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標(biāo)題: Titlebook: Barbara Pym; Michael Cotsell Textbook 1989Latest edition Macmillan Publishers Limited 1989 bibliography.novel.writing [打印本頁]

作者: Ferret    時(shí)間: 2025-3-21 20:04
書目名稱Barbara Pym影響因子(影響力)




書目名稱Barbara Pym影響因子(影響力)學(xué)科排名




書目名稱Barbara Pym網(wǎng)絡(luò)公開度




書目名稱Barbara Pym網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Barbara Pym被引頻次




書目名稱Barbara Pym被引頻次學(xué)科排名




書目名稱Barbara Pym年度引用




書目名稱Barbara Pym年度引用學(xué)科排名




書目名稱Barbara Pym讀者反饋




書目名稱Barbara Pym讀者反饋學(xué)科排名





作者: PUT    時(shí)間: 2025-3-21 22:06
Macmillan Publishers Limited 1989
作者: orient    時(shí)間: 2025-3-22 00:40

作者: TRACE    時(shí)間: 2025-3-22 04:50
Modern Novelistshttp://image.papertrans.cn/b/image/180815.jpg
作者: 有斑點(diǎn)    時(shí)間: 2025-3-22 12:32

作者: SPECT    時(shí)間: 2025-3-22 15:23
The Critical Reception,The critical reception of the work of Barbara Pym can be divided into two distinct phases: before 1977 and after 1977.
作者: 不遵守    時(shí)間: 2025-3-22 19:19

作者: 青春期    時(shí)間: 2025-3-23 01:12

作者: 無政府主義者    時(shí)間: 2025-3-23 04:49
Phyllosilicates as Industrial Mineralstate of her relationship with Henry Harvey, and his departure to teach in Finland, she still had hopes of him. When, in 1937, Harvey married a Finnish woman, Elsie Godenhjelm, Pym was, Hazel Holt tells us, ‘badly hurt’ (., p. 13). To distract herself (it may be said), Barbara Pym had twice again vis
作者: 親密    時(shí)間: 2025-3-23 08:41

作者: 彩色    時(shí)間: 2025-3-23 11:45

作者: 綠州    時(shí)間: 2025-3-23 17:22
https://doi.org/10.1007/b138585ossess continuity with what is loosely called nineteenth-century realism, which continues to employ recognisable and ordinary scenes and characters, and which is apparently indifferent to the searching questions about language that preoccupy the ‘post-Joyceans’. This continuity is particularly evide
作者: 顯示    時(shí)間: 2025-3-23 19:59

作者: legislate    時(shí)間: 2025-3-24 00:30

作者: notification    時(shí)間: 2025-3-24 03:33

作者: Fulsome    時(shí)間: 2025-3-24 10:12
Introduction,n Institute, where she continued to work until 1974. In 1945 she began to revise ., which was published by Jonathan Cape in 1950. Cape then published . (1952), . (1953), . (1955), . (1958) and . (1961). In 1963, ., the seventh novel she submitted to Jonathan Cape, was unexpectedly rejected.
作者: acrimony    時(shí)間: 2025-3-24 12:32
Towards War: , and the Unpublished Novels,and Oxford was brought to a close: she was caught up in the war effort, moved to London and then Bristol, and, in 1943, after another romantic complication, joined the Wrens. In July 1944 she was posted to Naples.
作者: 多產(chǎn)魚    時(shí)間: 2025-3-24 16:07
ay we sustain interest in our own lives and those of others, grow and are illuminated, and bear with loneliness and age. This study shows the perceptiveness of her sexual comedy and her awareness of social change, as well as her subtle and sophisticated use of language and narrative form. Michael Co
作者: 不可接觸    時(shí)間: 2025-3-24 19:04

