標(biāo)題: Titlebook: Beckett‘s Intuitive Spectator; Me to Play Michelle Chiang Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 drama studies.audi [打印本頁] 作者: corrode 時(shí)間: 2025-3-21 16:45
書目名稱Beckett‘s Intuitive Spectator影響因子(影響力)
作者: 小蟲 時(shí)間: 2025-3-21 20:25 作者: Restenosis 時(shí)間: 2025-3-22 01:16
https://doi.org/10.1007/978-3-319-91518-0drama studies; audience reception; Samuel Beckett; Waiting for Godot; literature and philosophy; intuitio作者: 不能強(qiáng)迫我 時(shí)間: 2025-3-22 05:01 作者: 抵押貸款 時(shí)間: 2025-3-22 09:22
Michelle ChiangContributes to interdisciplinary scholarship of literature and philosophy.Challenges the perspective that Beckett is not accessible to a non-specialist audience.Considers the concepts of habit, intuit作者: 善變 時(shí)間: 2025-3-22 14:05 作者: 濃縮 時(shí)間: 2025-3-22 19:09
Marc Higgin,Adrian Evans,Mara Mielebit and intuition, this monograph is divided into four sections. Section . Habit clarifies the concept of Habit in Beckett’s writings. Section . Intuition defines Intuition as we consider its opposition to the concept of Habit established in the first section. Section . Disjunction explains how a se作者: 折磨 時(shí)間: 2025-3-23 00:22
Human-Animal Connections: An Introductione various narrative systems that frame our understanding of reality. Divided into three parts, the first explains how the radio play listener is really a spectator observing the sounds and images that play out in her mind. The second section demonstrates how the spectator intuits as ‘a(chǎn) loss of meani作者: Insubordinate 時(shí)間: 2025-3-23 01:48 作者: 完成 時(shí)間: 2025-3-23 06:51
Matteo Bianchi,Paolo Salaris,Antonio Bicchiporarily escape an incarcerating external time continuum. As such, time is delineated by Beckett as dual in the stage plays, a seemingly manipulatable intuitive time and an interminable external ‘clock’ time. In this chapter, we look at how in the midst of attempting to make use of their intuition t作者: cumulative 時(shí)間: 2025-3-23 13:18
Springer Series on Touch and Haptic Systemstelevision viewer’s expectation to be entertained and/or informed as she turned on the television at home might have been subverted by the minimal mise-en-scène and lack of a clear plot in the television plays ., ., . and … .…. The result is an uncomfortable uncertainty that may be translated into a作者: 講個(gè)故事逗他 時(shí)間: 2025-3-23 17:27 作者: Platelet 時(shí)間: 2025-3-23 18:07
Introduction,bit and intuition, this monograph is divided into four sections. Section . Habit clarifies the concept of Habit in Beckett’s writings. Section . Intuition defines Intuition as we consider its opposition to the concept of Habit established in the first section. Section . Disjunction explains how a se作者: preservative 時(shí)間: 2025-3-24 02:04
,The Intuition of Loss in Beckett’s Radio Plays,e various narrative systems that frame our understanding of reality. Divided into three parts, the first explains how the radio play listener is really a spectator observing the sounds and images that play out in her mind. The second section demonstrates how the spectator intuits as ‘a(chǎn) loss of meani作者: 指數(shù) 時(shí)間: 2025-3-24 03:06 作者: ingestion 時(shí)間: 2025-3-24 10:05
,Time Out from the World: Respite in Beckett’s Stage Plays,porarily escape an incarcerating external time continuum. As such, time is delineated by Beckett as dual in the stage plays, a seemingly manipulatable intuitive time and an interminable external ‘clock’ time. In this chapter, we look at how in the midst of attempting to make use of their intuition t作者: Ibd810 時(shí)間: 2025-3-24 12:49 作者: CURB 時(shí)間: 2025-3-24 17:11 作者: PUT 時(shí)間: 2025-3-24 20:58 作者: essential-fats 時(shí)間: 2025-3-25 01:37 作者: Generosity 時(shí)間: 2025-3-25 05:44
