標(biāo)題: Titlebook: Becoming Cleopatra; The Shifting Image o Francesca T. Royster Book 2003 Palgrave Macmillan, a division of Nature America Inc. 2003 adoption [打印本頁] 作者: 去是公開 時(shí)間: 2025-3-21 18:15
書目名稱Becoming Cleopatra影響因子(影響力)
書目名稱Becoming Cleopatra影響因子(影響力)學(xué)科排名
書目名稱Becoming Cleopatra網(wǎng)絡(luò)公開度
書目名稱Becoming Cleopatra網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Becoming Cleopatra被引頻次
書目名稱Becoming Cleopatra被引頻次學(xué)科排名
書目名稱Becoming Cleopatra年度引用
書目名稱Becoming Cleopatra年度引用學(xué)科排名
書目名稱Becoming Cleopatra讀者反饋
書目名稱Becoming Cleopatra讀者反饋學(xué)科排名
作者: 嚴(yán)厲譴責(zé) 時(shí)間: 2025-3-21 22:51
Egyptian Scandals: Elizabeth Taylor’s , and the White Grotesquethe Hollywood epic, the death of the studio-made “star” and the resurrection of the celebrity. Cleopatra’s iconographic meanings become harnessed with Taylor, the famous-for -being- famous and famous -for -being -overexposed icon, tapping into the glamour and insouciance of Claudette Colbert’s earli作者: crease 時(shí)間: 2025-3-22 02:18
Becoming Cleopatra/Becoming Girl: Shaw’s , and Reclaiming the Lives of Black Girlse possibilities as well as the constraints that accompany the Cleopatra icon for black women are the subjects of the second half of this book. In this transitional chapter, I contrast the image of Cleopatra as tied to a specifically white girlhood to the images of young black female sexuality.作者: Bumptious 時(shí)間: 2025-3-22 05:34 作者: 正式通知 時(shí)間: 2025-3-22 10:05 作者: 創(chuàng)新 時(shí)間: 2025-3-22 15:37 作者: Recess 時(shí)間: 2025-3-22 18:49
https://doi.org/10.1007/978-3-319-44902-9e possibilities as well as the constraints that accompany the Cleopatra icon for black women are the subjects of the second half of this book. In this transitional chapter, I contrast the image of Cleopatra as tied to a specifically white girlhood to the images of young black female sexuality.作者: 昆蟲 時(shí)間: 2025-3-22 21:42
E-Business Concepts and Technologies,the exhibit, I saw a snaking line that went out of the breezeway, past an exhibit of Julie Tamor’s costume designs and into the main hall. Beautiful tapestries of black and gold hung from the front, and several security guards wearing the kind of headphones that Madonna might use in concert were adm作者: deficiency 時(shí)間: 2025-3-23 02:57 作者: 冒號(hào) 時(shí)間: 2025-3-23 06:12 作者: tenuous 時(shí)間: 2025-3-23 11:11
Egyptian Scandals: Elizabeth Taylor’s , and the White Grotesquehief visual referent and marketing focus, Elizabeth Taylor changes what it means to play Cleopatra for all of those who follow and also the ways that the “Cleopatra” code could be attached to a particular star—the blurring of star and role already associated with Cleopatra from Shakespeare’s charact作者: 周興旺 時(shí)間: 2025-3-23 13:54
Becoming Cleopatra/Becoming Girl: Shaw’s , and Reclaiming the Lives of Black Girlsing, which is “to move and to pull in both directions at once.”. Alice is the perfect example of becoming, both for the ways that she manipulates her size— sometimes purposefully and other times not—and also for the ways that she represents the in-between state of a girl who is coming into her own s作者: 疲憊的老馬 時(shí)間: 2025-3-23 20:12
Cleopatra Jones: Blaxploitation and Tactical Alliances with Shakespeareom both Shakespeare’s England and Cleopatra’s Egypt. Indeed, one of the films selling points is its contemporaneity: car chases down gritty urban alleyways; funky afros, leather jackets and other clothing that scream “l(fā)ate twentieth century” and allusions to historical events specific to the late 19作者: Entropion 時(shí)間: 2025-3-24 00:17 作者: Sciatica 時(shí)間: 2025-3-24 04:01 作者: ALB 時(shí)間: 2025-3-24 07:38
Interacting with VisualizationsT. C. over time because she signifies reinvention—the fantasy of being able to slough off one’s “cires and mantles” for a new skin. If there is one passage that would best describe the Cleopatra icon, it would be Enobarbus’s description of Cleopatra emerging from her barge, from Shakespeare’s .:作者: mucous-membrane 時(shí)間: 2025-3-24 11:26 作者: FRONT 時(shí)間: 2025-3-24 18:08 作者: hegemony 時(shí)間: 2025-3-24 21:47 作者: dendrites 時(shí)間: 2025-3-25 02:53
