標(biāo)題: Titlebook: Barrie Kosky’s Transnational Theatres; James Phillips,John R. Severn Book 2021 The Editor(s) (if applicable) and The Author(s), under excl [打印本頁(yè)] 作者: burgeon 時(shí)間: 2025-3-21 18:25
書(shū)目名稱(chēng)Barrie Kosky’s Transnational Theatres影響因子(影響力)
作者: 加入 時(shí)間: 2025-3-21 21:09 作者: START 時(shí)間: 2025-3-22 03:26
,“Aesthetic Ideas”: Mystery and Meaning in the Early Work of Barrie Kosky,ocus will be his “l(fā)anguage” of opera, and the processes by which the audience is prompted to interpret it. The result will be to see how Kosky creates mystery and meaning while avoiding fantasy and escapism; and can express psychological truth while stimulating subjective interpretations. The point 作者: 抗原 時(shí)間: 2025-3-22 06:12
Something for Everybody? Art, Community, the Unfamiliar, and Barrie Kosky at the Adelaide Festival,. In the first part I focus on Kosky’s time as Artistic Director of the 1996 Adelaide Festival, in which he demonstrated a competency with arts administration in ways that expanded the understanding of the role of Artistic Director beyond that shown by his predecessors. As a rare example of a young 作者: Germinate 時(shí)間: 2025-3-22 12:04
,Dramaturgies of Repetition and the Denial of Catharsis: Traumatic Breaking Points in Barrie Kosky’sanalyses Kosky’s use of repetition in scenes from . (1998), . (2006), and . (2008). These analyses reveal that Kosky staged characters’ encounters with trauma using dramaturgies of repetition that ultimately denied catharsis to the character and, by extension, the audience. This chapter considers th作者: defile 時(shí)間: 2025-3-22 16:32
,When All Else Fails, Sing: Barrie Kosky’s ,heatre Company in 2008, is an exemplar of his particular approach to the use of music in theatrical productions. Into Tom Wright’s terse adaptation of Euripides’s . Kosky inserted a wide variety of vocal music, ranging wildly in style and compositional period. The selections include John Dowland son作者: Brittle 時(shí)間: 2025-3-22 20:03
,Barrie Kosky’s Grotesques and the Ecstasy of Theatre, the innocuous make-believe of show business without reasserting the norms of everyday life. It is a way of making spectacle serious but not humourless, of pushing spectacle into ecstasy and surprise. This strain in Kosky’s work communicates with the grotesque tradition of Australian comedy (Sir Les作者: Excitotoxin 時(shí)間: 2025-3-23 00:03 作者: maudtin 時(shí)間: 2025-3-23 02:00 作者: 決定性 時(shí)間: 2025-3-23 05:41 作者: Salivary-Gland 時(shí)間: 2025-3-23 13:39 作者: 牽索 時(shí)間: 2025-3-23 14:39
,Barrie Kosky’s Grotesques and the Ecstasy of Theatre, not disappeared. His revivals of pre-1933 operettas have bucked against post-war scheduling and directorial trends that, in effect, endorsed the Nazis’ suppression of these works. In its non-intellectualism, the grotesque is a form of critique that can inhabit and employ the superficial and the gli作者: FOIL 時(shí)間: 2025-3-23 18:10 作者: VOC 時(shí)間: 2025-3-24 01:52
Book 2021l, Australia’s first Jewish theatre company, to document this formative period in Kosky’s career. The book investigates the ways in which Kosky has created transnational theatres, through introducing European themes and theatre techniques to his Australian work or through bringing fresh voices to th作者: nonplus 時(shí)間: 2025-3-24 06:06
2522-5324 career. The book investigates the ways in which Kosky has created transnational theatres, through introducing European themes and theatre techniques to his Australian work or through bringing fresh voices to th978-3-030-75028-2Series ISSN 2522-5324 Series E-ISSN 2522-5332 作者: Reverie 時(shí)間: 2025-3-24 06:56 作者: calamity 時(shí)間: 2025-3-24 12:17
Approximate Solutions: The Integral Method,vide something for everybody? I argue that Kosky answers this by recognising a diversity of tastes undergirded by a shared orientation towards the new. I end the chapter by drawing links to Kosky’s work in Berlin in relation to barriers to access to the arts.作者: 健壯 時(shí)間: 2025-3-24 15:39 作者: GLIDE 時(shí)間: 2025-3-24 22:28 作者: 流浪者 時(shí)間: 2025-3-25 03:06 作者: lavish 時(shí)間: 2025-3-25 06:39
Differential Formulation of the Basic Laws, work, this chapter argues that . is operatic rather than opera. In doing so, it articulates Kosky’s sophisticated engagement with operatic tropes and conventions, and how he reconfigures them for a dramatic context.作者: laxative 時(shí)間: 2025-3-25 08:47
