標(biāo)題: Titlebook: Bernard Shaw and the Censors; Fights and Failures, Bernard F. Dukore Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 Bernard [打印本頁(yè)] 作者: GURU 時(shí)間: 2025-3-21 17:32
書(shū)目名稱Bernard Shaw and the Censors影響因子(影響力)
書(shū)目名稱Bernard Shaw and the Censors影響因子(影響力)學(xué)科排名
書(shū)目名稱Bernard Shaw and the Censors網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱Bernard Shaw and the Censors網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱Bernard Shaw and the Censors被引頻次
書(shū)目名稱Bernard Shaw and the Censors被引頻次學(xué)科排名
書(shū)目名稱Bernard Shaw and the Censors年度引用
書(shū)目名稱Bernard Shaw and the Censors年度引用學(xué)科排名
書(shū)目名稱Bernard Shaw and the Censors讀者反饋
書(shū)目名稱Bernard Shaw and the Censors讀者反饋學(xué)科排名
作者: 搖擺 時(shí)間: 2025-3-21 21:47
Book 2020less be the last word on the topic.”.- Michel Pharand, former editor of?.SHAW: The Journal of Bernard Shaw Studies .and?author of .Bernard Shaw and the French .(2001).?."This book shows us a new side of Shaw and his complicated relationships to the powerful mechanisms of stage and screen censorship 作者: Malcontent 時(shí)間: 2025-3-22 04:07
,Interpretazione dell’elettrocardiogramma, censor whatever might impede their duties, desires, and prejudices. Perhaps most obviously, departments in charge of matters related to war and peace do not want actual or potential adversaries to obtain information about defense or military matters. The Home Office of the United Kingdom is作者: Palliation 時(shí)間: 2025-3-22 05:50
Conversazione: guida alla sopravvivenza,omers, one at a time at each machine. The breakthrough innovation was machines that projected moving pictures onto a screen, so that as many paying customers as the room, hall, or other venue held could watch the phenomenon.作者: 克制 時(shí)間: 2025-3-22 09:31
Who Is the Censor?, censor whatever might impede their duties, desires, and prejudices. Perhaps most obviously, departments in charge of matters related to war and peace do not want actual or potential adversaries to obtain information about defense or military matters. The Home Office of the United Kingdom is作者: Indebted 時(shí)間: 2025-3-22 15:31
Shaw and Movie Censorship in Britain and the United States,omers, one at a time at each machine. The breakthrough innovation was machines that projected moving pictures onto a screen, so that as many paying customers as the room, hall, or other venue held could watch the phenomenon.作者: 清澈 時(shí)間: 2025-3-22 19:00 作者: NAV 時(shí)間: 2025-3-23 00:39
978-3-030-52188-2The Editor(s) (if applicable) and The Author(s) 2020作者: 戲法 時(shí)間: 2025-3-23 02:55
,Interpretazione dell’elettrocardiogramma,asking the question, involves people and organizations that might seem to exclude the subject of her inquiry: “The Censor is Society, the church, Educational Authorities, the local Fire Brigade, the Police, the Board of Trade, the Admiralty, the War Office, the Home Office, the Foreign Office, the L作者: 紳士 時(shí)間: 2025-3-23 08:08 作者: monochromatic 時(shí)間: 2025-3-23 11:22
https://doi.org/10.1007/978-88-470-1359-9ously with social issues. What stood in their way was the threat of the Lord Chamberlain’s refusal of a license. Unsurprisingly, as James Woodfield states, a chief argument of those who supported the abolition of stage censorship was discrimination against serious dramatists. Like authors of music h作者: nullify 時(shí)間: 2025-3-23 13:54 作者: 制造 時(shí)間: 2025-3-23 21:40 作者: ILEUM 時(shí)間: 2025-3-24 01:25 作者: Headstrong 時(shí)間: 2025-3-24 02:54
Bernard Shaw and His Contemporarieshttp://image.papertrans.cn/b/image/183853.jpg作者: Fallibility 時(shí)間: 2025-3-24 06:44
Bernard Shaw and the Censors978-3-030-52186-8Series ISSN 2634-5811 Series E-ISSN 2634-582X 作者: TERRA 時(shí)間: 2025-3-24 11:30 作者: INTER 時(shí)間: 2025-3-24 16:45 作者: Eclampsia 時(shí)間: 2025-3-24 20:30
The Erosion of Stage and Screen Censorship, in front of a moving bus. Not since Shaw, said Nicholas de Jongh, “had there been such an agitating dramatist and agent provocateur.” Osborne confronted the Lord Chamberlain’s vetoes “with determination and fury.” Like Shaw and others, he had to alter dialogue to obtain a license for his play to be作者: Ankylo- 時(shí)間: 2025-3-25 00:54
