標題: Titlebook: Battlefield Emotions 1500-1800; Practices, Experienc Erika Kuijpers,Cornelis van der Haven Book 2016 The Editor(s) (if applicable) and The [打印本頁] 作者: Bush 時間: 2025-3-21 17:26
書目名稱Battlefield Emotions 1500-1800影響因子(影響力)
書目名稱Battlefield Emotions 1500-1800影響因子(影響力)學科排名
書目名稱Battlefield Emotions 1500-1800網(wǎng)絡公開度
書目名稱Battlefield Emotions 1500-1800網(wǎng)絡公開度學科排名
書目名稱Battlefield Emotions 1500-1800被引頻次
書目名稱Battlefield Emotions 1500-1800被引頻次學科排名
書目名稱Battlefield Emotions 1500-1800年度引用
書目名稱Battlefield Emotions 1500-1800年度引用學科排名
書目名稱Battlefield Emotions 1500-1800讀者反饋
書目名稱Battlefield Emotions 1500-1800讀者反饋學科排名
作者: 的事物 時間: 2025-3-22 00:00
Drill and Allocution as Emotional Practices in Seventeenth-Century Dutch Poetry, Plays and Military an agile moving front of fighters under full control of its commander, other touch upon the emotional implications, such as the emotional encouragement and guidance that is also needed on the battlefield. This chapter considers two examples of ‘military speech’ in particular: the emotional effect o作者: 建筑師 時間: 2025-3-22 03:37
Magical Swords and Heavenly Weapons: Battlefield Fear(lessness) in the Seventeenth Centuryh wars, this chapter analyses the conceptualisations of soldierly fear in the seventeenth century. These texts drew a distinction between right and false fear. in battle: the perceived tension between godless and god-fearing fears, self-destructive audacity and life-saving courage. Contemporaries al作者: Anemia 時間: 2025-3-22 07:00 作者: Fortify 時間: 2025-3-22 09:30
Fear, Honour and Emotional Control on the Eighteenth-Century Battlefieldline and coercion, it argues that fear of dishonour formed the single most important collective source of combat motivation in the period between 1700 and 1800. The first part of the chapter explains how this collective habitus was created, sustained and eventually contributed to combat performance.作者: Albinism 時間: 2025-3-22 14:49
Early Modern Jokes on Fearing Soldiers, in the jests the soldiers are individuals. They act foolishly, drink, instil fear in peasants and are always ready to run away in the face of danger. Puns play on that fear. In other jests soldiers are wittily assessing battlefield situations and in the process, inversely or not, demonstrate their作者: 發(fā)酵 時間: 2025-3-22 17:35 作者: 恃強凌弱的人 時間: 2025-3-23 01:08 作者: 健忘癥 時間: 2025-3-23 04:48
Mediated Battlefields of the French Revolution and Emotives at Workttlefield emotions in the French Revolution. The emotional suffering which Reddy argues was induced by the Terror in both supporters and opponents of the Revolution was particularly extreme for the soldiers who served in the revolutionary armies, as they sought to reconcile the contradictory imperat作者: 星球的光亮度 時間: 2025-3-23 09:10 作者: FUSE 時間: 2025-3-23 10:00 作者: 注意力集中 時間: 2025-3-23 15:47
Deflecting the Fire of Eighteenth-Century French Battle Paintingreign. A visual emphasis on the expression of furious passions and emotions contradicted the idealising beauties of neoclassicism. History painting, rather than battle painting, was promoted as having the potential to be morally improving from within the Académie royale de peinture et de sculpture. 作者: 譏諷 時間: 2025-3-23 18:37 作者: LINE 時間: 2025-3-24 01:39 作者: Substance-Abuse 時間: 2025-3-24 05:50
Der Wille für gelingende Hochaltrigkeitty has turned soldiers from heroes into perpetrators and victims of their uncontrollable emotions. As Mary Favret noted in her lecture at one of our workshops: nowadays more US Soldiers die from suicide than on the battlefields across the world.. Emotions can be lethal. It is difficult to live with 作者: cinder 時間: 2025-3-24 08:24 作者: EXTOL 時間: 2025-3-24 14:27 作者: 領先 時間: 2025-3-24 15:37 作者: evanescent 時間: 2025-3-24 21:05
