標(biāo)題: Titlebook: Beastly Blake; Helen P. Bruder,Tristanne Connolly Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Animals.Poetry.Romanticis [打印本頁(yè)] 作者: Herbaceous 時(shí)間: 2025-3-21 17:42
書目名稱Beastly Blake影響因子(影響力)
書目名稱Beastly Blake影響因子(影響力)學(xué)科排名
書目名稱Beastly Blake網(wǎng)絡(luò)公開度
書目名稱Beastly Blake網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Beastly Blake被引頻次
書目名稱Beastly Blake被引頻次學(xué)科排名
書目名稱Beastly Blake年度引用
書目名稱Beastly Blake年度引用學(xué)科排名
書目名稱Beastly Blake讀者反饋
書目名稱Beastly Blake讀者反饋學(xué)科排名
作者: 大罵 時(shí)間: 2025-3-21 22:17 作者: 秘方藥 時(shí)間: 2025-3-22 02:51
https://doi.org/10.1007/978-3-322-87093-3nacts an inclusive and anti-speciesist dynamic but encourages activism. Milne surveys critical responses that link Blake’s artistry to an anti-cruelty politics and reads ‘Auguries’ alongside animal representations by Anna Laetitia Barbauld, Sarah Trimmer, Helen Maria Williams, and John Thelwall. Mil作者: 疏遠(yuǎn)天際 時(shí)間: 2025-3-22 05:55
Human Resource Management im Umbruchpower as a performance embodied in the fable, the chapter argues that Blake’s Lyca poems embody the parasitical potential of the fable and subversively stage the performativity of violent political power. It closely reads the tension within these poems between their beastly figures: the lion and the作者: Albumin 時(shí)間: 2025-3-22 10:03
Leadership in an Age of Layoffsari’s concepts of becoming-animal, the rhizome, deterritorialisation, as well as lines of flight, and valorises border crossings and the in-between. These intersections occur in the becomings of humans and nonhumans when engaged in self-annihilation and inspiration (the repeated main actions of the 作者: 灰心喪氣 時(shí)間: 2025-3-22 16:21
Leadership in an Age of Layoffs, arguing that it is structured around a trance or Altered Consciousness State (ACS) figured in the poem as Blake’s collapse in his Felpham garden. Similar trances, accompanied by experiences of entoptic imagery, are widely pictured in the rock shelter paintings of /Xam (San) hunter-gatherer bush pe作者: collateral 時(shí)間: 2025-3-22 18:27 作者: Pessary 時(shí)間: 2025-3-22 23:17
Uschi Backes-Gellner,Stephan Veenore Blake’s appropriation of the sheep from other art-historical sources. Particularly focusing on Blake’s pastoral imagery (primarily, Blake’s illustrations to Virgil), the chapter culminates in a discussion of the sheep’s symbolic value in the context of Blake’s underlying philosophy of innocence 作者: groggy 時(shí)間: 2025-3-23 02:24
Holger Luczak,Marie-Christine Stemannlephants, eagles, lions and crocodiles that concomitantly draw on and subvert contemporary Eurocentric graphic representations of animals. Crosby argues that Blake’s engravings and their placement within the text destabilised Hayley’s use of the ballad commission as a vehicle for patronage. Rather, 作者: parsimony 時(shí)間: 2025-3-23 08:22
How Students Manage Human Resourcesthe plate in John Varley’s .. Moving beyond the familiar narratives about Blake’s collaboration with Varley and the nightly séances at his house, the chapter revisits the debate about Blake’s renewed interest in physiognomy by aligning the images with Lavater’s .. As well as exploring the reception 作者: 類似思想 時(shí)間: 2025-3-23 10:06 作者: Talkative 時(shí)間: 2025-3-23 17:41
Helen P. Bruder,Tristanne ConnollyExamines a previously overlooked facet of Blake‘s writing - animals.Uses animal studies and posthuman studies to go beyond traditional understandings of Blake.Includes both established and emerging sc作者: 辯論 時(shí)間: 2025-3-23 21:17 作者: 惰性女人 時(shí)間: 2025-3-23 23:59
