標(biāo)題: Titlebook: Beckett’s Masculinity; Jennifer M. Jeffers Book 2009 Jennifer M. Jeffers 2009 Beckett.fiction.Samuel Beckett.British and Irish Literature [打印本頁] 作者: 作業(yè) 時間: 2025-3-21 17:25
書目名稱Beckett’s Masculinity影響因子(影響力)
作者: 失敗主義者 時間: 2025-3-21 23:02
World Agriculture—Human Beings and Farming2 the Fianna Fail party won seventy-two seats in the Dail, and Eamonn de Velera was appointed President of the Executive Council. While Protestant Anglo-Irish citizens in the Irish Free State were already marginalized, 1932 marks an even greater effort to cut ties with its past in terms of its long 作者: 干旱 時間: 2025-3-22 02:43 作者: antiandrogen 時間: 2025-3-22 07:29 作者: 使痛苦 時間: 2025-3-22 12:13 作者: FISC 時間: 2025-3-22 15:32 作者: NATAL 時間: 2025-3-22 20:14
Embodying Lost Masculinity in , and ,to life.” (italics in original).. Moving from page to stage exorcises in physical space with corporeal figures the traumatic experiences that Beckett was enfolding in his prose. The postwar revelation to embrace dislocation and loss leads to a revolution in Western drama.作者: PALSY 時間: 2025-3-22 23:34 作者: ascetic 時間: 2025-3-23 04:12 作者: 格言 時間: 2025-3-23 06:19
Farm Mechanization: Nature of Development the theme of displacement and return through the problem of masculinity and the perversion of gendered normatives. Beckett was just ten years old at the time of the Easter Uprising in 1916. As Beckett passed from childhood to early puberty and into young adulthood, Ireland was in the throes of the 作者: ELUC 時間: 2025-3-23 10:13
World Agriculture—Human Beings and Farmingysis in London just before Christmas 1933.. Fifty years later, Beckett recalls the situation in Ireland: “Psychoanalysis was not allowed in Dublin at the time. It was not legal.”. In his old age, Beckett remembers the conservative attitude toward modern medicine and science of the Free State in the 作者: cipher 時間: 2025-3-23 17:24 作者: paleolithic 時間: 2025-3-23 18:32
https://doi.org/10.1007/978-3-031-24349-3time.”. . was written in French from October 1948 to January 1949, and it was first produced in Paris in January 1952. The simultaneous composition of prose and drama accounts for some of the repetition between the novels and the play. In the last chapter I said that . was like an all-male revue—. i作者: 神經(jīng) 時間: 2025-3-24 02:07
Why and?How Should We Explain AI?olding of Beckett’s drafts of . to argue that he embellishes each succeeding version to include more personal details of his Irish Protestant childhood and young adulthood; once again, the return to personal memories shows that Beckett remains possessed by a dispossession of masculine national ident作者: 馬具 時間: 2025-3-24 03:26 作者: 純樸 時間: 2025-3-24 09:05
Lecture Notes in Computer Sciences late prose “Trilogy,” . (1980), . (1981), and . (1983). . recalls familiar scenes from Beckett’s past that evoke the father: “There was father. That grey void …. He alone. So on. Not now. Forgotten.”. Like the drama, the late prose texts are Beckett’s signature pieces for postmodern minimalism. On作者: 委屈 時間: 2025-3-24 14:32 作者: accessory 時間: 2025-3-24 17:01 作者: Diskectomy 時間: 2025-3-24 19:13
https://doi.org/10.1057/9780230101463Beckett; fiction; Samuel Beckett; British and Irish Literature作者: Esalate 時間: 2025-3-25 01:46
978-1-349-37905-7Jennifer M. Jeffers 2009作者: Ophthalmologist 時間: 2025-3-25 07:25
Introduction,ooked at the world as masculine; in fact, we have looked . this transparency as if it were .. In regard to masculinity, Beckett scholars, too, have looked through Beckett’s texts as universal and transparent.作者: visceral-fat 時間: 2025-3-25 09:16
The , of Gender Identity in the Women-Centered Plays,stant heritage. The fact that . is written in English only two years after . is significant. . is Beckett’s first female-centered play that focuses on Winnie who interacts with items in her handbag like Krapp with his tape recorder and bananas: Winnie is a gendered-female mirror image of Krapp.作者: Ascendancy 時間: 2025-3-25 12:51 作者: decipher 時間: 2025-3-25 17:19
