派博傳思國際中心

標(biāo)題: Titlebook: Bernard Shaw and the Comic Sublime; David J. Gordon Book 1990 David J. Gordon 1990 Britain.George Bernard Shaw.history of literature.humou [打印本頁]

作者: deferential    時(shí)間: 2025-3-21 16:46
書目名稱Bernard Shaw and the Comic Sublime影響因子(影響力)




書目名稱Bernard Shaw and the Comic Sublime影響因子(影響力)學(xué)科排名




書目名稱Bernard Shaw and the Comic Sublime網(wǎng)絡(luò)公開度




書目名稱Bernard Shaw and the Comic Sublime網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Bernard Shaw and the Comic Sublime被引頻次




書目名稱Bernard Shaw and the Comic Sublime被引頻次學(xué)科排名




書目名稱Bernard Shaw and the Comic Sublime年度引用




書目名稱Bernard Shaw and the Comic Sublime年度引用學(xué)科排名




書目名稱Bernard Shaw and the Comic Sublime讀者反饋




書目名稱Bernard Shaw and the Comic Sublime讀者反饋學(xué)科排名





作者: 犬儒主義者    時(shí)間: 2025-3-21 21:50

作者: Trypsin    時(shí)間: 2025-3-22 00:51

作者: Innovative    時(shí)間: 2025-3-22 08:09
The Big Three the reputation of the author as a serious dramatist was first established, and still mainly rests’ (. 3: 193). He refers of course to . and ., along with ., which were written in sequence between 1901 and 1905. They are all highly original and together explore the heights and depths of Shaw’s sensi
作者: 投票    時(shí)間: 2025-3-22 11:51
Compromise and Negation of the Comic Sublimenued to compel Shaw’s imagination through the compromise structures of 1906–12, the powerful negation of its logic represented by . and those extraordinary baffled apocalypses, . and .. The best work of the raggedy 1906–12 period is, in fact, the most artificial — the contrived dilemma of ., the fab
作者: metropolitan    時(shí)間: 2025-3-22 15:15

作者: 猛然一拉    時(shí)間: 2025-3-22 17:48
The Summing Upor Saint, who dares and dares again in God’s name, is a perfect emblem of idealised self-sufficiency. Or almost perfect, because it involves the idealisation of a warrior, though this is softened by feminine charm. Shaw senses the difficulty enough to try to compensate for it in the preface. There,
作者: 掙扎    時(shí)間: 2025-3-22 21:54
Relaxation of the Comic Sublimefort into ., a judicious summing up of ideas expressed over the years (concerning particularly the moral directionlessness of capitalism), as if to mark the completion of an extended period of creative development.
作者: 繁榮地區(qū)    時(shí)間: 2025-3-23 01:40

作者: unstable-angina    時(shí)間: 2025-3-23 06:44

作者: ORBIT    時(shí)間: 2025-3-23 10:48
Guida alla conversazione radiologica,lthough neither witty nor eloquent, it anticipates very remarkably not only the mature writer’s preoccupation with questions of conduct and belief but also the way in which, as a Bunyanesque Protestant, he searched for authenticity.
作者: 可轉(zhuǎn)變    時(shí)間: 2025-3-23 17:53

作者: 積習(xí)已深    時(shí)間: 2025-3-23 19:41

作者: JECT    時(shí)間: 2025-3-24 01:29

作者: 輕率看法    時(shí)間: 2025-3-24 04:54
Guida alla conversazione radiologica,lthough neither witty nor eloquent, it anticipates very remarkably not only the mature writer’s preoccupation with questions of conduct and belief but also the way in which, as a Bunyanesque Protestant, he searched for authenticity.
作者: 極小    時(shí)間: 2025-3-24 07:11

作者: 失眠癥    時(shí)間: 2025-3-24 13:02
Conversazione: guida alla sopravvivenza, the reputation of the author as a serious dramatist was first established, and still mainly rests’ (. 3: 193). He refers of course to . and ., along with ., which were written in sequence between 1901 and 1905. They are all highly original and together explore the heights and depths of Shaw’s sensi
作者: 易于出錯(cuò)    時(shí)間: 2025-3-24 16:15
Conversazione: guida alla sopravvivenza,nued to compel Shaw’s imagination through the compromise structures of 1906–12, the powerful negation of its logic represented by . and those extraordinary baffled apocalypses, . and .. The best work of the raggedy 1906–12 period is, in fact, the most artificial — the contrived dilemma of ., the fab
作者: hypnotic    時(shí)間: 2025-3-24 21:49
https://doi.org/10.1007/978-88-470-0741-3ittle of its spirit.) It is certainly true that the theme of romantic disappointment — heartbreak — informs his next important play, begun in 1913 though not completed until the war was well along and had left its mark upon it. But, despite a certain similarity of theme between . and ., the two play
作者: 不愛防注射    時(shí)間: 2025-3-25 02:13
Guida alla conversazione radiologica,or Saint, who dares and dares again in God’s name, is a perfect emblem of idealised self-sufficiency. Or almost perfect, because it involves the idealisation of a warrior, though this is softened by feminine charm. Shaw senses the difficulty enough to try to compensate for it in the preface. There,
作者: 仲裁者    時(shí)間: 2025-3-25 05:45