https://doi.org/10.1007/978-3-319-89788-2Animals; Poetry; Romanticism; Art; Painting; The Tyger; Human; Nature作者: intrude 時(shí)間: 2025-3-24 05:28 作者: 咒語(yǔ) 時(shí)間: 2025-3-24 08:24 作者: 過(guò)于平凡 時(shí)間: 2025-3-24 12:15
,Introduction: ‘Conversing with the Animal forms of Wisdom’,ulate both the link, and the othering, between humans and animals. Displacing human centrality is a potentially apocalyptic upheaval, as Blake shows by giving animals a dominant presence in his own scenes of apocalypse. Readings of Blake’s oeuvre illustrate his remarkable attention to animal voices 作者: STALL 時(shí)間: 2025-3-24 17:42 作者: 喧鬧 時(shí)間: 2025-3-24 20:52
,Blake’s ‘Auguries of Innocence’ as/in Radical Animal Politics, ,1800,nacts an inclusive and anti-speciesist dynamic but encourages activism. Milne surveys critical responses that link Blake’s artistry to an anti-cruelty politics and reads ‘Auguries’ alongside animal representations by Anna Laetitia Barbauld, Sarah Trimmer, Helen Maria Williams, and John Thelwall. Mil作者: Visual-Field 時(shí)間: 2025-3-24 23:18 作者: 木質(zhì) 時(shí)間: 2025-3-25 04:44
,Apocalyptic Visions, Heroism, and Intersections of the Human and ‘the Not Human’ in Blake’s ,ari’s concepts of becoming-animal, the rhizome, deterritorialisation, as well as lines of flight, and valorises border crossings and the in-between. These intersections occur in the becomings of humans and nonhumans when engaged in self-annihilation and inspiration (the repeated main actions of the 作者: Collar 時(shí)間: 2025-3-25 10:37
,Blake as Shaman: The Neuroscience of Hallucinations and ,’s Lark,, arguing that it is structured around a trance or Altered Consciousness State (ACS) figured in the poem as Blake’s collapse in his Felpham garden. Similar trances, accompanied by experiences of entoptic imagery, are widely pictured in the rock shelter paintings of /Xam (San) hunter-gatherer bush pe作者: 帳單 時(shí)間: 2025-3-25 12:37 作者: Maximizer 時(shí)間: 2025-3-25 17:26 作者: Keshan-disease 時(shí)間: 2025-3-25 22:49 作者: Collar 時(shí)間: 2025-3-26 00:26 作者: Lacerate 時(shí)間: 2025-3-26 04:47 作者: 可商量 時(shí)間: 2025-3-26 09:21
Book 2018designs. The author of ‘The Tyger’ and ‘The Lamb’ was equally struck by the ‘beastliness’ and the beauty of the animal kingdom, the utter otherness of animal subjectivity and the meaningful relationships between humans and other creatures. ‘Conversing with the Animal forms of wisdom night & day’, Bl作者: Judicious 時(shí)間: 2025-3-26 14:45
How Students Manage Human Resources of character. The intricate interplay between the images and the speeches attributed to Blake’s flea, as Erle shows, firmly places Blake’s flea at the centre of the early history of the now iconic figure of the vampire.作者: 裂縫 時(shí)間: 2025-3-26 19:13 作者: Ischemia 時(shí)間: 2025-3-27 00:09
,From Vampire to Apollo: William Blake’s Ghosts of the Flea, ,.1819–1820, of character. The intricate interplay between the images and the speeches attributed to Blake’s flea, as Erle shows, firmly places Blake’s flea at the centre of the early history of the now iconic figure of the vampire.作者: opportune 時(shí)間: 2025-3-27 04:10
,News from the Thames (Blake! There’s Something in the Water),aspects of his work, within a circulation of fantastical narratives around the Thames. Human–animal relationships become a model for understanding the relationship between texts and images—intimate and visionary, infecting each other without directly touching.作者: Cytokines 時(shí)間: 2025-3-27 05:34
