標(biāo)題: Titlebook: Ben Jonson; A Literary Life W. David Kay Book 1995 W. David Kay 1995 biography.Classicism.English.humour.independence.knowledge.patrons.pla [打印本頁(yè)] 作者: 珍愛 時(shí)間: 2025-3-21 19:20
書目名稱Ben Jonson影響因子(影響力)
書目名稱Ben Jonson影響因子(影響力)學(xué)科排名
書目名稱Ben Jonson網(wǎng)絡(luò)公開度
書目名稱Ben Jonson網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Ben Jonson被引頻次
書目名稱Ben Jonson被引頻次學(xué)科排名
書目名稱Ben Jonson年度引用
書目名稱Ben Jonson年度引用學(xué)科排名
書目名稱Ben Jonson讀者反饋
書目名稱Ben Jonson讀者反饋學(xué)科排名
作者: AMBI 時(shí)間: 2025-3-21 22:42
The Emerging Classicist,andlestick by running him through the eye.. Jonson’s account of their duel makes Spencer the aggressor and emphasises his own disadvantage: ‘being appealed to the fields, he had killed his adversary, which had hurt him in the arm, and whose sword was ten inches longer than his: for the which he was 作者: 安心地散步 時(shí)間: 2025-3-22 00:50 作者: Pruritus 時(shí)間: 2025-3-22 04:34 作者: 誰(shuí)在削木頭 時(shí)間: 2025-3-22 10:37
Jonson and London Life,urban milieu, whose growth in the early seventeenth century is a noticeable feature of London’s development, is reflected in his . and in his comedy . (1609/10), while Blackfriars itself is the setting for . (1610).作者: 細(xì)胞膜 時(shí)間: 2025-3-22 15:08 作者: 變量 時(shí)間: 2025-3-22 17:08 作者: inclusive 時(shí)間: 2025-3-22 22:59
Epilogue: Sons,ishop of Chichester. Though some of the thirty contributors to the volume were Oxford undergraduates eager to showcase their talents with a well-turned elegy, most were friends and ‘sons’ paying tribute to the figure whose encouragement inspired their own poetic efforts.. Again and again they apolog作者: NEXUS 時(shí)間: 2025-3-23 03:50 作者: 使殘廢 時(shí)間: 2025-3-23 06:54 作者: 不吉祥的女人 時(shí)間: 2025-3-23 12:58
Applied Economics and Policy Studiese theatrical quarrel with John Marston and Thomas Dekker that is now known hyperbolically as ‘The War of the Theatres’. Although this incident is sometimes dismissed impatiently by critics who deny that topical satire has artistic significance, it reveals much about the tensions in the Elizabethan l作者: Ejaculate 時(shí)間: 2025-3-23 15:22
https://doi.org/10.1007/978-981-99-0518-8s artistic collaborators and the social realities of such occasions. Yet partly through force of personality and partly through skill at invention he established himself as the leading Jacobean masque writer. In the theatre, too, he gained a striking success with his comedy . (1606), which pleased b作者: 易于 時(shí)間: 2025-3-23 21:52
Demography and?Income Inequalityurban milieu, whose growth in the early seventeenth century is a noticeable feature of London’s development, is reflected in his . and in his comedy . (1609/10), while Blackfriars itself is the setting for . (1610).作者: 不可侵犯 時(shí)間: 2025-3-23 22:12
Status concerns, inequality, and growth,audience he courted so assiduously? For this reason he seems to have asked for partial payment in presentation copies like those surviving examples of . that contain inserted tributes to William Camden and the Countess of Bedford, and (as noted in Chapter 3) he cultivated a network of patrons to who作者: 遭受 時(shí)間: 2025-3-24 02:22
Migration and Higher Education in Germany Jonson responded to these artistic slights with agressive scorn or fantasies of retribution, straining old friendships and inviting new quarrels with his critics. His artistic difficulties were compounded by such personal crises as fire, illness and mounting debts. The themes of his later works — t作者: SOB 時(shí)間: 2025-3-24 10:09
Mary Leahy,John Polesel,Shelley Gillisishop of Chichester. Though some of the thirty contributors to the volume were Oxford undergraduates eager to showcase their talents with a well-turned elegy, most were friends and ‘sons’ paying tribute to the figure whose encouragement inspired their own poetic efforts.. Again and again they apolog作者: llibretto 時(shí)間: 2025-3-24 10:45 作者: dyspareunia 時(shí)間: 2025-3-24 16:22
2946-2037 from the conditions of theatrical production and from his patrons and introduces new evidence that, despite his vaunted classicism, he repeatedly appropriated the matter or forms of other English writers in order to demonstrate his own artistic superiority.978-0-333-46447-2978-1-349-23778-4Series ISSN 2946-2037 Series E-ISSN 2946-2045 作者: PON 時(shí)間: 2025-3-24 20:27
2946-2037 e and his many literary rivalries. Stressing his wit and inventiveness, it explores the strategies by which he attempted to maintain his independence from the conditions of theatrical production and from his patrons and introduces new evidence that, despite his vaunted classicism, he repeatedly appr作者: 知識(shí)分子 時(shí)間: 2025-3-25 03:09 作者: Prostatism 時(shí)間: 2025-3-25 03:32 作者: 喃喃訴苦 時(shí)間: 2025-3-25 09:53 作者: Evolve 時(shí)間: 2025-3-25 13:24
