標(biāo)題: Titlebook: Berryman and Lowell; The Art of Losing Stephen Matterson Book 1988 Stephen John Matterson 1988 literature.poetics.poetry [打印本頁] 作者: 轉(zhuǎn)變 時(shí)間: 2025-3-21 19:09
書目名稱Berryman and Lowell影響因子(影響力)
書目名稱Berryman and Lowell影響因子(影響力)學(xué)科排名
書目名稱Berryman and Lowell網(wǎng)絡(luò)公開度
書目名稱Berryman and Lowell網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Berryman and Lowell被引頻次
書目名稱Berryman and Lowell被引頻次學(xué)科排名
書目名稱Berryman and Lowell年度引用
書目名稱Berryman and Lowell年度引用學(xué)科排名
書目名稱Berryman and Lowell讀者反饋
書目名稱Berryman and Lowell讀者反饋學(xué)科排名
作者: Repatriate 時(shí)間: 2025-3-21 22:26 作者: CHOP 時(shí)間: 2025-3-22 02:15 作者: Density 時(shí)間: 2025-3-22 06:57 作者: 確定無疑 時(shí)間: 2025-3-22 10:23
https://doi.org/10.1007/978-3-658-25544-2 Even in the generation which included poets such as Elizabeth Bishop, Delmore Schwartz, Randall Jarrell and Theodore Roethke, Lowell and Berryman were outstanding. Although they never collaborated, their achievement was, in many respects, a joint one. Their generation grew up poetically dominated b作者: 殺死 時(shí)間: 2025-3-22 13:21 作者: harbinger 時(shí)間: 2025-3-22 20:02 作者: 沒血色 時(shí)間: 2025-3-22 23:01
Inklusive Berufliche Orientierunggeneral rather than a specific application. But in . (1953) Berryman turned sharply away from the epistemological basis of his earlier poetics, and began to explore themes in a different style. It appears probable that personal traumata underlie the making of .; as is undoubtedly the case with ., wr作者: Isometric 時(shí)間: 2025-3-23 05:12 作者: cacophony 時(shí)間: 2025-3-23 07:52
Inklusive Berufliche Orientierungry is in these books: Jarrell’s . (1965), Roethke’s . (1964), and Bishop’s . (1976). There can be no doubt that these books confirm the high reputation of the authors, and are entirely consistent with their overall achievement. True, Jarrell’s poems in . are more overtly personal than much of his pr作者: PANT 時(shí)間: 2025-3-23 11:40
http://image.papertrans.cn/b/image/183887.jpg作者: flaggy 時(shí)間: 2025-3-23 16:03
https://doi.org/10.1007/978-3-658-25544-2y Eliot, Pound and Yeats. Since these central figures of modernist poetry exerted so tremendous an influence on successive poets, it seemed inevitable that those seeking a style in the 1930s and 1940s would learn from modernism, writing in the styles that the modernists made familiar.作者: 公豬 時(shí)間: 2025-3-23 18:33 作者: 斗志 時(shí)間: 2025-3-24 01:16 作者: 異端 時(shí)間: 2025-3-24 03:35 作者: 施舍 時(shí)間: 2025-3-24 08:59 作者: BOLUS 時(shí)間: 2025-3-24 11:08
Introduction: Tumbles and Leaps,y Eliot, Pound and Yeats. Since these central figures of modernist poetry exerted so tremendous an influence on successive poets, it seemed inevitable that those seeking a style in the 1930s and 1940s would learn from modernism, writing in the styles that the modernists made familiar.作者: EXULT 時(shí)間: 2025-3-24 15:37
Beginning in Wisdom,Berryman for growth of talent. The reception given to . was as great as that which had been given to Schwartz’s .. However, by 1944 such acclaim was beginning to turn against Schwartz. From the first Lowell seemed greater than the other poets of his generation; . showed major talent that had the pot作者: 煩擾 時(shí)間: 2025-3-24 21:54
Towards a Rhetoric of Destitution,ted work from his preceding books and also included recent work appearing for the first time in book form. Like . seems to look backwards as well as forward. Several elements of Berryman’s later poetry are introduced in this book — notably, in ‘The Ball Poem’ and ‘The Nervous Songs’.作者: Optic-Disk 時(shí)間: 2025-3-24 23:16 作者: 誘騙 時(shí)間: 2025-3-25 03:45 作者: 呼吸 時(shí)間: 2025-3-25 08:32
https://doi.org/10.1007/978-3-658-32395-0ted work from his preceding books and also included recent work appearing for the first time in book form. Like . seems to look backwards as well as forward. Several elements of Berryman’s later poetry are introduced in this book — notably, in ‘The Ball Poem’ and ‘The Nervous Songs’.作者: Cytokines 時(shí)間: 2025-3-25 13:31
Inklusive Berufliche Orientierungnd Lowell contribute greatly to the need for such an exploration. In both works a fresh poetic emerges. In this chapter I shall examine the individual nature of Lowell’s poetics and the implications this has for an understanding of his work.作者: Medicare 時(shí)間: 2025-3-25 16:46
Introduction: Tumbles and Leaps, Even in the generation which included poets such as Elizabeth Bishop, Delmore Schwartz, Randall Jarrell and Theodore Roethke, Lowell and Berryman were outstanding. Although they never collaborated, their achievement was, in many respects, a joint one. Their generation grew up poetically dominated b作者: linguistics 時(shí)間: 2025-3-25 20:03
Beginning in Wisdom,s poems were reprinted in his first book-length collection, . (1942). Lowell too reprinted most of his first book, . (1944), in his second, . (1946). As one begins to compare the early poetry of Berryman and Lowell a major difficulty arises. . is an immense achievement. It was widely reviewed, recei作者: 嚴(yán)厲批評(píng) 時(shí)間: 2025-3-26 01:20 作者: PRO 時(shí)間: 2025-3-26 06:19 作者: 率直 時(shí)間: 2025-3-26 08:43 作者: FEIGN 時(shí)間: 2025-3-26 12:44
Defeats and Dreams,ry is in these books: Jarrell’s . (1965), Roethke’s . (1964), and Bishop’s . (1976). There can be no doubt that these books confirm the high reputation of the authors, and are entirely consistent with their overall achievement. True, Jarrell’s poems in . are more overtly personal than much of his pr作者: 不如樂死去 時(shí)間: 2025-3-26 17:30
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