標(biāo)題: Titlebook: Beckett, Deleuze and Performance; A Thousand Failures Daniel Koczy Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Deleuze. [打印本頁] 作者: 精明 時間: 2025-3-21 17:10
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書目名稱Beckett, Deleuze and Performance被引頻次學(xué)科排名
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書目名稱Beckett, Deleuze and Performance讀者反饋學(xué)科排名
作者: hankering 時間: 2025-3-21 20:52
,,: Performance and Philosophy in Beckett’s Non-relational Aesthetics,is nothing creates dynamics of failure and invention for the artist, their audience and their critics. Further, this chapter proposes that Beckett’s non-relational aesthetics asks us to attend closely to the impossible and the incomprehensible in performance.作者: 使激動 時間: 2025-3-22 02:18 作者: 噴出 時間: 2025-3-22 08:13 作者: 可憎 時間: 2025-3-22 12:45 作者: 云狀 時間: 2025-3-22 14:29 作者: BRAVE 時間: 2025-3-22 20:46
A Thousand Failures and a Thousand Inventions: Towards a Method for Performance Philosophy,ugh this effort. Bringing these ideas into contact with Beckett’s aesthetics, this chapter proposes a new method for research undertaken at the borders of performance and philosophy, oriented around dynamics of failure and invention.作者: Rejuvenate 時間: 2025-3-22 22:17
2947-5589 formance.Helps satisfy Performance Philosophy’s need for newThis book draws on the theatrical thinking of Samuel Beckett and the philosophy of Gilles Deleuze to propose a method for research undertaken at the borders of performance and philosophy. Exploring how Beckett fabricates encounters with the作者: 特別容易碎 時間: 2025-3-23 01:32
iPSC-Derived Corneal Endothelial Cellsand a becoming-animal, through the precise limitation of affect and through the fabrication of carefully restricted assemblages. Inventing the concept of belacquobatics, this chapter also provides a new means for thinking affect in theatre and performance theory.作者: CLAN 時間: 2025-3-23 08:02 作者: carbohydrate 時間: 2025-3-23 13:37 作者: 思考才皺眉 時間: 2025-3-23 16:21 作者: ACE-inhibitor 時間: 2025-3-23 20:09 作者: Patrimony 時間: 2025-3-24 00:45 作者: 離開 時間: 2025-3-24 03:16 作者: A簡潔的 時間: 2025-3-24 09:57
https://doi.org/10.1007/978-4-431-55966-5is nothing creates dynamics of failure and invention for the artist, their audience and their critics. Further, this chapter proposes that Beckett’s non-relational aesthetics asks us to attend closely to the impossible and the incomprehensible in performance.作者: Needlework 時間: 2025-3-24 12:37 作者: bile648 時間: 2025-3-24 18:18 作者: 女上癮 時間: 2025-3-24 23:04
https://doi.org/10.1007/978-3-319-95618-3Deleuze; Beckett; Audience; Aesthetics; Encounter; Immanence; Reality; British and Irish Literature作者: HAWK 時間: 2025-3-25 01:28
978-3-030-07072-4The Editor(s) (if applicable) and The Author(s) 2018作者: BRUNT 時間: 2025-3-25 06:36
https://doi.org/10.1007/BFb0110449rformance theory. Beginning with an account of Samuel Beckett’s ., it argues that Beckett’s theatrical practices are guided by a desire to create encounters with an indeterminate and unthinkable chaos which is opposed to the very possibility of meaning. It also argues that Gilles Deleuze’s conceptio作者: 不可侵犯 時間: 2025-3-25 09:44 作者: 使高興 時間: 2025-3-25 15:39 作者: Salivary-Gland 時間: 2025-3-25 15:54
iPSC-Derived Corneal Endothelial Cellsect. By examining Beckett’s interest in Dante’s Belacqua, his . and ., it argues that the body in performances of Beckett’s work undergoes becomings, and a becoming-animal, through the precise limitation of affect and through the fabrication of carefully restricted assemblages. Inventing the concept作者: 運動吧 時間: 2025-3-25 22:24
iPSCs-Based Therapy for Trabecular Meshworkeckett’s . and through the idea of a presence . absence in Beckett’s work. Examining ., . and ., it invents a new concept—belacquobatic secrets—and sees this concept undergo variations as it tries to diagnose how relations of non-relation are established in performances of Beckett’s work. Further, i作者: Coma704 時間: 2025-3-26 02:23 作者: choleretic 時間: 2025-3-26 08:07
Qingjun Zhou,Zongyi Li,Haoyun Duanlterity of it throughout its own philosophical investigations. It argues that the study’s method provides guidelines and provocations for future research in Performance Philosophy and that its concepts may be of use in performance theory and the field of Beckett studies. Finally, it argues that the 作者: 災(zāi)難 時間: 2025-3-26 12:16
Daniel KoczyPresents fresh readings of Beckett’s own aesthetics and later theatrical work.Offers new tools for thinking about affect and the body in performance.Helps satisfy Performance Philosophy’s need for new作者: INTER 時間: 2025-3-26 15:22
Performance Philosophyhttp://image.papertrans.cn/b/image/181975.jpg作者: shrill 時間: 2025-3-26 18:50
2947-5589 s. Further, this book includes new approaches to Beckett’s later theatrical work and provides an overview of Deleuze’s conception of philosophical practiceas an ongoing struggle to think with immanence..978-3-030-07072-4978-3-319-95618-3Series ISSN 2947-5589 Series E-ISSN 2057-7176 作者: 語源學(xué) 時間: 2025-3-26 23:33
Introduction: Theatrical Encounters,rformance theory. Beginning with an account of Samuel Beckett’s ., it argues that Beckett’s theatrical practices are guided by a desire to create encounters with an indeterminate and unthinkable chaos which is opposed to the very possibility of meaning. It also argues that Gilles Deleuze’s conceptio作者: notice 時間: 2025-3-27 04:45
,,: Performance and Philosophy in Beckett’s Non-relational Aesthetics,rmance and philosophy. It argues that Beckett was motivated by a desire to create theatrical encounters with a chaos which is so radically opposed to meaning that it could only be expressed as nothing. Focusing on Beckett’s . and the early reception of ., it also argues that Beckett’s interest in th作者: Infuriate 時間: 2025-3-27 05:54 作者: inquisitive 時間: 2025-3-27 09:53
,Belacquobatics: Deleuze, Affect and Beckett’s Affective Athleticism,ect. By examining Beckett’s interest in Dante’s Belacqua, his . and ., it argues that the body in performances of Beckett’s work undergoes becomings, and a becoming-animal, through the precise limitation of affect and through the fabrication of carefully restricted assemblages. Inventing the concept作者: euphoria 時間: 2025-3-27 15:50 作者: 縱火 時間: 2025-3-27 21:02 作者: babble 時間: 2025-3-28 01:41
Conclusion: What Happened?,lterity of it throughout its own philosophical investigations. It argues that the study’s method provides guidelines and provocations for future research in Performance Philosophy and that its concepts may be of use in performance theory and the field of Beckett studies. Finally, it argues that the 作者: anatomical 時間: 2025-3-28 04:21 作者: figment 時間: 2025-3-28 06:59 作者: FAZE 時間: 2025-3-28 11:47
