作者: 滲透 時間: 2025-3-21 22:55
Graphics in the Game Industry,echnology would revolutionize the entertainment industry. Since then, graphics have gone through a long evolution process to where they currently are today. Let’s explore all the details in this chapter.作者: squander 時間: 2025-3-22 02:52 作者: FELON 時間: 2025-3-22 08:02 作者: FRAUD 時間: 2025-3-22 12:10 作者: debris 時間: 2025-3-22 13:12 作者: 賄賂 時間: 2025-3-22 18:43 作者: 殺子女者 時間: 2025-3-22 22:22 作者: ILEUM 時間: 2025-3-23 04:30 作者: NOT 時間: 2025-3-23 07:26 作者: nocturia 時間: 2025-3-23 10:58 作者: Eclampsia 時間: 2025-3-23 16:29 作者: Meager 時間: 2025-3-23 19:51
Hardware Specifications for Your Computer,easier. Users and industry experts alike recommend it as the most user-friendly 3D painter application. For high-quality textures, you need to have a powerful machine to run Substance Painter. In this chapter, let’s understand the required hardware configuration for a personal computer.作者: 無能力之人 時間: 2025-3-23 23:04 作者: 凹處 時間: 2025-3-24 03:12
Working with Procedural Maps, and generators and how to create procedural effects automatically using the superior algorithms of Substance Painter. The procedural effects allow you to create complex effects without manual intervention. After that, you will see how you can use various grunge and pattern maps to add further details to your assets.作者: 壟斷 時間: 2025-3-24 09:00
Abhishek KumarIs one of few books available in the market on this technology.Serves as a self-training manual for beginning Allegorithmic’s Substance Painter.Is an in-depth workflow guide for both real-time render 作者: CAJ 時間: 2025-3-24 11:13 作者: plasma 時間: 2025-3-24 18:35
https://doi.org/10.1007/978-1-4842-5899-6Physically based rendering; PBR; Allegorithmic; Substance Painter; Texturing; Substance Suite; 3D animatio作者: 厭煩 時間: 2025-3-24 19:26 作者: 語源學(xué) 時間: 2025-3-25 03:09
A Critique of Polarity and Sovereignty,In this chapter, you will see the differences between texturing for games versus texturing for movies.作者: Oscillate 時間: 2025-3-25 05:00 作者: Certainty 時間: 2025-3-25 07:29 作者: 裂口 時間: 2025-3-25 13:32
Gareth Chua,Joel Au,Tse Tong ChiaIn this chapter, you’ll learn about navigating the viewport in Substance Painter.作者: Carcinogenesis 時間: 2025-3-25 17:59
Mobile Computer Vision for Scout Teams,To start painting, you need a 3D model. The 3D model should be in OBJ, FBX, or ABC format. Those are the only files you can import into Substance Painter. You may have your own model; if not, you can download one from the Internet to practice on.作者: 善變 時間: 2025-3-25 20:01
https://doi.org/10.1007/978-1-349-08350-3Substance Painter has a powerful procedural workflow assisted by various materials, tools, masks, automatic functions, etc. In this chapter, I will discuss materials and smart materials and how you can use them to rapidly texture almost anything. Then I’ll discuss layers and masks.作者: 中古 時間: 2025-3-26 01:26
IRM du pelvis de l’homme et de la femmeAnchors are another procedural tool of Substance Painter. They allow users to add further details to a mesh without manual labor. In this chapter, you will learn how you can leverage the power of anchors. To be effective at using Substance Painter, it is important to know how they work.作者: 滴注 時間: 2025-3-26 05:16
Anatomie régionale du pelvis fémininIray is a GPU-based render engine developed by Nvidia. It is a physically based, path tracing render engine that uses GPU cores to rapidly render realistic-looking images in high definition. It is built into Substance Painter to help users visualize the final result of the texturing work done on a mesh (see Figure 15-1).作者: Cerebrovascular 時間: 2025-3-26 10:57 作者: 愛好 時間: 2025-3-26 16:15
IRM du pelvis de l’homme et de la femmeRendering is the last stage in the 3D computer graphics production pipeline. In computer graphics, rendering is the computation process involved to convert three-dimensional objects into 2D images or a series of images.作者: overshadow 時間: 2025-3-26 19:06 作者: affect 時間: 2025-3-26 21:39
Ortrud Kubaschewski von GoldbeckIn this chapter, you’ll explore some tips and tricks that will be helpful in your texturing process.作者: CLOUT 時間: 2025-3-27 02:16
What Is Our Goal in This Book?,This book delves deep into the concepts of physically based rendering (PBR) using Substance Painter. It also covers how to integrate PBR textures with various 3D modeling and rendering packages as well as with a game engine, in this case, Unreal Engine 4.作者: Detain 時間: 2025-3-27 08:09 作者: Rinne-Test 時間: 2025-3-27 11:32
PBR Texturing vs. Traditional Texturing,In computer graphics, a texture is the digital representation of the appearance of a surface. There are two types of textures.作者: Ejaculate 時間: 2025-3-27 17:24