Book 2018and .Sexy Blake. in irreverently illuminating blind spots in Blake criticism. .Beastly Blake. will reward lovers of Blake’s writing and visual art, as well as those interested in Romanticism and animal studies..作者: 虛度 時(shí)間: 2025-3-27 10:19
https://doi.org/10.1007/978-3-322-87093-3ne also examines Blake’s poem through an animal studies theoretical lens showing that Blake goes beyond evoking the ‘sincere sympathy’ for animals so popular in his time. Rather, he promotes the reanimation of the world, activates a sensual recalibration, and achieves what Broglio and Nash call ‘difference without assimiliation’.作者: amphibian 時(shí)間: 2025-3-27 16:39
Human Resource Management im Umbruch wolf, the sovereign and the little girl. It makes the case that Lyca be considered Blake’s first strong female character. For Lyca’s act of sleeping, which is a form of ‘recessive action’ in the sense outlined by Anne-Lise Fran?ois, dethrones sovereign power.作者: forestry 時(shí)間: 2025-3-27 21:20
Leadership in an Age of Layoffsople of southern Africa, a society rich with allusions to the animal world. Common neural circuitry across . produced common entoptic imagery. With identical neural correlates for the percepts they experienced during their ‘visions’, even the obscurest imagery of Blake’s ‘Lark [who] is Los’s Messenger’ can be related to ACS experiences.作者: CANE 時(shí)間: 2025-3-27 23:12 作者: superfluous 時(shí)間: 2025-3-28 02:12
Carolina Machado,J. Paulo Davimes. The chapter explores what it means when, at the end of . non-human beings ‘humanize’, suggesting humans need humanization, too, and can in fact approach such redemption by learning from and recognising kinship with animals.作者: 保留 時(shí)間: 2025-3-28 09:38
Carolina Machado,J. Paulo Davimfive senses, and selfhood. Hence, at .’s conclusion, in a finale powered by horses, Blake depicts equine instruction and genius as helping liberate a pan-animal ‘Human Form Divine’, within a co-operative merging of shared being.作者: Gustatory 時(shí)間: 2025-3-28 12:04 作者: Instinctive 時(shí)間: 2025-3-28 15:10 作者: 尊嚴(yán) 時(shí)間: 2025-3-28 19:38 作者: Hypomania 時(shí)間: 2025-3-29 01:04
,Blake’s ‘Horses of Instruction’,five senses, and selfhood. Hence, at .’s conclusion, in a finale powered by horses, Blake depicts equine instruction and genius as helping liberate a pan-animal ‘Human Form Divine’, within a co-operative merging of shared being.作者: AMITY 時(shí)間: 2025-3-29 03:28
,Apocalyptic Visions, Heroism, and Intersections of the Human and ‘the Not Human’ in Blake’s ,remains a vision, provides a reconceptualisation of heroism, producing an epic in which fundamental change relies on a multiplicity of subjectivities, never to be got at but always poised in multiple lines of flight, thus keeping limitless potentialities in play indefinitely.作者: inveigh 時(shí)間: 2025-3-29 09:52
,Bestial Metamorphoses: Blake’s Variations on Transhuman Change in Dante’s Hell,ve misreadings of classical artistic forms in medieval culture, drives the analysis of Blake’s bestial metamorphoses as an experiment in the possibilities and limits of form through a series of transgressions of boundaries between languages, genres, and media.作者: 完整 時(shí)間: 2025-3-29 11:44 作者: 責(zé)難 時(shí)間: 2025-3-29 16:56
Holger Luczak,Marie-Christine Stemannes that Blake’s engravings and their placement within the text destabilised Hayley’s use of the ballad commission as a vehicle for patronage. Rather, the ballad commission provided Blake with an opportunity to articulate pictorially his frustration with the two dominant forms of patronage of the period: the private patron and the marketplace.