Early Modern Jokes on Fearing Soldiers. Puns play on that fear. In other jests soldiers are wittily assessing battlefield situations and in the process, inversely or not, demonstrate their composure and firmness as good soldiers. The paper argues that in an attachment perspective on humour, the jests bring the unspoken fear of the battlefield into the open for all to laugh at.作者: Congeal 時間: 2025-3-25 01:06
https://doi.org/10.1007/978-3-663-00220-8 Yet, although fear of social exclusion reconciled most soldiers with the need to fight, the horrors of combat still loomed large. The chapter concludes with a description of the mental strategies employed by the troops to help them overcome their fear, before and during battle.作者: 百靈鳥 時間: 2025-3-25 05:15
https://doi.org/10.1007/978-3-322-85719-4stemic patterns. The new emotional practices originated in media change, charismatic figures and material culture. By linking the emotions of war with the media as well as the consumer revolution of the eighteenth century Füssel explores new practices of participation and commercialisation of feeling.作者: myelography 時間: 2025-3-25 10:04 作者: 異常 時間: 2025-3-25 13:19 作者: 不遵守 時間: 2025-3-25 16:43
https://doi.org/10.1007/978-3-642-72602-6The differing fortunes of the battle painter Jacques Gamelin and the history painter Jacques-Louis David at the time of the French Revolution indicate that, when the newly founded French nation first went to war, the depiction of battlefield emotion did not, as yet, incorporate the changed emotional culture of the modern-day battle scene.作者: Corroborate 時間: 2025-3-25 22:04 作者: osteopath 時間: 2025-3-26 04:12
Book 2016 of primary source material. In three steps it discusses the emotional practices in the army, the emotional experiences of the individual combatant and the emotions of the mediated battlefield in the visual arts.作者: 寬度 時間: 2025-3-26 05:05 作者: 植物學 時間: 2025-3-26 08:32
Drill and Allocution as Emotional Practices in Seventeenth-Century Dutch Poetry, Plays and Military r investigates the emotions that have to be suppressed and those that would provide the conditional mental framework the early modern soldier needed to carry out military commands and to risk his life on the battlefield.作者: Alcove 時間: 2025-3-26 15:13
Book 2016 and affective control of the soldier, and it evokes strong emotional reactions in society at large. While emotional experiences of actors and observers may differ radically, they can also be tightly connected through social interaction, cultural representations and mediatisation. The book integrate作者: ADORE 時間: 2025-3-26 17:05
Fear, Honour and Emotional Control on the Eighteenth-Century Battlefield Yet, although fear of social exclusion reconciled most soldiers with the need to fight, the horrors of combat still loomed large. The chapter concludes with a description of the mental strategies employed by the troops to help them overcome their fear, before and during battle.作者: micronized 時間: 2025-3-27 01:02 作者: 記成螞蟻 時間: 2025-3-27 04:12 作者: 間諜活動 時間: 2025-3-27 06:17 作者: ABHOR 時間: 2025-3-27 11:22
Deflecting the Fire of Eighteenth-Century French Battle PaintingThe differing fortunes of the battle painter Jacques Gamelin and the history painter Jacques-Louis David at the time of the French Revolution indicate that, when the newly founded French nation first went to war, the depiction of battlefield emotion did not, as yet, incorporate the changed emotional culture of the modern-day battle scene.作者: 富饒 時間: 2025-3-27 14:15
Picturing Valenciennes: Philippe-Jacques de Loutherbourg and the Emotional Regulation of British Military art in the 1790s sought to regulate the emotional responses of civilians to visual representations of the Allied war against revolutionary France. The essay includes discussion of large-scale paintings by William Hodges painted in the same period intended to arouse anti-war sentiment.作者: 攀登 時間: 2025-3-27 19:23 作者: 變白 時間: 2025-3-27 22:40 作者: gerontocracy 時間: 2025-3-28 06:00 作者: BRINK 時間: 2025-3-28 06:54
