派博傳思國(guó)際中心

標(biāo)題: Titlebook: Bernard Shaw; A Critical View Nicholas Grene Book 1984 Palgrave Macmillan, a division of Macmillan Publishers Limited 1984 Britain.George B [打印本頁(yè)]

作者: 審美家    時(shí)間: 2025-3-21 19:31
書目名稱Bernard Shaw影響因子(影響力)




書目名稱Bernard Shaw影響因子(影響力)學(xué)科排名




書目名稱Bernard Shaw網(wǎng)絡(luò)公開度




書目名稱Bernard Shaw網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Bernard Shaw被引頻次




書目名稱Bernard Shaw被引頻次學(xué)科排名




書目名稱Bernard Shaw年度引用




書目名稱Bernard Shaw年度引用學(xué)科排名




書目名稱Bernard Shaw讀者反饋




書目名稱Bernard Shaw讀者反饋學(xué)科排名





作者: 無關(guān)緊要    時(shí)間: 2025-3-22 00:13

作者: PHON    時(shí)間: 2025-3-22 04:23
Stage Tricks and Suspenses,le New Drama, it has long been established as little more than the truth. The techniques by which Shaw turned older theatrical forms to his own ends have been demonstrated again and again. Martin Meisel, in particular, has shown how thoroughly Shaw drew upon the nineteenth-century theatrical traditi
作者: angina-pectoris    時(shí)間: 2025-3-22 06:39
A Geographical Conscience,h . and .), one of ‘a(chǎn) group of three plays of exceptional weight and magnitude on which the reputation of the author as a serious dramatist was first established, and still mainly rests’ (CP, ., 193). This has been the view, also, of a number of recent critics who have treated it seriously and sympa
作者: 種類    時(shí)間: 2025-3-22 11:14
Giving the Devil More Than His Due,all its own. Like the Unpleasant plays, . and ., it is concerned with uncovering the economic facts which lie beneath the social surfaces of capitalism. Barbara, like Harry Trench and Vivie Warren, is given a disillusioning education in the workings of the cash nexus. As in the . and ., Shaw’s theme
作者: seduce    時(shí)間: 2025-3-22 16:08
The Perfection of Levity,ted: ‘Caesar and Cleopatra has been driven clean out of my head by a play I want to write for them in which he shall be a west end gentleman and she an east end dona in an apron and three orange and red ostrich feathers.’. It was fifteen years before he wrote a line of ., but when finally written it
作者: 創(chuàng)造性    時(shí)間: 2025-3-22 20:47
Bangs and Whimpers,erhaps his greatest play. It is interesting to speculate on the reasons for this rise in its reputation. Formally, it represents something of a new departure for Shaw, with a technique and structure which can be compared with more modern dramatists. Its use of symbolism, its allusiveness, its free a
作者: 無畏    時(shí)間: 2025-3-23 01:11

作者: headway    時(shí)間: 2025-3-23 03:45

作者: hypertension    時(shí)間: 2025-3-23 06:58

作者: Legion    時(shí)間: 2025-3-23 12:10
?quivalenz und Reduktion von Kr?ftegruppen volumes that his career as a playwright was accidental, begun out of a determination to ‘manufacture the evidence’ in the case for the New Drama in England, and continued out of habit. He paints an amusing picture of himself as an ageing and tiring journalist driven to the expedient of collecting h
作者: flimsy    時(shí)間: 2025-3-23 17:22
?quivalenz und Reduktion von Kr?ftegruppenle New Drama, it has long been established as little more than the truth. The techniques by which Shaw turned older theatrical forms to his own ends have been demonstrated again and again. Martin Meisel, in particular, has shown how thoroughly Shaw drew upon the nineteenth-century theatrical traditi
作者: 注意力集中    時(shí)間: 2025-3-23 18:50

作者: Diastole    時(shí)間: 2025-3-23 22:21

作者: 我吃花盤旋    時(shí)間: 2025-3-24 03:52

作者: nettle    時(shí)間: 2025-3-24 10:10
?quivalenz und Reduktion von Kr?ftegruppenerhaps his greatest play. It is interesting to speculate on the reasons for this rise in its reputation. Formally, it represents something of a new departure for Shaw, with a technique and structure which can be compared with more modern dramatists. Its use of symbolism, its allusiveness, its free a
作者: 正式演說    時(shí)間: 2025-3-24 13:29
Parallele Kr?fte und Schwerpunktus now rise up and go out and fight the Hundred Years War’. Anachronism is of the essence in any dramatisation of history. We can only see what we can from where we are. To us the Middle Ages are the Middle Ages, after the Dark Ages, before the Renaissance; however little aware the soldiers at Crécy
作者: Firefly    時(shí)間: 2025-3-24 14:56
Bewegung eines materiellen Punktesl paint, Michael Angelo’s statues all marble, Beethoven’s symphonies are all noise’.. A deft defence. But the criticism is not quite as fatuous as Shaw makes it seem. His plays are made up, to a greater extent than those of other dramatists, of people talking — conversations, arguments, debates, rep
作者: BRIEF    時(shí)間: 2025-3-24 19:10

