標(biāo)題: Titlebook: Basilicata and Southern Italy Between Film and Ecology; Alberto Baracco,Manuela Gieri Book 2022 The Editor(s) (if applicable) and The Auth [打印本頁] 作者: 壓縮 時(shí)間: 2025-3-21 18:43
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作者: 借喻 時(shí)間: 2025-3-21 23:05
Universities in Northern Finland, comprise this section have as their point of departure the extraction and reimagining of Italy’s South from the shadows of centenary designation of the Southern Question (All references to the South are inclusive of the islands of Sardinia and Sicily, which are usually understood to be part of that作者: dowagers-hump 時(shí)間: 2025-3-22 04:21 作者: labile 時(shí)間: 2025-3-22 07:24 作者: 基因組 時(shí)間: 2025-3-22 09:52
Using Graphics to Inspire Failing Students tradition, transcribing the folktales gathered in his travels through Southern Italy, in Campania, Puglia, and—especially—Lucania. However, Basile transformed these tales by taking inspiration from customs and rituals of the daily life of his time to criticize courtly society and literary tradition作者: 美麗的寫 時(shí)間: 2025-3-22 12:57
https://doi.org/10.1007/978-3-319-98590-9ics between inside and outside as a key aesthetic factor in understanding the image of the region. During the 1950s, the Lucanian cinematic landscape, devoid of any recognizable landmarks when compared to other regions of the South, gained the special status of an archaic and mysterious world. In th作者: Accomplish 時(shí)間: 2025-3-22 19:25
Gary Allen,Mike Mavromihales,Jenny Carterragility, geometry/stillness, matter/silence are the keywords of a narration that embodies the spirit of a more philosophically aware approach to the land. The documentary . (., 2019) by Nicola Ragone is a meditation on migration, environment, and identity, which appeals to the aesthetics of ghost t作者: 灰姑娘 時(shí)間: 2025-3-22 23:54
The Enterprise Showcase Experience contributed to revitalize the ways in which the Southern part of the country is recounted. The picturesque and festive depictions of Naples as well as the gloomy and detached representations of Basilicata have undergone a decisive transformation in favor of a less stereotypical and glossy image of 作者: Flirtatious 時(shí)間: 2025-3-23 04:59
Higher Education Computer Science Pasolini’s . (., 1964) with a friend. We were mesmerized by Pasolini’s stunning depiction of Matera and resolved to visit the city as soon as possible. A week later, the two of us were driving South to the Sassi of Matera. where we spent a few days exploring the area. Twenty years later, only two f作者: esculent 時(shí)間: 2025-3-23 09:05
https://doi.org/10.1007/978-1-137-49720-8is 1960 film . (.), whose protagonists come from Lucania (whose administrative name was and is Basilicata), a poor region of Southern Italy. In this chapter, my interest lies in the delicate issue of the relationship between preliminary materials—that is, studies about places, uses, customs, and peo作者: anniversary 時(shí)間: 2025-3-23 11:58 作者: 疏遠(yuǎn)天際 時(shí)間: 2025-3-23 17:29 作者: 外表讀作 時(shí)間: 2025-3-23 21:10
https://doi.org/10.1007/978-3-319-52983-7rom a film by Greek director Theodorus Angelopolous (. 1991) to reflect on the notion of the “frontier as wound.” Rather, he suggests, one should look to the “opposite direction […] the one that goes toward the border,” a peripheral site of restlessness, ambivalence, tension, and division but also o作者: 幻影 時(shí)間: 2025-3-23 23:46
https://doi.org/10.1007/978-3-030-50746-6ace of chaotic and rapid modernization. Authors such as Luigi Di Gianni, Lino Del Fra, and Michele Gandin caught the latest testimonies of a universe made up of human beings capable of weaving, through the mythical-ritual dimension, the weft of a social and cultural system in a precarious balance. I作者: 債務(wù) 時(shí)間: 2025-3-24 03:24
Alberto Baracco,Manuela GieriTimely contribution to the fields of Italian film studies, ecocriticism and global South studies.Combines different but contiguous approaches to film with environmental studies, eco-philosophies, and 作者: 浪費(fèi)時(shí)間 時(shí)間: 2025-3-24 08:13 作者: Pamphlet 時(shí)間: 2025-3-24 11:17
https://doi.org/10.1007/978-3-031-13573-6Lucania; Southern thought; Film eco-criticism; Film eco-philosophy; Eco-centrism作者: Reservation 時(shí)間: 2025-3-24 16:48 作者: 上坡 時(shí)間: 2025-3-24 20:31
