標題: Titlebook: Baroque Naturalism in Benjamin and Deleuze; The Art of Least Dis Tim Flanagan Book 2021 The Editor(s) (if applicable) and The Author(s), un [打印本頁] 作者: EVOKE 時間: 2025-3-21 18:42
書目名稱Baroque Naturalism in Benjamin and Deleuze影響因子(影響力)
書目名稱Baroque Naturalism in Benjamin and Deleuze影響因子(影響力)學科排名
書目名稱Baroque Naturalism in Benjamin and Deleuze網絡公開度
書目名稱Baroque Naturalism in Benjamin and Deleuze網絡公開度學科排名
書目名稱Baroque Naturalism in Benjamin and Deleuze被引頻次
書目名稱Baroque Naturalism in Benjamin and Deleuze被引頻次學科排名
書目名稱Baroque Naturalism in Benjamin and Deleuze年度引用
書目名稱Baroque Naturalism in Benjamin and Deleuze年度引用學科排名
書目名稱Baroque Naturalism in Benjamin and Deleuze讀者反饋
書目名稱Baroque Naturalism in Benjamin and Deleuze讀者反饋學科排名
作者: BRAVE 時間: 2025-3-21 21:38
Nonlinear and Fractal Analysis,The way they do this is to show that the very . of the ‘concept’ is something that shares a trajectory with ‘conditions’ that are congruent, coincident, and continuous (rather than contiguous) with experience.作者: tangle 時間: 2025-3-22 02:06 作者: BRAVE 時間: 2025-3-22 08:14 作者: 侵略者 時間: 2025-3-22 09:00 作者: dilute 時間: 2025-3-22 14:20
https://doi.org/10.1007/978-3-319-65355-6enth-century sensibility (as one of agitation and hallucination) are evinced in the distinction between seeing and reading—and how the realisation of such an experience is what gives Benjamin’s interest in allegory its philosophical register and, at the same time, allows for the recognition of the same in Deleuze.作者: Muffle 時間: 2025-3-22 17:52 作者: Nucleate 時間: 2025-3-23 00:44
Theses on the Baroque,enth-century sensibility (as one of agitation and hallucination) are evinced in the distinction between seeing and reading—and how the realisation of such an experience is what gives Benjamin’s interest in allegory its philosophical register and, at the same time, allows for the recognition of the same in Deleuze.作者: 流行 時間: 2025-3-23 02:11 作者: CRUMB 時間: 2025-3-23 06:43 作者: Institution 時間: 2025-3-23 10:24
Book 2021s, the philosophical claim here is that ‘the Baroque’ names the intervallic [διαστηματικ?] relation that thought establishes between things.?On this account, any subject finds its unity in a concerted state of disquiet – a state-.rempli. in which, phenomenologically speaking, experience comprises as作者: 偶像 時間: 2025-3-23 17:41
relation that thought establishes between things.?On this account, any subject finds its unity in a concerted state of disquiet – a state-.rempli. in which, phenomenologically speaking, experience comprises as978-3-030-66400-8978-3-030-66398-8作者: GROUP 時間: 2025-3-23 19:01
,‘,’, (a Baroque Theme),ining form. Here, key aspects of Turner’s paintings and Borges’ fables are shown to adduce a sense of . that is to be understood not so much as ‘artless’ as complex. A following section reads the technical consideration of ‘intervals’ and ‘distances’ in Greek geometry in order to consider how seemin作者: 使厭惡 時間: 2025-3-24 01:24
Theses on the Baroque,he chapter shows how this notorious question of art-history (of canonical definition and classification) together with the characterisation of seventeenth-century sensibility (as one of agitation and hallucination) are evinced in the distinction between seeing and reading—and how the realisation of 作者: 拾落穗 時間: 2025-3-24 05:07 作者: 砍伐 時間: 2025-3-24 10:20 作者: BILIO 時間: 2025-3-24 12:34 作者: Femish 時間: 2025-3-24 14:49 作者: Neolithic 時間: 2025-3-24 19:51 作者: Perigee 時間: 2025-3-25 02:00
Tim FlanaganProvides the first critical close reading of Deleuze’s complex and understudied final monograph.Situates the baroque ‘crisis of reason’ within ongoing research on religion, art, and nature in post-Kan作者: 無效 時間: 2025-3-25 03:49
http://image.papertrans.cn/b/image/180864.jpg作者: 鋼盔 時間: 2025-3-25 11:05
Yukiko Himeno,Chae Young Cha,Akinori Noma“The Sublime Words of the Third .” considers the sense in which Plotinus’ thought serves to illustrate the inherently relational understanding of concepts set out in the previous chapters could be taken as a phenomenological account of ‘the Art of Least Distances’.作者: 古老 時間: 2025-3-25 12:38
The Sublime Words of the Third ,“The Sublime Words of the Third .” considers the sense in which Plotinus’ thought serves to illustrate the inherently relational understanding of concepts set out in the previous chapters could be taken as a phenomenological account of ‘the Art of Least Distances’.作者: candle 時間: 2025-3-25 17:05 作者: 允許 時間: 2025-3-25 21:53
https://doi.org/10.1007/978-1-4471-4309-3ining form. Here, key aspects of Turner’s paintings and Borges’ fables are shown to adduce a sense of . that is to be understood not so much as ‘artless’ as complex. A following section reads the technical consideration of ‘intervals’ and ‘distances’ in Greek geometry in order to consider how seemin作者: CHASM 時間: 2025-3-26 00:23
https://doi.org/10.1007/978-3-319-65355-6he chapter shows how this notorious question of art-history (of canonical definition and classification) together with the characterisation of seventeenth-century sensibility (as one of agitation and hallucination) are evinced in the distinction between seeing and reading—and how the realisation of 作者: Instinctive 時間: 2025-3-26 06:54 作者: 坦白 時間: 2025-3-26 11:25 作者: reserve 時間: 2025-3-26 13:45
Jonathan D. Moreno,Colleen E. Clancym about predication and the relational being of concepts. It does this through a reading of sophistry and the energy implied in the distinction between homonymy and synonymy developed by Barbara Cassin.作者: GUMP 時間: 2025-3-26 20:50 作者: capillaries 時間: 2025-3-27 00:40
7樓作者: 可以任性 時間: 2025-3-27 02:46
8樓作者: 腐蝕 時間: 2025-3-27 07:01
8樓作者: 兇兆 時間: 2025-3-27 11:02
8樓作者: employor 時間: 2025-3-27 13:38
9樓作者: exophthalmos 時間: 2025-3-27 19:54
9樓作者: Gesture 時間: 2025-3-27 23:04
9樓作者: 厚顏無恥 時間: 2025-3-28 02:17
9樓作者: IRATE 時間: 2025-3-28 10:00
10樓作者: 獨行者 時間: 2025-3-28 11:23
10樓作者: Psa617 時間: 2025-3-28 17:47
10樓作者: 最小 時間: 2025-3-28 21:35
10樓