作者: 卜聞    時(shí)間: 2025-3-25 02:36
https://doi.org/10.1007/978-1-349-17542-0Britain; George Bernard Shaw; literature; British and Irish Literature
作者: 召集    時(shí)間: 2025-3-25 04:32
Palgrave Macmillan, a division of Macmillan Publishers Limited 1984
作者: Cultivate    時(shí)間: 2025-3-25 10:15

作者: 先兆    時(shí)間: 2025-3-25 14:50

作者: 擁護(hù)者    時(shí)間: 2025-3-25 17:18
Comedy and Dialectic,Having completed ., the last of the ., Shaw announced his (temporary) retirement from the theatre in a letter to Ellen Terry:
作者: 整潔    時(shí)間: 2025-3-25 21:53

作者: corpus-callosum    時(shí)間: 2025-3-26 01:51
Giving the Devil More Than His Due,y preceded it and to which it is linked, . and . In the conflict between the religion of the Salvation Army and Undershaft’s religion of money and gunpowder Shaw found a new and arresting vehicle for his most fundamental intellectual and spiritual themes. . is his fullest attempt to ask and answer the question — what then must we do to be saved?
作者: Homocystinuria    時(shí)間: 2025-3-26 08:02

作者: 協(xié)議    時(shí)間: 2025-3-26 09:18

作者: Subjugate    時(shí)間: 2025-3-26 13:27
Stage Tricks and Suspenses,Forbes Robertson and Mrs Patrick Campbell, . was Shaw’s tribute to Ellen Terry. All three plays make use of the large stage effects so popular in the theatre of the time, crowd scenes, tableaux, exotic or historical settings with eye-catching costumes and backdrops. In fact, . demanded such a lavish
作者: 我悲傷    時(shí)間: 2025-3-26 20:16
A Geographical Conscience,le and Land Acts, the local and topical questions of the day, does contribute to this effect. Those critics who have written about the play have not, on the whole, concentrated on its Irishness, but have seen it instead in relation to Shaw’s other works: Broadbent, Doyle and Keegan stand for the thr
作者: 細(xì)絲    時(shí)間: 2025-3-26 21:02

作者: 特別容易碎    時(shí)間: 2025-3-27 02:28
Bangs and Whimpers,f Shaw’s severest critics, makes a partial exception of ... It is not only in technique but in mood and theme that the play appears more akin to the major works of the twentieth century than anything else Shaw wrote. Its intimations of apocalypse seem to relate it to the great literary creations to
作者: 悶熱    時(shí)間: 2025-3-27 06:59

作者: Ingest    時(shí)間: 2025-3-27 10:16

作者: FACT    時(shí)間: 2025-3-27 14:58

作者: GULP    時(shí)間: 2025-3-27 19:07

作者: exophthalmos    時(shí)間: 2025-3-27 23:37
?quivalenz und Reduktion von Kr?ftegruppenForbes Robertson and Mrs Patrick Campbell, . was Shaw’s tribute to Ellen Terry. All three plays make use of the large stage effects so popular in the theatre of the time, crowd scenes, tableaux, exotic or historical settings with eye-catching costumes and backdrops. In fact, . demanded such a lavish
作者: BRAND    時(shí)間: 2025-3-28 04:28
Mahir B. Sayir,Jürg Dual,Stephan Kaufmannle and Land Acts, the local and topical questions of the day, does contribute to this effect. Those critics who have written about the play have not, on the whole, concentrated on its Irishness, but have seen it instead in relation to Shaw’s other works: Broadbent, Doyle and Keegan stand for the thr
作者: 紡織品    時(shí)間: 2025-3-28 09:00
Parallele Kr?fte und Schwerpunktreer. In 1897 he was still working within the popular forms of the time, writing melodrama and romance to challenge the audiences’ melodramatic and romantic expectations. In many ways . is a Pleasant Play, a Play for Puritans, written out of its time. In the major trilogy of 1901–5, . and ., Shaw ha
作者: 浸軟    時(shí)間: 2025-3-28 11:53
?quivalenz und Reduktion von Kr?ftegruppenf Shaw’s severest critics, makes a partial exception of ... It is not only in technique but in mood and theme that the play appears more akin to the major works of the twentieth century than anything else Shaw wrote. Its intimations of apocalypse seem to relate it to the great literary creations to
作者: 值得尊敬    時(shí)間: 2025-3-28 14:43

作者: 自愛    時(shí)間: 2025-3-28 19:03

作者: 安定    時(shí)間: 2025-3-29 00:05
9樓
作者: 生命層    時(shí)間: 2025-3-29 05:27
10樓
作者: GNAT    時(shí)間: 2025-3-29 07:19
10樓
作者: verdict    時(shí)間: 2025-3-29 13:15
10樓
作者: Ossification    時(shí)間: 2025-3-29 17:09
10樓




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