí)間: 2025-3-26 12:31
,Brecht’s Practice of Theatre,rxism. As such, it represents only an approximation to the way he actually practised theatre. This chapter will therefore describe in general terms the principal means by which he effected his ideas and certain aspects of his practice not fully provided for in his theory.
作者: Obligatory    時(shí)間: 2025-3-26 16:01
Saint Joan of the Stockyards,nal function of major drama (.), which was to confront the public with the central issues of the age. The traditional form of drama, he argued, could no longer encompass the complexities of the modern world where the life of the individual was profoundly affected by events and processes over which h
作者: FILTH    時(shí)間: 2025-3-26 19:22

作者: pessimism    時(shí)間: 2025-3-26 22:51

作者: 陰謀    時(shí)間: 2025-3-27 02:05

作者: 貴族    時(shí)間: 2025-3-27 08:42

作者: 吹牛大王    時(shí)間: 2025-3-27 12:37
Familienpolitik auf dem Prüfstandon the individual cast of his imagination and on the contemporary influences (if such a word can be applied to an individual in whom the ‘spirit of contradiction’ was so strongly developed) that fed into his conception of Epic Theatre.
作者: 無王時(shí)期,    時(shí)間: 2025-3-27 16:05

作者: 盡責(zé)    時(shí)間: 2025-3-27 19:45
Inkonsistenzen in deduktiven Datenbankenis away from a heroic treatment of an individual life towards one in which the individual provides the focus for a study of the historical process, a process that cannot be confined within the limits of pessimistic or optimistic literary modes. The intellectual and emotional complexity of Brecht’s f
作者: Mammal    時(shí)間: 2025-3-28 00:28

作者: 我不怕犧牲    時(shí)間: 2025-3-28 03:04

作者: chastise    時(shí)間: 2025-3-28 07:35

作者: 侵略    時(shí)間: 2025-3-28 12:14

作者: 法律的瑕疵    時(shí)間: 2025-3-28 17:00
detail. It argues that Brecht‘s procedures both of writing and production are better understood as rhetorical strategies than as ‘scientific‘ demonstrations. ‘...Dr Speirs provides a balanced amount of description and of analysis, which together with details of productions (supported by eight pages of illustr
作者: Atmosphere    時(shí)間: 2025-3-28 22:43
10樓
作者: 上坡    時(shí)間: 2025-3-29 02:39
10樓




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