作者: cringe    時(shí)間: 2025-3-25 03:14
Oswestry and Oxford: Early Writings, Literary Influences, and ,,London appear as themselves; Oswestry is the model for all the villages and country towns in the fiction; and Germany and Italy, places of rather unreal romance, appear sometimes as themselves, sometimes as Hungary or Finland. Together they make up her imaginative world, the geography of her feelings.
作者: 悠然    時(shí)間: 2025-3-25 05:47
Textbook 1989Latest editionain interest in our own lives and those of others, grow and are illuminated, and bear with loneliness and age. This study shows the perceptiveness of her sexual comedy and her awareness of social change, as well as her subtle and sophisticated use of language and narrative form. Michael Cotsell plac
作者: 歡騰    時(shí)間: 2025-3-25 09:39
Textbook 1989Latest editionher sexual comedy and her awareness of social change, as well as her subtle and sophisticated use of language and narrative form. Michael Cotsell places Pym among the great explorers of human value in the modern world.
作者: 變量    時(shí)間: 2025-3-25 15:08

作者: photophobia    時(shí)間: 2025-3-25 18:34

作者: 彩色的蠟筆    時(shí)間: 2025-3-25 23:52
Oswestry and Oxford: Early Writings, Literary Influences, and ,,ose places are Oswestry, her childhood home; Oxford; London; and localities abroad with which she was familiar: Germany and, later, Italy. Oxford and London appear as themselves; Oswestry is the model for all the villages and country towns in the fiction; and Germany and Italy, places of rather unre
作者: tooth-decay    時(shí)間: 2025-3-26 00:30
Towards War: , and the Unpublished Novels,tate of her relationship with Henry Harvey, and his departure to teach in Finland, she still had hopes of him. When, in 1937, Harvey married a Finnish woman, Elsie Godenhjelm, Pym was, Hazel Holt tells us, ‘badly hurt’ (., p. 13). To distract herself (it may be said), Barbara Pym had twice again vis
作者: EXULT    時(shí)間: 2025-3-26 05:30
The Comedies,a break with her Oswestry and Oxford life. In September 1945 Pym’s mother died, and the following year her father remarried. The world of her childhood had passed away. From 1946, Pym’s home was London, and the novels of the next period are, with the partial exception of ., London novels.
作者: Fillet,Filet    時(shí)間: 2025-3-26 08:45
Transition,ent more sombre novels. Larkin had a tale to tell: of a happy author driven into gloom by the insensitivity of publishers and the inane literary standards of the swinging sixties. No doubt the rejection of . had its effect, but Pym’s artistry was changing well before that event. After the four poise
作者: Palter    時(shí)間: 2025-3-26 13:43
Language and Loneliness: The Late Novels,ossess continuity with what is loosely called nineteenth-century realism, which continues to employ recognisable and ordinary scenes and characters, and which is apparently indifferent to the searching questions about language that preoccupy the ‘post-Joyceans’. This continuity is particularly evide
作者: 歡樂中國(guó)    時(shí)間: 2025-3-26 18:11
Occurrence of Phyllosilicates in Tobaccovy recourse to characters from the earlier fiction, and authorial self-consciousness, which together make it the least satisfactory of the novels published in Pym’s lifetime. The rejected novel, ., is denser and more poetic in its texture, and more ambitious in its theme, but the hold on the materia
作者: 鳴叫    時(shí)間: 2025-3-26 22:25
https://doi.org/10.1007/b138585t there is correspondingly much greater diversity within the tradition than the use of ‘traditional’ here suggests). So much may be admitted, but it leaves the problem of the applicability of contemporary literary theory, which has developed in close alliance with modernist forms, to the normative t
作者: 朝圣者    時(shí)間: 2025-3-27 04:27

作者: Visual-Field    時(shí)間: 2025-3-27 05:21
Language and Loneliness: The Late Novels,t there is correspondingly much greater diversity within the tradition than the use of ‘traditional’ here suggests). So much may be admitted, but it leaves the problem of the applicability of contemporary literary theory, which has developed in close alliance with modernist forms, to the normative t
作者: 涂掉    時(shí)間: 2025-3-27 12:15
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作者: 南極    時(shí)間: 2025-3-27 15:07
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作者: Mets552    時(shí)間: 2025-3-27 18:11
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