https://doi.org/10.1007/978-3-322-85719-4ness to a wider range of emotional responses to the battlefield experience than the normative ones defined in propagandistic images. Close attention to the incidental details of contemporary accounts can be most revealing of the full range of battlefield emotions.作者: OATH 時間: 2025-3-28 12:04
Magical Swords and Heavenly Weapons: Battlefield Fear(lessness) in the Seventeenth Centurydierly fear. ‘Battlefield Fear(lessness)’ begins and concludes with an interpretation of the controversy about the magical sword Gustavus Adolphus of Sweden purportedly carried in the Battle of Lützen.作者: APO 時間: 2025-3-28 16:08
Emotions, Imagination and Surgery: Wounded Warriors in the Work of Ambroise Paré and Johan van Beverxtualise the ideas of Johan van Beverwijck (1594–1647), a Dutch physician, who was, as so many others, influenced by Paré. Van Beverwijck sees a strong relationship between the science of medicine and military theory and he even links military medicine with the belief in the force of spiritual powers.作者: 果核 時間: 2025-3-28 21:48
‘His Courage Produced More Fear in His Enemies than Shame in His Soldiers’: Siege Combat and Emotionrsonal narratives, demonstrating the range of feelings that officers experienced and the diverse rhetorical uses of their emotional experiences in their writings. I argue that these three texts present divergent models of Catholic loyalism, virtuous command and religious testimony.作者: ineptitude 時間: 2025-3-29 01:33 作者: 反話 時間: 2025-3-29 04:34 作者: 吵鬧 時間: 2025-3-29 08:42
Der Wille für gelingende Hochaltrigkeit an agile moving front of fighters under full control of its commander, other touch upon the emotional implications, such as the emotional encouragement and guidance that is also needed on the battlefield. This chapter considers two examples of ‘military speech’ in particular: the emotional effect o作者: 吞沒 時間: 2025-3-29 11:23 作者: 碌碌之人 時間: 2025-3-29 16:01 作者: 不可知論 時間: 2025-3-29 20:36
https://doi.org/10.1007/978-3-663-00220-8line and coercion, it argues that fear of dishonour formed the single most important collective source of combat motivation in the period between 1700 and 1800. The first part of the chapter explains how this collective habitus was created, sustained and eventually contributed to combat performance.作者: conspicuous 時間: 2025-3-30 00:58 作者: 不透明 時間: 2025-3-30 04:15
https://doi.org/10.1007/978-3-322-84877-2 emotional responses. Hundreds of cities and towns were blockaded or besieged during the prolonged civil wars between Catholics and Calvinists in France, forcing military officers to confront siege conditions frequently. This chapter presents the ways in which sieges served as sites for emotional di作者: ASSET 時間: 2025-3-30 10:52
https://doi.org/10.1007/978-3-322-85719-4 patriotism to a kind of proto-nationalism, new images of heroic sacrifice and the making of a bourgeois public sphere. New patterns of articulation emerged that widened the spectrum of battlefield emotions by connecting it to a hybrid emotional regime that included religious, patriotic but also epi作者: Cardiac-Output 時間: 2025-3-30 13:48 作者: extemporaneous 時間: 2025-3-30 20:14 作者: deriver 時間: 2025-3-30 23:22 作者: Culpable 時間: 2025-3-31 01:28
https://doi.org/10.1007/978-3-642-72602-6reign. A visual emphasis on the expression of furious passions and emotions contradicted the idealising beauties of neoclassicism. History painting, rather than battle painting, was promoted as having the potential to be morally improving from within the Académie royale de peinture et de sculpture.