Fathers,wer behind his ambitious literary career was the desire to regain the social position which he believed to be his birthright. His narrative to Drummond indicates that this goal was not achieved without extraordinary struggle — struggle in which two surrogate father-figures played conflicting roles.作者: Evacuate 時(shí)間: 2025-3-25 16:34
Matters of State,gny, freed him for the intensive classical study required for . and for his ‘observations upon Horace his Art ., which (with the text translated)’ he had almost completed by the time the Quarto of . was printed in August 1605..作者: tolerance 時(shí)間: 2025-3-25 23:45
,The King’s Poet,) — illustrates how a court audience that valued novelty and spectacle resisted his sententious humanism. Plays and poetry allowed him freer scope, but even his comedies were more and more designed for the King’s ear.作者: 死亡率 時(shí)間: 2025-3-26 01:41
Book 1995many literary rivalries. Stressing his wit and inventiveness, it explores the strategies by which he attempted to maintain his independence from the conditions of theatrical production and from his patrons and introduces new evidence that, despite his vaunted classicism, he repeatedly appropriated t作者: 極為憤怒 時(shí)間: 2025-3-26 07:39
Fathers,kground and childhood circumstances are obscured by the gaps in surviving records. He told William Drummond that.His father’s Christian name is not recorded, and scholars have been unable to single him out from among the myriad Johnsons who lived in Tudor England or to trace his earlier ancestry. To作者: 不理會(huì) 時(shí)間: 2025-3-26 12:23
The Actor-Playwright,red with a love of literature, but how or when he decided to become a dramatic poet is difficult to determine. Unlike Shakespeare, whose ‘lost years’ are completely undocumented, many of Jonson’s activities in his later youth and early manhood are known, but the surviving records are incomplete. How作者: stress-test 時(shí)間: 2025-3-26 15:48 作者: NAUT 時(shí)間: 2025-3-26 17:50 作者: 脫落 時(shí)間: 2025-3-27 00:38 作者: 摻假 時(shí)間: 2025-3-27 02:46
Learned Inventions,etic fable, scenic display and dancing by the nobility — won him favour and reward in the new Jacobean court. Jonson’s confidence in his skill as a masque writer is shown by his boast to Drummond ‘that next himself only Fletcher and Chapman could make a masque’ (.., 11. 43–4). In this genre as in ot作者: notion 時(shí)間: 2025-3-27 05:44 作者: FLEET 時(shí)間: 2025-3-27 09:38 作者: 故意釣到白楊 時(shí)間: 2025-3-27 16:14 作者: 創(chuàng)造性 時(shí)間: 2025-3-27 18:10
The Beleaguered Muse,he Tribe of Ben’, but in general the years from his fiftieth birthday in June 1622 to his death in 1637 were filled with difficulties. At court his position was threatened first by the ageing King’s hyper-sensitivity to public criticism and then by the change in cultural styles following the accessi作者: 鴕鳥 時(shí)間: 2025-3-28 00:45 作者: 樸素 時(shí)間: 2025-3-28 04:41 作者: 憤慨點(diǎn)吧 時(shí)間: 2025-3-28 06:33 作者: Abrupt 時(shí)間: 2025-3-28 12:23
Demography and?Income Inequalityred with a love of literature, but how or when he decided to become a dramatic poet is difficult to determine. Unlike Shakespeare, whose ‘lost years’ are completely undocumented, many of Jonson’s activities in his later youth and early manhood are known, but the surviving records are incomplete. How作者: 配置 時(shí)間: 2025-3-28 16:51
Demography and?Income Inequalityditch near the Curtain Theatre with his old colleague from Pembroke’s Men, Gabriel Spencer (then acting with the Lord Admiral’s Men), and was indicted for his murder.. Philip Henslowe reported the news to his son-in-law, the actor Edward Alleyn, with distress: ‘It is for me hard and heavy since you 作者: PLAYS 時(shí)間: 2025-3-28 20:05 作者: 巨碩 時(shí)間: 2025-3-29 01:13
Demography and?Income Inequalityrly seclusion. His decision to abandon comedy for tragedy and his declaration that he would be satisfied to please an audience of one, ‘so he judicious be’ (see ll. 220–6), indicate that he may already have been planning his classically-inspired tragedy of .. Yet it was apparently not until February作者: ASTER 時(shí)間: 2025-3-29 03:55
https://doi.org/10.1007/978-981-99-0518-8etic fable, scenic display and dancing by the nobility — won him favour and reward in the new Jacobean court. Jonson’s confidence in his skill as a masque writer is shown by his boast to Drummond ‘that next himself only Fletcher and Chapman could make a masque’ (.., 11. 43–4). In this genre as in ot作者: 索賠 時(shí)間: 2025-3-29 10:14 作者: 救護(hù)車 時(shí)間: 2025-3-29 14:11 作者: 吞沒 時(shí)間: 2025-3-29 16:04 作者: Serenity 時(shí)間: 2025-3-29 20:21
Migration and Higher Education in Germanyhe Tribe of Ben’, but in general the years from his fiftieth birthday in June 1622 to his death in 1637 were filled with difficulties. At court his position was threatened first by the ageing King’s hyper-sensitivity to public criticism and then by the change in cultural styles following the accessi