Book 2022thern Italy, cinema, and ecology, and thus to reflect on the different forms through which the historical, cultural, and social contexts of Southern Italian regions have been variously identified and represented. In order to explore these connections, the volume embraces a wide range of perspectives作者: Hiatal-Hernia 時(shí)間: 2025-3-24 23:31 作者: 宏偉 時(shí)間: 2025-3-25 04:58 作者: 填料 時(shí)間: 2025-3-25 08:05
Exordium to the “opposite direction […] the one that goes toward the border,” a peripheral site of restlessness, ambivalence, tension, and division but also one that, just because of these same features, may also be a space from which to theorize about alternative futures and possibilities in order to find a new sense of unity (Cassano 2012, 45).作者: FRET 時(shí)間: 2025-3-25 15:17 作者: 禁止 時(shí)間: 2025-3-25 19:34 作者: Fulsome 時(shí)間: 2025-3-25 20:51
Petroculture, Southern Thought, and Itinerant Cinematic Resistance in Basilicataory of a longer voyage through Southern Italy, from Sicily to Rome. These two films are examples of itinerant cinema, as they focus their energies on long journeys that unfold on foot. In the process of walking across stretches of Italy, the films’ protagonists (and, ultimately, the films themselves作者: 自然環(huán)境 時(shí)間: 2025-3-26 01:00 作者: 雜役 時(shí)間: 2025-3-26 05:53
Lucania, Land of Fairy Tales and Cinema: Gigi Roccati’s , and the Eco-Fairy-Tale Filmthe fairy tales collected by Basile metamorphosed in recent decades? What significant relationship exist nowadays between ., cinema, and ecological thought? From an ecocritical perspective, reconsidering some Italian cinematic adaptations of Basile’s work, such as Francesco Rosi’s . (1967), Matteo G作者: commune 時(shí)間: 2025-3-26 10:53
Basilicata Inside and Outside. Lucanian Landscape and Postwar Nonfiction Cinemasurrounding areas have frequently been described as highlighting the unique connection joining inside and outside, as well as chronotopes, such as the road and the threshold. Many photographers working in Basilicata at that time approached the Southern landscape in the same way: in particular, ethno作者: MUTED 時(shí)間: 2025-3-26 13:34 作者: Certainty 時(shí)間: 2025-3-26 19:39 作者: 過分 時(shí)間: 2025-3-27 00:33
Exordiumountry road in the middle of an exceptionally dark night, which convinced us to park in the first apparently safe place we found, spend the night in the car, and then wake up the next day, astonished to find ourselves overlooking the Lago di San Giuliano, a small lake just outside of Matera.作者: 一罵死割除 時(shí)間: 2025-3-27 04:19
: Luchino Visconti’s Lucania Between Real and Imaginaryething more: the claims and the two contradictory aspects of Southern Italy (i.e., tradition and modernity) come into play, also reconnecting with Rocco Scotellaro’s poetry and ideas. Visconti’s film expresses the image of Lucania through Rosaria, the mother figure, in whom the children’s bond with 作者: 浪費(fèi)物質(zhì) 時(shí)間: 2025-3-27 08:10
Meridian Landscape and Documentary Image: Luigi Di Gianni ’s Short Moviesthe magical-religious themes dear to the author are subordinated to the absence of formal research and greater attention given to everyday life. These aspects make the short films more similar to reportage, returning an image of the Southern landscape no longer as a distant place suspended in anothe作者: 知識(shí)分子 時(shí)間: 2025-3-27 12:36
Isabella di Morra’s “Valle Inferna” Between Myth and Reality. About the Movie e film adaptation, the setting becomes one with the characters. The result is a dialectical relationship between territory, literature, and cinema, in which the places of the . take on almost rehabilitative characterizations with respect to the scenario that rhymes had given. In light of the initiat作者: STYX 時(shí)間: 2025-3-27 15:31 作者: Aviary 時(shí)間: 2025-3-27 18:32
, therefore, its history and its territories, communities, and identities. Furthermore, in an even more general sense, Basilicata and Southern Italy reconnects with the very idea of the South, and of all Souths978-3-031-13575-0978-3-031-13573-6作者: 敵手 時(shí)間: 2025-3-27 22:08 作者: CRAFT 時(shí)間: 2025-3-28 02:29 作者: 展覽 時(shí)間: 2025-3-28 09:14