2634-5811 brity, not an outsider; as a classic, not one of the avant-garde, of which Victorians and Edwardians were intolerant; as ahead of his time, not of it, when he was called “disgusting,” “immoral", and "degenerate978-3-030-52188-2978-3-030-52186-8Series ISSN 2634-5811 Series E-ISSN 2634-582X 作者: 不要嚴(yán)酷 時(shí)間: 2025-3-25 05:24 作者: NOT 時(shí)間: 2025-3-25 09:28
https://doi.org/10.1007/978-88-470-1359-9heatres sprang up to circumvent the Lord Chamberlain’s ban on serious drama by the same means that productions of . and . had circumvented it: private performances for members of a society or club who did not purchase tickets at the box office but received them as part of their membership dues. In 1作者: exquisite 時(shí)間: 2025-3-25 14:27 作者: entrance 時(shí)間: 2025-3-25 17:57
Book 2020ports of defeats are so buoyant, they seem to describe triumphs. We think of him as a celebrity, not an outsider; as a classic, not one of the avant-garde, of which Victorians and Edwardians were intolerant; as ahead of his time, not of it, when he was called “disgusting,” “immoral", and "degenerate作者: Adjourn 時(shí)間: 2025-3-25 23:50 作者: 決定性 時(shí)間: 2025-3-26 03:53 作者: 指數(shù) 時(shí)間: 2025-3-26 06:48
,Shaw’s Campaign Against the Censors: Press, Public Opinion, and Parliament,ously with social issues. What stood in their way was the threat of the Lord Chamberlain’s refusal of a license. Unsurprisingly, as James Woodfield states, a chief argument of those who supported the abolition of stage censorship was discrimination against serious dramatists. Like authors of music h作者: 咽下 時(shí)間: 2025-3-26 09:02
Shaw and Movie Censorship in Britain and the United States,s, or, slangily, movies, which signaled the new medium’s difference from still photographs. The goal of these inventors was commercial: inexpensive entertainment for a mass audience. In May 1893 in Brooklyn, Thomas Edison unveiled his Kinetoscope, a peephole with a slot into which one might drop a c作者: 討好美人 時(shí)間: 2025-3-26 15:45 作者: Exaggerate 時(shí)間: 2025-3-26 19:04
Selecting Sketches for Similarity Searchaps only Osip Mandelstam was as great a reader of Dante. By the time he was writing the work included in ., Duncan appears to have absorbed Baudelaire so completely that he begins channeling the poet in his native language. (And, as Clément Oudart has demonstrated, in “Et: [Passages]” he begins to channel Pound’s “Canto I” into French.)作者: 我還要背著他 時(shí)間: 2025-3-26 23:18
A Bibliometric Analysis of Smart Manufacturing and Way Forward,, and gaps for potential research initiatives. To determine the extent and trends of SM, a bibliometric study is utilized to reflect the various publishing sources, yearly publication numbers, keyword frequency, and top research and development regions.作者: 打算 時(shí)間: 2025-3-27 04:51 作者: geriatrician 時(shí)間: 2025-3-27 06:03
Andrzej Cichocki,Abdelsalam Helal,Marek Rusinkiewicz,Darrell Woelkzu ebenso ephem?rer Verg?nglichkeit verurteilt zu werden braucht, wie es den Darstellungen zahlreicher verdienstvoller Forscher ergangen ist“ und trotzdem eine heut zu gebende Darstellung auch wieder . bringt, so beleuchtet dies in aller Sch?rfe die Schwierigkeiten, die sich nicht nur dem Arbeiten a作者: 一小塊 時(shí)間: 2025-3-27 10:57 作者: arcane 時(shí)間: 2025-3-27 15:48
https://doi.org/10.1057/9780333977880ns include modification of the global climate system, reduction in stratospheric ozone, alteration of the earth’s biogeochemical cycles, changes in the distribution and abundance of biological resources, and decreasing water quantity and quality (Meyer and Turner 1994; IPCC 1996; Mahlman 1997; Vitou作者: 是限制 時(shí)間: 2025-3-27 20:34 作者: electrolyte 時(shí)間: 2025-3-27 23:03
Introduction,guage and harsh accusations, particularly on the American side, was accompanied by equally fervent proclamations of each country’s long and continued closeness to the other. This combination of two apparently opposite attitudes was maintained for months, from the run-up to the Iraq War to the G-8 me