Fabrication of Thermal Microsystems,chs/Wagner in the dock—it also unflinchingly, and often darkly comically, addresses contemporary political and social issues. Kosky’s production is contrasted with Katharina Wagner’s highly controversial 2010 Bayreuth version which starkly divided the critics, but which offers a very different, and equally fascinating perspective.作者: 急性 時(shí)間: 2025-3-25 14:06
,It Begins with the Theatre: Barrie Kosky’s Workshop,ways in which Kosky invites his audiences to continue to engage with the themes raised in his productions after the theatre event, whether through reflection and processing or practical action. We end with a description of the book’s structure and content.作者: 拖網(wǎng) 時(shí)間: 2025-3-25 18:08 作者: CHIDE 時(shí)間: 2025-3-25 22:32
,“Es klang so alt und war doch so neu”: Barrie Kosky and Wagner’s ,chs/Wagner in the dock—it also unflinchingly, and often darkly comically, addresses contemporary political and social issues. Kosky’s production is contrasted with Katharina Wagner’s highly controversial 2010 Bayreuth version which starkly divided the critics, but which offers a very different, and equally fascinating perspective.作者: 常到 時(shí)間: 2025-3-26 04:10
2522-5324 from Australia and Germany, who provide a unique, multidiscThis book, the first of its kind, surveys the career of the renowned Australian-German theatre and opera director Barrie Kosky. Its nine chapters provide multidisciplinary analyses of Barrie Kosky’s working practices and stage productions, 作者: gentle 時(shí)間: 2025-3-26 06:20 作者: indoctrinate 時(shí)間: 2025-3-26 10:53
,“Aesthetic Ideas”: Mystery and Meaning in the Early Work of Barrie Kosky,will be to show that Kosky’s oeuvre demonstrates a central concept in the Kantian tradition of aesthetic theory regarding the key process in creative expression, and that is the evocation/communication of “aesthetic ideas”.作者: Biofeedback 時(shí)間: 2025-3-26 15:21 作者: 紅腫 時(shí)間: 2025-3-26 20:38
Approximate Solutions: The Integral Method,will be to show that Kosky’s oeuvre demonstrates a central concept in the Kantian tradition of aesthetic theory regarding the key process in creative expression, and that is the evocation/communication of “aesthetic ideas”.作者: MAPLE 時(shí)間: 2025-3-27 00:05
Exact One-Dimensional Solutions,e relationship between Kosky’s use of repetition, his staging of characters’ encounters with trauma, and the subsequent denial of catharsis in specific scenes. In doing so, it accounts for a central dramaturgical mechanism in Kosky’s Australian theatre productions—repetition—and its impact.作者: dowagers-hump 時(shí)間: 2025-3-27 05:03
James Phillips,John R. SevernThe first book to cover the wide-ranging career of the renowned theatre and opera director Barrie Kosky.Brings together academic specialists from Australia and Germany, who provide a unique, multidisc作者: Lime石灰 時(shí)間: 2025-3-27 08:41
Global Germany in Transnational Dialogueshttp://image.papertrans.cn/b/image/180872.jpg作者: 小母馬 時(shí)間: 2025-3-27 10:31 作者: FLACK 時(shí)間: 2025-3-27 16:42
Approximate Solutions: The Integral Method,y, history and performance. Across the six-year lifespan of the company, Gilgul created five works that cemented Kosky’s growing reputation as a director and theatre-maker of uncommon vision and boldness. The authors, Yoni Prior and Matthew Delbridge, were members of the original ensemble and the ch作者: plasma-cells 時(shí)間: 2025-3-27 21:36 作者: Picks-Disease 時(shí)間: 2025-3-28 01:08 作者: Directed 時(shí)間: 2025-3-28 02:25 作者: 我的巨大 時(shí)間: 2025-3-28 08:04 作者: 偽造 時(shí)間: 2025-3-28 12:50 作者: 觀(guān)點(diǎn) 時(shí)間: 2025-3-28 15:01
Fabrication of Thermal Microsystems,rector of the Komische Oper Berlin, was premiered to great acclaim at Bayreuth in 2017 and repeated in 2018 and 2019. This chapter investigates how Kosky has confronted the dark legacy of this monumental work, interrogating many of the deeply disturbing elements while finding a way to strikingly dra作者: investigate 時(shí)間: 2025-3-28 19:39
Survey of strength effects of welding,rate Kosky’s techniques of staging and structuring, especially repetition and doubling, and his theatrical modes of argumentation and rhetoric. This draws on the theme of repetition as a feature of Kosky’s direction discussed in Jennifer McMahon’s theorising of Kosky’s early Australian work in Chap.作者: cylinder 時(shí)間: 2025-3-28 23:42
Barrie Kosky’s Transnational Theatres978-3-030-75028-2Series ISSN 2522-5324 Series E-ISSN 2522-5332
