標(biāo)題: Titlebook: Bad Girls and Transgressive Women in Popular Television, Fiction, and Film; Julie A. Chappell,Mallory Young Book 2017 The Editor(s) (if ap [打印本頁] 作者: genial 時(shí)間: 2025-3-21 19:08
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作者: 噴油井 時(shí)間: 2025-3-21 20:40
http://image.papertrans.cn/b/image/180362.jpg作者: outer-ear 時(shí)間: 2025-3-22 01:35
https://doi.org/10.1007/978-3-476-05288-9n into western cultural narrative coincides with the introduction of transgressive women: those who challenge, ignore, or cross over the patriarchal limits intended to circumscribe them. The essays included in this volume focus on the representation of transgressive girls and women in television, po作者: 下船 時(shí)間: 2025-3-22 06:15 作者: NICHE 時(shí)間: 2025-3-22 09:31 作者: Manifest 時(shí)間: 2025-3-22 15:38 作者: 他日關(guān)稅重重 時(shí)間: 2025-3-22 17:50 作者: 確定無疑 時(shí)間: 2025-3-23 00:39 作者: 會犯錯(cuò)誤 時(shí)間: 2025-3-23 04:57 作者: 仔細(xì)檢查 時(shí)間: 2025-3-23 09:18 作者: Commentary 時(shí)間: 2025-3-23 12:51 作者: Madrigal 時(shí)間: 2025-3-23 15:58 作者: Crohns-disease 時(shí)間: 2025-3-23 21:30
Handbuch Kraftfahrzeugelektronikight Robber to rearticulate herself in response to systemic and familial oppression. The novel presents a saga of feminine growth and empowerment, where one girl dons the mantle of folkloric legend in order to destabilize the assumptions of social organization and the power differentials that margin作者: Affluence 時(shí)間: 2025-3-24 01:51 作者: 消瘦 時(shí)間: 2025-3-24 04:02
Handbuch Kraftfahrzeugelektroniknce. . boasts a majority of tough female characters whose representation reworks the “bad girl” paradigm by showing that it can function as a productive and desirable version of femininity that can successfully replace more traditional models. In ., the bad girl is someone who can see beyond the con作者: commonsense 時(shí)間: 2025-3-24 08:23 作者: Mawkish 時(shí)間: 2025-3-24 11:18 作者: 博愛家 時(shí)間: 2025-3-24 17:15
https://doi.org/10.1007/978-3-319-47259-1Transgressive Women; Gender and Empowerment; Gender and Commercialization; Postfeminism; Feminism and Me作者: 不連貫 時(shí)間: 2025-3-24 19:39
978-3-319-83693-5The Editor(s) (if applicable) and The Author(s) 2017作者: Constitution 時(shí)間: 2025-3-25 01:46 作者: ABHOR 時(shí)間: 2025-3-25 04:00
mercialized and ultimately non-threatening reestablishment o.This collection of essays focuses on the representations of a variety of “bad girls”—women who challenge, refuse, or transgress the patriarchal limits intended to circumscribe them—in television, popular fiction, and mainstream film from t作者: Range-Of-Motion 時(shí)間: 2025-3-25 10:29
Handbuch Kommunale Sozialpolitikthe relationship between women and violence suggests ways in which to reconsider the consequences and responsibilities—as well as potentials—for women’s use of violent means to oppose systemic oppression.作者: LEERY 時(shí)間: 2025-3-25 11:59
https://doi.org/10.1007/978-3-658-16859-9ed to police the interpersonal behaviors of all adolescent women. However, as works such as Lauren Oliver’s novel . illustrate, we may be seeing the beginning of a productive shift in this formula that more clearly acknowledges the social systems that inform social aggression among young women.作者: 合適 時(shí)間: 2025-3-25 16:20
,Gründungstexte der Literaturkomparatistik,van Cloulas, Leonie Frieda, and R.J. Knecht present a more complex, nuanced picture of her as a loving mother who sought peace and as a major patron of arts and scholarship. This chapter examines the traditional image, describes how modern scholarship has challenged it, and suggests why popular culture has failed to catch up.作者: 暗諷 時(shí)間: 2025-3-25 20:33 作者: FIR 時(shí)間: 2025-3-26 01:52 作者: 過剩 時(shí)間: 2025-3-26 06:35 作者: Aqueous-Humor 時(shí)間: 2025-3-26 12:20
Mean Girls End Up Dead: The Dismal Fate of Teen Queen Bees in Popular Cultureed to police the interpersonal behaviors of all adolescent women. However, as works such as Lauren Oliver’s novel . illustrate, we may be seeing the beginning of a productive shift in this formula that more clearly acknowledges the social systems that inform social aggression among young women.作者: stratum-corneum 時(shí)間: 2025-3-26 16:37 作者: 山崩 時(shí)間: 2025-3-26 18:15