作者: 等級的上升    時(shí)間: 2025-3-25 10:18
,Capacità comunicazione in medicina,specific sense that he sought by his writing to change our minds and therefore our conduct concerning both our private and public lives. Indeed, the very distinction between private and public, between personal and political, is one that the whole drift of his work seeks to break down. Essentially h
作者: ATOPY    時(shí)間: 2025-3-25 12:36

作者: 人類學(xué)家    時(shí)間: 2025-3-25 19:48

作者: bonnet    時(shí)間: 2025-3-25 21:05
IntroductionAs he moved into full command of his powers during the 1890s, Shaw excitedly began to describe himself as a dramatic poet. I shall attempt in this study to justify that claim, understanding the word ‘poet’ in an extended but fairly definite sense.
作者: 事與愿違    時(shí)間: 2025-3-26 01:31

作者: fixed-joint    時(shí)間: 2025-3-26 05:31

作者: Lasting    時(shí)間: 2025-3-26 09:06
Baffled Apocalypse: Heartbreak House and Back to Methuselahittle of its spirit.) It is certainly true that the theme of romantic disappointment — heartbreak — informs his next important play, begun in 1913 though not completed until the war was well along and had left its mark upon it. But, despite a certain similarity of theme between . and ., the two plays are fundamentally different in tone.
作者: justify    時(shí)間: 2025-3-26 15:36

作者: 不遵守    時(shí)間: 2025-3-26 17:32
Guida alla conversazione radiologica,us leaders are more interesting and more important subjects for the dramatist than great conquerors’ (. 3: 714). The play itself cannot, of course, ignore the business of military conquest, but it does attempt to make Joan’s victories represent, however unconsciously on her part, a spiritual advance in the march of civilisation.
作者: 滲入    時(shí)間: 2025-3-26 21:39
The Summing Upus leaders are more interesting and more important subjects for the dramatist than great conquerors’ (. 3: 714). The play itself cannot, of course, ignore the business of military conquest, but it does attempt to make Joan’s victories represent, however unconsciously on her part, a spiritual advance in the march of civilisation.
作者: 都相信我的話    時(shí)間: 2025-3-27 02:00
https://doi.org/10.1007/978-88-470-0741-3ploits so many well tried comic conventions. Indeed, as Maurice Valency (1973) observed, the whole plot of a soldier returning to claim the lady and defeating the local rival is an old story (p. 107). Later, Shaw himself turned upon the play, calling it ‘a(chǎn) bag of the oldest stage tricks’ (. 132).
作者: 繁榮中國    時(shí)間: 2025-3-27 06:52
,Capacità comunicazione in medicina,ery distinction between private and public, between personal and political, is one that the whole drift of his work seeks to break down. Essentially his vision internalises the premises of Socialism, exposing with wit and eloquence the ‘hopelessly private’ person’s neglect of a communal imperative, of the necessary drama of unselfing.
作者: Armada    時(shí)間: 2025-3-27 10:25
Development of the Comic Sublimeploits so many well tried comic conventions. Indeed, as Maurice Valency (1973) observed, the whole plot of a soldier returning to claim the lady and defeating the local rival is an old story (p. 107). Later, Shaw himself turned upon the play, calling it ‘a(chǎn) bag of the oldest stage tricks’ (. 132).
作者: FUSC    時(shí)間: 2025-3-27 16:05

作者: GEM    時(shí)間: 2025-3-27 21:32
Moderare una sessione radiologica,ive writing carry forward, under the banner of Socialism, a vision of perfectibility at once collective and individual. The imperative of general progress is at the same time a psychological imperative, for Shaw’s work typically dramatises conflict between the egoism of the commonplace social self and the higher egoism of moral passion.
作者: Homocystinuria    時(shí)間: 2025-3-27 23:48
Conversazione: guida alla sopravvivenza,bility. No play is more central to the canon than ., whose crucial third act both enacts and discusses the comic sublime. None is more committed to the sublime in its basic overall structure than .. And none is more despairing of attaining the heights than ..
作者: famine    時(shí)間: 2025-3-28 03:50
The Comic Sublimeive writing carry forward, under the banner of Socialism, a vision of perfectibility at once collective and individual. The imperative of general progress is at the same time a psychological imperative, for Shaw’s work typically dramatises conflict between the egoism of the commonplace social self and the higher egoism of moral passion.
作者: 光亮    時(shí)間: 2025-3-28 07:19
The Big Threebility. No play is more central to the canon than ., whose crucial third act both enacts and discusses the comic sublime. None is more committed to the sublime in its basic overall structure than .. And none is more despairing of attaining the heights than ..
作者: restrain    時(shí)間: 2025-3-28 11:26
Conversazione: guida alla sopravvivenza,tions for the later and greater ., moreover, introduces the third version of the comic sublime (though it was adumbrated in the role of Caesar), the lonely standing on the heights in search of the shadowy embrace that promises to complete, to totalise, the ego.
作者: 剛毅    時(shí)間: 2025-3-28 18:13
Compromise and Negation of the Comic Sublimetions for the later and greater ., moreover, introduces the third version of the comic sublime (though it was adumbrated in the role of Caesar), the lonely standing on the heights in search of the shadowy embrace that promises to complete, to totalise, the ego.
作者: 種類    時(shí)間: 2025-3-28 22:46
10樓
作者: overshadow    時(shí)間: 2025-3-28 23:03
10樓
作者: 冥想后    時(shí)間: 2025-3-29 05:39
10樓
作者: 持久    時(shí)間: 2025-3-29 08:38
10樓




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