Universities in Northern Finland,backward population—and, therefore, a prime region to relegate to the status of colony of a supposedly more advanced North. Thus, Gramsci and Cassano offer points of approach to the . to initiate actions toward emphasizing “the dignity of a different way of life” (Cassano 2012, 2).作者: 毗鄰 時(shí)間: 2025-3-28 12:28
Ingi Runar Edvardsson,Thorsteinn Gunnarssonory of a longer voyage through Southern Italy, from Sicily to Rome. These two films are examples of itinerant cinema, as they focus their energies on long journeys that unfold on foot. In the process of walking across stretches of Italy, the films’ protagonists (and, ultimately, the films themselves作者: podiatrist 時(shí)間: 2025-3-28 17:15
Higher Education Computer Sciencef disaster. For the Neapolitan director, the tragedy of terrorism became an anguished daily concern. Consequently, he addressed . (the years of lead) in . (., Rosi 1981), his next film, set in the rural landscape of the Murge. What is impressive about Rosi’s fifteen feature films (out of seventeen) 作者: 粘土 時(shí)間: 2025-3-28 21:51 作者: groggy 時(shí)間: 2025-3-28 22:56
https://doi.org/10.1007/978-3-319-98590-9surrounding areas have frequently been described as highlighting the unique connection joining inside and outside, as well as chronotopes, such as the road and the threshold. Many photographers working in Basilicata at that time approached the Southern landscape in the same way: in particular, ethno作者: CLAM 時(shí)間: 2025-3-29 03:05
Gary Allen,Mike Mavromihales,Jenny Carters identity. Like a silent character who proudly claims a primal role, the landscape—with its stones, pits, and ravines—informs us as to how it should be perceived. The chapter offers an aesthetical, iconographic study, with references to contemporary art, focusing on the representation of Lucania’s 作者: 巫婆 時(shí)間: 2025-3-29 08:28 作者: HARP 時(shí)間: 2025-3-29 12:18
Higher Education Computer Scienceountry road in the middle of an exceptionally dark night, which convinced us to park in the first apparently safe place we found, spend the night in the car, and then wake up the next day, astonished to find ourselves overlooking the Lago di San Giuliano, a small lake just outside of Matera.作者: 運(yùn)動(dòng)性 時(shí)間: 2025-3-29 17:34
https://doi.org/10.1007/978-1-137-49720-8ething more: the claims and the two contradictory aspects of Southern Italy (i.e., tradition and modernity) come into play, also reconnecting with Rocco Scotellaro’s poetry and ideas. Visconti’s film expresses the image of Lucania through Rosaria, the mother figure, in whom the children’s bond with 作者: 拍下盜公款 時(shí)間: 2025-3-29 23:22
Jane Hemsley-Brown,Izhar Oplatkathe magical-religious themes dear to the author are subordinated to the absence of formal research and greater attention given to everyday life. These aspects make the short films more similar to reportage, returning an image of the Southern landscape no longer as a distant place suspended in anothe作者: intolerance 時(shí)間: 2025-3-30 03:38
https://doi.org/10.1007/978-981-15-9216-4e film adaptation, the setting becomes one with the characters. The result is a dialectical relationship between territory, literature, and cinema, in which the places of the . take on almost rehabilitative characterizations with respect to the scenario that rhymes had given. In light of the initiat作者: 撫育 時(shí)間: 2025-3-30 06:41 作者: Anthropoid 時(shí)間: 2025-3-30 10:37
Basilicata and Southern Italy Between Film and Ecology作者: 復(fù)習(xí) 時(shí)間: 2025-3-30 15:30
Basilicata and Southern Italy Between Film and Ecology978-3-031-13573-6作者: 冷漠 時(shí)間: 2025-3-30 16:57
Introduction: For a New Ecology of the Gaze in Contemporary Italian Cinema,we find a frequent tendency to rewrite space, both the one we inhabit in a difficult daily relationship between inside and outside, city and country, culture and nature, and the one we are inscribed in as a generally termed Southern space of the world in its diverse articulations, as landscape and a作者: 大漩渦 時(shí)間: 2025-3-31 00:19
Exordium comprise this section have as their point of departure the extraction and reimagining of Italy’s South from the shadows of centenary designation of the Southern Question (All references to the South are inclusive of the islands of Sardinia and Sicily, which are usually understood to be part of that作者: PET-scan 時(shí)間: 2025-3-31 03:55 作者: clarify 時(shí)間: 2025-3-31 07:39
