標(biāo)題: Titlebook: Beginning 3D Game Assets Development Pipeline; Learn to Integrate f Nova Villanueva Book 2022 Nova Villanueva 2022 Maya.Zbrush.Substance Pa [打印本頁] 作者: Optician 時(shí)間: 2025-3-21 17:30
書目名稱Beginning 3D Game Assets Development Pipeline影響因子(影響力)
書目名稱Beginning 3D Game Assets Development Pipeline影響因子(影響力)學(xué)科排名
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書目名稱Beginning 3D Game Assets Development Pipeline網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Beginning 3D Game Assets Development Pipeline被引頻次
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書目名稱Beginning 3D Game Assets Development Pipeline讀者反饋學(xué)科排名
作者: Basal-Ganglia 時(shí)間: 2025-3-21 23:02
Starting with Maya,ight be tempted to rush through this chapter so you can get to your first project. However, this chapter explains important techniques that you’ll need in Chapter .. I suggest you go over each section as many times as you need before starting the next chapter.作者: 缺乏 時(shí)間: 2025-3-22 00:23 作者: 門窗的側(cè)柱 時(shí)間: 2025-3-22 07:09 作者: 擦掉 時(shí)間: 2025-3-22 09:22 作者: Neuralgia 時(shí)間: 2025-3-22 14:21
Creating a High Poly Model,To achieve this, you will use the modeling skills you learned in Chapters . and .. The chapter covers high poly modeling, using smooth preview display modes, setting up for the high poly, adding details to holding edges, and modeling in a non-destructive way.作者: 金哥占卜者 時(shí)間: 2025-3-22 19:40 作者: dissent 時(shí)間: 2025-3-22 21:53
Rigging the Mech,esh first. You need to think from an animator’s perspective about the best way to manipulate mesh transformations. For this, you can create a rig. This example happens to be a character, but rigs can be made for all assets in games. Rigs are created by a technical animator. At this stage in the pipe作者: 折磨 時(shí)間: 2025-3-23 04:44
Fundamental Theories of Physicsf taking a concept through different stages of iteration, from first 3D realization in the prototype phase, to final in-game integration. These stages are composed of individual steps, such as modeling, UV mapping, setting up the overall asset for future stages in the pipeline, texturing, rigging, and bringing the asset to life.作者: antenna 時(shí)間: 2025-3-23 06:30 作者: 寵愛 時(shí)間: 2025-3-23 10:14
https://doi.org/10.1007/978-3-030-02586-1read about the guidelines for rigging and animation. You will continue with this project throughout the entire book to cover the asset’s pipeline. As shown in Figure 3-1, the Base or Low Poly mesh is the first component of making a game asset.作者: Anticlimax 時(shí)間: 2025-3-23 16:27
Discussion and Further Open Problems,hese chapters will lead to the production of one asset, this chapter focuses on making sure the mech is properly set up for the next steps. This chapter covers the pipeline’s best practices, using the Outliner, cleaning up the scene, naming conventions, modifying transforms, and optimizing pivot locations.作者: Opponent 時(shí)間: 2025-3-23 19:19 作者: 色情 時(shí)間: 2025-3-24 01:23
https://doi.org/10.1007/978-1-4842-7196-4Maya; Zbrush; Substance Painter; Unity; 3D Pipeline; Modeling; Animation; Rigging; Texturing; Integrating作者: Adornment 時(shí)間: 2025-3-24 05:45 作者: 藕床生厭倦 時(shí)間: 2025-3-24 09:53 作者: AXIS 時(shí)間: 2025-3-24 14:44 作者: 顛簸地移動 時(shí)間: 2025-3-24 15:21 作者: 搖曳 時(shí)間: 2025-3-24 22:20
Creating a High Poly Model,To achieve this, you will use the modeling skills you learned in Chapters . and .. The chapter covers high poly modeling, using smooth preview display modes, setting up for the high poly, adding details to holding edges, and modeling in a non-destructive way.作者: 縱火 時(shí)間: 2025-3-25 00:40 作者: Asparagus 時(shí)間: 2025-3-25 05:04 作者: 盟軍 時(shí)間: 2025-3-25 10:42 作者: colostrum 時(shí)間: 2025-3-25 14:47
Discussion and Further Open Problems,hese chapters will lead to the production of one asset, this chapter focuses on making sure the mech is properly set up for the next steps. This chapter covers the pipeline’s best practices, using the Outliner, cleaning up the scene, naming conventions, modifying transforms, and optimizing pivot loc作者: 天賦 時(shí)間: 2025-3-25 16:44 作者: OATH 時(shí)間: 2025-3-25 23:16 作者: 巨大沒有 時(shí)間: 2025-3-26 04:12
Hyperbolicity of Projective Hypersurfacesyond Maya. In Chapter ., you learned how UV maps are created from the low poly model of the mech and what they are used for. You can use these maps to apply your textures. Throughout this chapter, you will be working with multiple textures on a single model, looking at an overview of Substance 3D Pa作者: 騷擾 時(shí)間: 2025-3-26 07:41 作者: Generosity 時(shí)間: 2025-3-26 08:51 作者: consolidate 時(shí)間: 2025-3-26 13:05
Bringing the Asset to Life,In this chapter, you finish the 3D asset pipeline with animation, texture, and material applications. The chapter covers the role of the game engine. It will recap the iterative design process, explain how to animate the mech, install Unity, and import the mech assets you have been working on throughout this book.作者: Palter 時(shí)間: 2025-3-26 18:51
Nova VillanuevaIs a valuable resource as there are few books available on the contemporary game assets pipeline.Introduces you to the complete process, from creation to integration.Covers popular and industry-standa作者: expansive 時(shí)間: 2025-3-27 00:26
http://image.papertrans.cn/b/image/182181.jpg作者: periodontitis 時(shí)間: 2025-3-27 02:16 作者: Hot-Flash 時(shí)間: 2025-3-27 06:38
Book 2022derstand how each phase leads up to the next one.Know how 3D assets are implemented into Unity.Texture, rig, and animate the 3D model.Export and import the 3D asset or model.Understand the iterative design process.Who This Book Is For.3D artists, from beginners to specialists, who are interested in 作者: concert 時(shí)間: 2025-3-27 12:37
m creation to integration.Covers popular and industry-standaThis project-based tutorial covers the creation of 3D assets in a game engine, from concept to implementation. You will learn the 3D pipeline using Maya and Substance Painter, which are industry-standard programs used for content creation i作者: 擦掉 時(shí)間: 2025-3-27 15:17 作者: 休戰(zhàn) 時(shí)間: 2025-3-27 21:23 作者: compel 時(shí)間: 2025-3-27 23:44 作者: 修改 時(shí)間: 2025-3-28 04:50
Texturing, apply your textures. Throughout this chapter, you will be working with multiple textures on a single model, looking at an overview of Substance 3D Painter, creating PBR textures, working with alphas, and exporting texture maps. See Figure 7-1.作者: rectocele 時(shí)間: 2025-3-28 06:27
Book 2022ya and Substance Painter, which are industry-standard programs used for content creation in game development. You also will know how to add them and work with them in Unity..The book begins with an?overall look at theproduction of game development and the different roles in creating assets. Then, st作者: Lamina 時(shí)間: 2025-3-28 13:51 作者: 背書 時(shí)間: 2025-3-28 18:33 作者: 違抗 時(shí)間: 2025-3-28 22:31