2945-6797 d be frustrated by Beckett’s film, radio, stage and television plays. Michelle Chiang explores the ways in which Beckett exploited these mediums to reconstitute an audience response derived from intuition. .978-3-030-08265-9978-3-319-91518-0Series ISSN 2945-6797 Series E-ISSN 2945-6800 作者: 革新 時(shí)間: 2025-3-25 08:15
Book 2018s book charts the processes of how an audience member’s habitual way of understanding could be frustrated by Beckett’s film, radio, stage and television plays. Michelle Chiang explores the ways in which Beckett exploited these mediums to reconstitute an audience response derived from intuition. .作者: 黃瓜 時(shí)間: 2025-3-25 11:51 作者: 宴會(huì) 時(shí)間: 2025-3-25 16:58 作者: inculpate 時(shí)間: 2025-3-25 22:14
Springer Series on Touch and Haptic Systemsn experiential sense of loss. In the second half of the chapter, we explore how Beckett’s subscription to an aesthetic of loss could potentially remind the television audiences of their intrinsic state of disjunction.作者: 笨拙的你 時(shí)間: 2025-3-26 03:52
2945-6797 -specialist audience.Considers the concepts of habit, intuit.Beckett’s Intuitive Spectator: Me to Play. investigates how audience discomfort, instead of a side effect of a Beckett pedagogy, is a key spectatorial experience which arises from an everyman intuition of loss. With reference to selected w作者: Bombast 時(shí)間: 2025-3-26 05:22 作者: padding 時(shí)間: 2025-3-26 10:41 作者: Ebct207 時(shí)間: 2025-3-26 14:03
Introduction,tion defines Intuition as we consider its opposition to the concept of Habit established in the first section. Section . Disjunction explains how a sense of disjunction in Beckett’s characters and audiences is the result of the tension between Habit and Intuition.作者: allergen 時(shí)間: 2025-3-26 18:57
,Time Out from the World: Respite in Beckett’s Stage Plays, intuitive time and an interminable external ‘clock’ time. In this chapter, we look at how in the midst of attempting to make use of their intuition to pass the time, a sense of respite is produced for the characters and at the same time deprived from the audience members.作者: 有限 時(shí)間: 2025-3-26 23:20
Book 2018l experience which arises from an everyman intuition of loss. With reference to selected works by Henri Bergson, Immanuel Kant and Gilles Deleuze, this book charts the processes of how an audience member’s habitual way of understanding could be frustrated by Beckett’s film, radio, stage and televisi作者: 情感 時(shí)間: 2025-3-27 04:40 作者: Insatiable 時(shí)間: 2025-3-27 07:04 作者: 的染料 時(shí)間: 2025-3-27 10:15
J. Y. Chang,R. Knecht,D. G. Braunficient to act as a platform for knowledge exchange in this field..The target audience of this book are researchers working on high-speed transport, postgraduate students, as well as any individuals willing to broaden their knowledge of high-speed aircraft..作者: doxazosin 時(shí)間: 2025-3-27 15:45
ven be forced to infect different species so that they can continue their development. This may sometimes be associated with a digenesis, the larval development taking place in one intermediate (Scheme II ?) or in two different intermediate hosts (Scheme III ?, ?), andthesexuallymaturestagedevelopinginanother978-3-642-72950-8978-3-642-72948-5作者: 流出 時(shí)間: 2025-3-27 20:45
Book 1974hen Universit?ten verwendet. Mit den dabei ge- wonnenen Erfahrungen wurde die deutsche Ausgabe überarbeitet und modernisiert. Au?erdem wurde das Buch in mancher Hinsicht für Studierende in Mitteleuropa an- gepa?t, vor allem, was die Diskussion der Wetterlagen und die Illustrationen betrifft. Univers作者: 不能強(qiáng)迫我 時(shí)間: 2025-3-27 22:53 作者: ACRID 時(shí)間: 2025-3-28 05:17 作者: Orthodontics 時(shí)間: 2025-3-28 07:26