978-1-4039-6109-9Palgrave Macmillan, a division of Nature America Inc. 2003作者: fibroblast 時(shí)間: 2025-3-25 03:57 作者: Panacea 時(shí)間: 2025-3-25 07:50
Lecture Notes in Computer Sciencern dramatists depicted Cleopatra as black or tawny, many European writers and artists imagined Cleopatra as fair— perhaps even the extreme of fairness. For example, in Guilluame Belliard’s sixteenth century erotic poem “Les Delitieuses Amours de Marc Antoine et de Cleopatre,” Cleopatra’s whiteness “作者: menopause 時(shí)間: 2025-3-25 12:39 作者: Palate 時(shí)間: 2025-3-25 17:06
https://doi.org/10.1007/978-3-319-44902-9ing, which is “to move and to pull in both directions at once.”. Alice is the perfect example of becoming, both for the ways that she manipulates her size— sometimes purposefully and other times not—and also for the ways that she represents the in-between state of a girl who is coming into her own s作者: 死亡 時(shí)間: 2025-3-25 20:45
Shinpei Ogata,Yugo Goto,Kozo Okanoom both Shakespeare’s England and Cleopatra’s Egypt. Indeed, one of the films selling points is its contemporaneity: car chases down gritty urban alleyways; funky afros, leather jackets and other clothing that scream “l(fā)ate twentieth century” and allusions to historical events specific to the late 19作者: 范例 時(shí)間: 2025-3-26 03:11
Lecture Notes in Computer Scienceugh the performance of her desirability and her capture and display by her enemies as a means ot power. In Shakespeare’s version of her legend, Octavius Caesar delights that he will take the captured Cleopatra and parade her through the marketplace. Cleopatra struggles to interrupt this particular d作者: 治愈 時(shí)間: 2025-3-26 04:56
E-Business Concepts and Technologies,it in early October 2001. It was a few weeks after September 11, at a time when the “we” of the United States was under a heavy burden of self-fashioning. Ambiguous threats of violence still loomed on the horizon. 1 figured that, because of these fears of targeted public buildings and because it was作者: jaundiced 時(shí)間: 2025-3-26 10:01 作者: 博識(shí) 時(shí)間: 2025-3-26 13:09 作者: Palliation 時(shí)間: 2025-3-26 20:19 作者: considerable 時(shí)間: 2025-3-26 22:06
Cleopatra Jones: Blaxploitation and Tactical Alliances with Shakespeareyways; funky afros, leather jackets and other clothing that scream “l(fā)ate twentieth century” and allusions to historical events specific to the late 1960s through early 1970s: the Watts uprising, the Black Panthers and COINTELPRO, the feminist movement and the development of the “blaxploitation” film genre of which it is a part.作者: TRACE 時(shí)間: 2025-3-27 03:27
Queering Cleo: Set It Off and Queen Latifah’s “Butch in the Hood”us Caesar delights that he will take the captured Cleopatra and parade her through the marketplace. Cleopatra struggles to interrupt this particular display by committing suicide, which she stages in the most provocative way she knows how.作者: ARCH 時(shí)間: 2025-3-27 07:52
Book 2003are‘s original appropriation of Plutarch, and then moves on to analyze performances of the Cleopatra icon by Josephine Baker, Elizabeth Taylor, Pam Grier (Cleopatra Jones) and Queen Latifah (in Set It Off ). Royster argues that Cleopatra highlights a larger cultural anxiety about women, sexuality, and race.作者: RECUR 時(shí)間: 2025-3-27 10:26 作者: 燦爛 時(shí)間: 2025-3-27 17:21
Book 2003he performance of race and sexuality in a wide range of portrayals of that icon of dangerous female sexuality, Cleopatra. Royster begins with Shakespeare‘s original appropriation of Plutarch, and then moves on to analyze performances of the Cleopatra icon by Josephine Baker, Elizabeth Taylor, Pam Gr作者: 婚姻生活 時(shí)間: 2025-3-27 19:51
Lecture Notes in Computer Science3, Cleopatra’s sexual outlaw status was marked by a conspicuously European fashion accessory—a horned headdress that had been designated by the Roman Catholic Church “as the sign of female licentiousness,” according to cultural historian Mary Hamer.作者: 共同時(shí)代 時(shí)間: 2025-3-28 00:35 作者: definition 時(shí)間: 2025-3-28 04:43
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