標(biāo)題: Titlebook: Baudelaire and the Making of Italian Modernity; From the Scapigliatu Alessandro Cabiati Book 2022 The Editor(s) (if applicable) and The Aut [打印本頁] 作者: Awkward 時(shí)間: 2025-3-21 16:10
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書目名稱Baudelaire and the Making of Italian Modernity讀者反饋學(xué)科排名
作者: 逢迎白雪 時(shí)間: 2025-3-21 22:25
Palgrave Studies in Modern European Literaturehttp://image.papertrans.cn/b/image/181558.jpg作者: appall 時(shí)間: 2025-3-22 04:01
Baudelaire and the Making of Italian Modernity978-3-030-92018-0Series ISSN 2634-6478 Series E-ISSN 2634-6486 作者: maroon 時(shí)間: 2025-3-22 08:09
Holzbearbeitung mit Handwerkszeugen,udelaire has been considered as the poet of modernity since the publication of the second edition of his verse collection . (1861), a claim that continues to these days. This is compared to Baudelaire’s own definition of modernity, linked to his re-formulation of Romanticism as the art of modern tim作者: 狗舍 時(shí)間: 2025-3-22 09:53
Physikalische und chemische Grundlagen,try, comparing it with Baudelaire’s aesthetic theories and representation of ugliness and medical-anatomical subjects. It starts with an examination of various types of stylistic and aesthetic irregularities in Arrigo Boito’s ., which portray lyrically the dualisms and paradoxes of modernity. These 作者: 脫離 時(shí)間: 2025-3-22 13:19
Holzbearbeitung mit Handwerkszeugen,that the Scapigliatura experimented with literary synaesthesia and the technique of analogy to convey the poet’s ecstatic feelings, intermixing sensory modalities, the woman’s physical features, and natural imagery. Despite a similar focus on the use of the analogy between nature and the human being作者: Fester 時(shí)間: 2025-3-22 18:39 作者: 人類 時(shí)間: 2025-3-22 22:28 作者: Mortar 時(shí)間: 2025-3-23 02:07
978-3-030-92020-3The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: 開花期女 時(shí)間: 2025-3-23 06:07 作者: 啞劇 時(shí)間: 2025-3-23 10:47
Unpoetic Poetry and the Rise of Modernity: Science and Medicine in the Scapigliatura,try, comparing it with Baudelaire’s aesthetic theories and representation of ugliness and medical-anatomical subjects. It starts with an examination of various types of stylistic and aesthetic irregularities in Arrigo Boito’s ., which portray lyrically the dualisms and paradoxes of modernity. These 作者: FIN 時(shí)間: 2025-3-23 15:59
,Writing Analogy, Writing Modernity: The Scapigliatura and Baudelaire’s ,that the Scapigliatura experimented with literary synaesthesia and the technique of analogy to convey the poet’s ecstatic feelings, intermixing sensory modalities, the woman’s physical features, and natural imagery. Despite a similar focus on the use of the analogy between nature and the human being作者: 騷擾 時(shí)間: 2025-3-23 22:02
Concluding Modernity: Writing Analogy , Writing Avant-Garde,main findings of this book, the chapter discusses the centrality of the technique of analogy in Futurist words-in-freedom, arguing that the key role bestowed upon sensory perceptions reveals a link with Baudelaire’s analogical and synaesthetic practice of correspondences. However, it also draws a co作者: 路標(biāo) 時(shí)間: 2025-3-24 01:48 作者: Comprise 時(shí)間: 2025-3-24 06:01 作者: 令人發(fā)膩 時(shí)間: 2025-3-24 09:42 作者: harbinger 時(shí)間: 2025-3-24 14:29
Book 2022r of publication of Baudelaire’s highly influential collection?.Les Fleurs du Mal., and 1912, when the first anthology of Futurist poetry,?.I poeti futuristi., was published in Milan. It focuses primarily on Baudelaire’s influence on the poetry of the Scapigliatura, a long-underrated movement which 作者: Cumulus 時(shí)間: 2025-3-24 18:46 作者: FECT 時(shí)間: 2025-3-24 22:05
2634-6478 to extensively study the poetry of the Scapigliatura.Highlig.This book establishes the role of French writer Charles Baudelaire in the formation of paradigms of modernity in Italian poetry between 1857, the year of publication of Baudelaire’s highly influential collection?.Les Fleurs du Mal., and 19作者: GLUE 時(shí)間: 2025-3-24 23:44 作者: Admire 時(shí)間: 2025-3-25 03:48
,Writing Analogy, Writing Modernity: The Scapigliatura and Baudelaire’s ,y domain to another. Camerana, on the other hand, focuses on the correspondence between the natural landscape and the somatic or emotional features of the feminine figure, which occasionally also symbolises the limits of sublimation of the poet’s existential anguish and the consequent rejection of natural and female beauty.作者: 命令變成大炮 時(shí)間: 2025-3-25 09:06 作者: ELUDE 時(shí)間: 2025-3-25 15:05 作者: 水獺 時(shí)間: 2025-3-25 19:03 作者: nitroglycerin 時(shí)間: 2025-3-25 22:07 作者: Estrogen 時(shí)間: 2025-3-26 01:30 作者: 皺痕 時(shí)間: 2025-3-26 06:01
Unpoetic Poetry and the Rise of Modernity: Science and Medicine in the Scapigliatura,chapter also demonstrates how, following Baudelaire, these juxtapositions are occasionally used by Praga as part of the poet’s introspective analysis of the powerful and destructive feelings of the lyrical subject.作者: resilience 時(shí)間: 2025-3-26 10:19
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