標(biāo)題: Titlebook: Behind the Frontiers of the Real; A Definition of the David Roas Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 The Fantas [打印本頁] 作者: 法令 時(shí)間: 2025-3-21 19:32
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作者: ZEST 時(shí)間: 2025-3-21 20:20
Reality,ained since its origins a constant debate with extratextual reality. To understand the implications of this confrontation between the real and the impossible, this chapter examines what idea of reality we are dealing with, because the fantastic will always depend, by means of contrast, on what we co作者: motor-unit 時(shí)間: 2025-3-22 03:35 作者: DEMUR 時(shí)間: 2025-3-22 07:24
Fear,astic is a very special experience: it is an impression, although usually manifested in the characters, it directly affects the receiver, since this occurs when our idea of reality is subverted. To clarify the relationship between the fantastic and fear, it will be useful to refer to the distinction作者: 大洪水 時(shí)間: 2025-3-22 11:15
Language,level (in literature, of course): the fantastic phenomenon, which is impossible to explain, exceeds the frontiers of language, it is by definition indescribable because it is unthinkable. It may, therefore, be worth asking if there is a language with a particular form of discourse that is natural to作者: Expediency 時(shí)間: 2025-3-22 13:30 作者: 巫婆 時(shí)間: 2025-3-22 18:05 作者: labile 時(shí)間: 2025-3-23 00:35
Examines the works of some Spanish authors born between 1960.This book offers a definition of the fantastic that establishes it as a discourse in constant intertextual relation with the construct of reality.?In establishing the definition of the fantastic, leading scholar David Roas selects four cen作者: Jejune 時(shí)間: 2025-3-23 04:16 作者: CHAFE 時(shí)間: 2025-3-23 06:33
Introduction,tention here is to interrogate the precedents and definitions, acknowledging my debt to them, in order to arrive at my own theory of the fantastic which conceives of said category as a discourse in constant intertextual relation with that other discourse that is reality, always understood as a cultural construct.作者: 發(fā)微光 時(shí)間: 2025-3-23 12:50 作者: GIST 時(shí)間: 2025-3-23 16:51
Language,astic and are shared across literary language in general. There is no language of the fantastic in itself, but rather a way of using language that generates a fantastic effect, but without forgetting that the fantastic narrative is extremely dependent on an extratextual notion that defines it as an expression of a confirmed reality.作者: meritorious 時(shí)間: 2025-3-23 18:47 作者: folliculitis 時(shí)間: 2025-3-24 01:43 作者: 動(dòng)作謎 時(shí)間: 2025-3-24 03:24 作者: 一再困擾 時(shí)間: 2025-3-24 07:30 作者: resilience 時(shí)間: 2025-3-24 13:35 作者: Relinquish 時(shí)間: 2025-3-24 16:41 作者: ADORN 時(shí)間: 2025-3-24 22:56 作者: Inexorable 時(shí)間: 2025-3-25 01:00 作者: maudtin 時(shí)間: 2025-3-25 04:05
The Fantastic in Postmodernity,, to question this idea. As an example of the survival of the fantastic in Postmodernity, the last section of this chapter analyses the work of several contemporary Spanish writers to propose a poetic of the postmodern fantastic.作者: occult 時(shí)間: 2025-3-25 09:59
Exploring exotica: WIMPs and axions, and effect of the fantastic. This should not, however, be understood as a rejection of the different concepts that are already available to us. My intention here is to interrogate the precedents and definitions, acknowledging my debt to them, in order to arrive at my own theory of the fantastic whi作者: Irrigate 時(shí)間: 2025-3-25 13:43 作者: 憤憤不平 時(shí)間: 2025-3-25 18:32 作者: medieval 時(shí)間: 2025-3-25 22:07
In Search of Economic Indicatorsastic is a very special experience: it is an impression, although usually manifested in the characters, it directly affects the receiver, since this occurs when our idea of reality is subverted. To clarify the relationship between the fantastic and fear, it will be useful to refer to the distinction作者: 遺留之物 時(shí)間: 2025-3-26 03:38 作者: 磨坊 時(shí)間: 2025-3-26 08:10
In Search of Economic Indicators to the question posed in Chap. . with regards to the validity of this category in contemporary fiction. As it is shown, the contemporary fantastic assumes that reality is a product of a construct that we all participate in. However, this assumption does not mean that the conflict between the narrat作者: 確定的事 時(shí)間: 2025-3-26 08:32 作者: EWE 時(shí)間: 2025-3-26 12:49 作者: 捐助 時(shí)間: 2025-3-26 18:48 作者: 過分 時(shí)間: 2025-3-27 00:40 作者: Neutropenia 時(shí)間: 2025-3-27 01:41
David RoasOffers for the first time an English translation of Roas‘ landmark work Tras los límites de lo real. Una definición de lo fantástico (2011).Examines the works of some Spanish authors born between 1960作者: 肉體 時(shí)間: 2025-3-27 05:24 作者: 爵士樂 時(shí)間: 2025-3-27 12:59 作者: 逃避系列單詞 時(shí)間: 2025-3-27 14:02
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