New Interpretations of Beckett in the Twenty-First Centuryhttp://image.papertrans.cn/b/image/181981.jpg作者: 引導(dǎo) 時間: 2025-3-25 21:15
Beckett’s Masculinity978-0-230-10146-3Series ISSN 2945-6797 Series E-ISSN 2945-6800 作者: 昏迷狀態(tài) 時間: 2025-3-26 02:34 作者: adduction 時間: 2025-3-26 05:12
Human-Centered Artificial Intelligencestant heritage. The fact that . is written in English only two years after . is significant. . is Beckett’s first female-centered play that focuses on Winnie who interacts with items in her handbag like Krapp with his tape recorder and bananas: Winnie is a gendered-female mirror image of Krapp.作者: 秘傳 時間: 2025-3-26 09:30
Farm Mechanization: Nature of Development experience the now well-known revelation that he must work with impotence instead of excess. One could speculate that the elapsed time and the changed circumstances both inward and outward for Beckett contributed to his revelation in regard to his writing. The fact that the epiphany occurs upon his . to Ireland is momentous.作者: grieve 時間: 2025-3-26 16:41
Return in the Postwar Fiction, experience the now well-known revelation that he must work with impotence instead of excess. One could speculate that the elapsed time and the changed circumstances both inward and outward for Beckett contributed to his revelation in regard to his writing. The fact that the epiphany occurs upon his . to Ireland is momentous.作者: 逃避現(xiàn)實 時間: 2025-3-26 19:55
Lecture Notes in Computer Science the one hand, truncating and paring his prose (as well as his drama) down to near-nothingness is a stylistic and aesthetic choice by Beckett. On the other hand, the stripping down of sentences and images may also be a way for him to represent Anglo-Irish community’s cultural decline and historical erasure.作者: 賠償 時間: 2025-3-26 22:10 作者: 以煙熏消毒 時間: 2025-3-27 02:02
,“The Churn of Stale Words in the Heart Again”: Beckett’s Final Return, the one hand, truncating and paring his prose (as well as his drama) down to near-nothingness is a stylistic and aesthetic choice by Beckett. On the other hand, the stripping down of sentences and images may also be a way for him to represent Anglo-Irish community’s cultural decline and historical erasure.作者: 雇傭兵 時間: 2025-3-27 07:07
Vision and?Multi-modal Transformers but only belatedly, in its repeated . of the one who experiences it” (italics in original).. As we know, Caruth argues that one can be “possessed of an image or event” that one then is compelled to repeat..作者: 偉大 時間: 2025-3-27 12:54 作者: 依法逮捕 時間: 2025-3-27 16:18
Introduction,ooked at the world as masculine; in fact, we have looked . this transparency as if it were .. In regard to masculinity, Beckett scholars, too, have looked through Beckett’s texts as universal and transparent.作者: 俗艷 時間: 2025-3-27 21:05
,Traumatized Masculinity and Beckett’s Return, the theme of displacement and return through the problem of masculinity and the perversion of gendered normatives. Beckett was just ten years old at the time of the Easter Uprising in 1916. As Beckett passed from childhood to early puberty and into young adulthood, Ireland was in the throes of the 作者: LANCE 時間: 2025-3-28 01:08 作者: lavish 時間: 2025-3-28 04:55 作者: NAIVE 時間: 2025-3-28 06:16 作者: 苦笑 時間: 2025-3-28 13:57
Rewinding ,: The Return of Anglo-Irish Masculinity,olding of Beckett’s drafts of . to argue that he embellishes each succeeding version to include more personal details of his Irish Protestant childhood and young adulthood; once again, the return to personal memories shows that Beckett remains possessed by a dispossession of masculine national ident作者: 不舒服 時間: 2025-3-28 18:25 作者: invade 時間: 2025-3-28 22:13
,“The Churn of Stale Words in the Heart Again”: Beckett’s Final Return,s late prose “Trilogy,” . (1980), . (1981), and . (1983). . recalls familiar scenes from Beckett’s past that evoke the father: “There was father. That grey void …. He alone. So on. Not now. Forgotten.”. Like the drama, the late prose texts are Beckett’s signature pieces for postmodern minimalism. On作者: Polydipsia 時間: 2025-3-28 23:20 作者: CAGE 時間: 2025-3-29 03:27
10樓作者: 果核 時間: 2025-3-29 09:48
10樓