“Let Them Know That Men Did This”: Medusa, Rape, and Female Rivalry in Contemporary Film and Women’ssay argues that representations of Medusa in popular culture evidence a backlash against feminist interpretations and rewrite or render invisible the Greco-Roman narrative of her rape. Hyper-sexualized in popular culture, Medusa is both titillating and terrifying, a threat that implicitly invites male conquest and control.作者: antiquated 時(shí)間: 2025-3-26 20:57 作者: 農(nóng)學(xué) 時(shí)間: 2025-3-27 03:45
Kommunale Entscheidungsstrukturen im Wandelvist must join forces to challenge. Today’s warrior woman reminds us that in spite of women’s significant political and economic gains, the battle for equality is still being waged. The stakes, however, have changed, bringing underlying cultural tensions and players more clearly into view.作者: affinity 時(shí)間: 2025-3-27 06:42
Das kommunikationspolitische Instrumentarium. By refusing this ending, O’Connell, through Mallory, posits the necessity of an accounting of, as opposed to simple empathy with, the violence done by those deemed expendable by the rich and powerful. It is this demand for an accounting that forms the basis of her critique of violence against women and children.作者: Barrister 時(shí)間: 2025-3-27 10:06
https://doi.org/10.1007/978-3-658-16859-9ue of society’s inequality of expectations about managing the home, which signifies greater problems with patriarchal society than are generally admitted to in chick lit, and which, unusually, allows transgressive femininity to thrive.作者: 障礙物 時(shí)間: 2025-3-27 15:51
Book 2017s intended to circumscribe them—in television, popular fiction, and mainstream film from the mid-twentieth century to the present. Perhaps not surprisingly, the initial introduction of women into Western cultural narrative coincides with the introduction of transgressive women. From the beginning, f作者: Solace 時(shí)間: 2025-3-27 19:18
https://doi.org/10.1007/978-3-476-05288-9s, and ultimate fates, of the protagonists. What remains a constant among all of these bad girls, however, is the will to cross the boundaries of behavior deemed, by prevailing authorities, to be acceptable.作者: 縮影 時(shí)間: 2025-3-28 00:03 作者: 滑動 時(shí)間: 2025-3-28 03:41 作者: 不適 時(shí)間: 2025-3-28 08:48
Handbuch Kraftfahrzeugelektronik Furthermore, through its use of genres such as the romance, the soap opera, and the superhero story, . unveils the subversive potential of popular culture that can hide behind its escapist dimension to promote non-mainstream values.作者: definition 時(shí)間: 2025-3-28 10:51
Introduction: Bad Girls in Popular Culture,s, and ultimate fates, of the protagonists. What remains a constant among all of these bad girls, however, is the will to cross the boundaries of behavior deemed, by prevailing authorities, to be acceptable.作者: constitutional 時(shí)間: 2025-3-28 17:28
Vera Caspary’s ,: Murder as a Domestic Art, or Lethal Home Economicscklash of rigid conformity that follows the social gains of the 1930s and 1940s. The novel traces the reasons Caspary’s titular bad girl—described on the book’s cover as “the wickedest girl who ever loved”—still shocks today.作者: acolyte 時(shí)間: 2025-3-28 22:15 作者: finite 時(shí)間: 2025-3-29 00:58
Bad Girls in Outer Space: Brian K. Vaughan and Fiona Staples’ , and the Graphic Representation of Su Furthermore, through its use of genres such as the romance, the soap opera, and the superhero story, . unveils the subversive potential of popular culture that can hide behind its escapist dimension to promote non-mainstream values.作者: CEDE 時(shí)間: 2025-3-29 04:57 作者: 做作 時(shí)間: 2025-3-29 07:59
Reading Kathleen Mallory: Trauma and Survival in the Detective Fiction of Carol O’Connell. By refusing this ending, O’Connell, through Mallory, posits the necessity of an accounting of, as opposed to simple empathy with, the violence done by those deemed expendable by the rich and powerful. It is this demand for an accounting that forms the basis of her critique of violence against women and children.作者: 花束 時(shí)間: 2025-3-29 15:06 作者: 不來 時(shí)間: 2025-3-29 18:07 作者: 新義 時(shí)間: 2025-3-29 22:44
Bad Girls and Transgressive Women in Popular Television, Fiction, and Film978-3-319-47259-1作者: electrolyte 時(shí)間: 2025-3-30 03:10 作者: 發(fā)現(xiàn) 時(shí)間: 2025-3-30 06:57
Introduction: Bad Girls in Popular Culture,n into western cultural narrative coincides with the introduction of transgressive women: those who challenge, ignore, or cross over the patriarchal limits intended to circumscribe them. The essays included in this volume focus on the representation of transgressive girls and women in television, po