,Painters’ Graphical User Interface,Substance Painter is popular because of its user-friendly viewport and interface. In this chapter, you’ll explore its graphical user interface in detail.作者: NORM 時間: 2025-3-27 21:25 作者: 珊瑚 時間: 2025-3-27 22:18
Setting Up a Project,To start painting, you need a 3D model. The 3D model should be in OBJ, FBX, or ABC format. Those are the only files you can import into Substance Painter. You may have your own model; if not, you can download one from the Internet to practice on.作者: 刪減 時間: 2025-3-28 06:01
Working with Materials, Layers, and Masks,Substance Painter has a powerful procedural workflow assisted by various materials, tools, masks, automatic functions, etc. In this chapter, I will discuss materials and smart materials and how you can use them to rapidly texture almost anything. Then I’ll discuss layers and masks.作者: 燈絲 時間: 2025-3-28 06:59
Substance Anchors,Anchors are another procedural tool of Substance Painter. They allow users to add further details to a mesh without manual labor. In this chapter, you will learn how you can leverage the power of anchors. To be effective at using Substance Painter, it is important to know how they work.作者: Fulminate 時間: 2025-3-28 13:38 作者: micronized 時間: 2025-3-28 17:43 作者: Lignans 時間: 2025-3-28 18:59 作者: Harness 時間: 2025-3-29 01:25
Integration with Unreal Engine 4,Substance Painter was first widely adopted by the game industry. Substance has a well-defined workflow as well as direct integration with modern game engines such as Unreal Engine, Unity, and CryEngine. We will focus primarily on Unreal Engine as our target engine in this chapter.作者: 幾何學(xué)家 時間: 2025-3-29 04:25 作者: 細(xì)菌等 時間: 2025-3-29 09:17 作者: 本能 時間: 2025-3-29 13:10 作者: 虛情假意 時間: 2025-3-29 17:25 作者: 中國紀(jì)念碑 時間: 2025-3-29 23:06 作者: Eviction 時間: 2025-3-30 00:24
https://doi.org/10.1007/978-1-349-08350-3mesh into Substance Painter is to bake mesh maps. This can be done by going to the Texture Set Settings window and clicking the Bake Mesh Maps button (see Figure 11-1). Alternatively, you can go to Edit menu and select Bake Mesh Map, or you can use the shortcut Ctrl+Shift+B.作者: 縮減了 時間: 2025-3-30 04:54
IRM du pelvis de l’homme et de la femme and generators and how to create procedural effects automatically using the superior algorithms of Substance Painter. The procedural effects allow you to create complex effects without manual intervention. After that, you will see how you can use various grunge and pattern maps to add further detai作者: 構(gòu)成 時間: 2025-3-30 11:29 作者: cornucopia 時間: 2025-3-30 13:51
Graphics in the Game Industry,ng primitive graphics consisting of glowing dots and lines on a cathode ray oscilloscope and two aluminum controllers. Its creator, American physicist William Higginbotham, did not think it was much at the time and thought it was just a temporary fad. But what he did not know was that one day this t作者: 被告 時間: 2025-3-30 20:29
Texturing Workflow,it, you’ll need several types of texture maps that together make up a material. And with different types of texture maps come different types of texturing workflows. What we are going to focus on in this book is PBR texturing and two of its main types: the metallic-roughness workflow and the specula作者: 大猩猩 時間: 2025-3-31 00:20
Substance Suite and Substance Painter,g as well as procedural workflows. It was originally developed for use in films and games, but currently it is widely used in the architecture, product design, and automobile design industries. This application is almost universally used in the video game industry for texturing assets. In addition, 作者: Ischemic-Stroke 時間: 2025-3-31 04:18 作者: CRANK 時間: 2025-3-31 06:55 作者: 鋼筆記下懲罰 時間: 2025-3-31 09:24
Working with Procedural Maps, and generators and how to create procedural effects automatically using the superior algorithms of Substance Painter. The procedural effects allow you to create complex effects without manual intervention. After that, you will see how you can use various grunge and pattern maps to add further detai作者: Strength 時間: 2025-3-31 14:01
Stephanie Learyhing more controversial such as therapy via videoconference, telecommunications technology combined with psychology is giving way to a method of service delivery known as telepsychology. While we might debate the efficacy of this treatment modality, we cannot ignore the pervasiveness of these techno作者: 攝取 時間: 2025-3-31 18:06 作者: 不安 時間: 2025-4-1 01:18
Conclusion and Future Research Agenda,llutant in aqueous and gaseous effluents are discussed in this chapter. Besides, size distribution analysis to determine the size of the particulate matter and LIBS, to supply quantitative information for carbon footprint, is discussed also. Issues related to analytical matrices and sample preparation are also addressed.作者: acrobat 時間: 2025-4-1 04:54 作者: 賭博 時間: 2025-4-1 07:09
