標(biāo)題: Titlebook: B S Johnson and Post-War Literature; Possibilities of the Julia Jordan (Lecturer),Martin Ryle (Header) Book 2014 Palgrave Macmillan, a divi [打印本頁] 作者: ARSON 時(shí)間: 2025-3-21 17:21
書目名稱B S Johnson and Post-War Literature影響因子(影響力)
書目名稱B S Johnson and Post-War Literature影響因子(影響力)學(xué)科排名
書目名稱B S Johnson and Post-War Literature網(wǎng)絡(luò)公開度
書目名稱B S Johnson and Post-War Literature網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱B S Johnson and Post-War Literature被引頻次
書目名稱B S Johnson and Post-War Literature被引頻次學(xué)科排名
書目名稱B S Johnson and Post-War Literature年度引用
書目名稱B S Johnson and Post-War Literature年度引用學(xué)科排名
書目名稱B S Johnson and Post-War Literature讀者反饋
書目名稱B S Johnson and Post-War Literature讀者反饋學(xué)科排名
作者: dapper 時(shí)間: 2025-3-21 21:21 作者: 空氣傳播 時(shí)間: 2025-3-22 02:48
Yi-Ting Yang,Jiann-Cherng Shiehrawing connections between Johnson, Gordon and post-millennial commentary on new media and the printed word, this essay demonstrates that ‘New Fiction’ offers both a historical precedent and a practical response to the supposed ‘death’ of print.作者: 子女 時(shí)間: 2025-3-22 07:35
B.S. Johnson and the Aleatoric Novelrily to reduce it to something else, an internal paradox of which Johnson was keenly aware. The unbound form of ., he believed, gives material form to these contradictory and unstable anxieties at the text’s core, and therefore invites a reading of . in terms of its status as an aleatoric novel.作者: 真實(shí)的你 時(shí)間: 2025-3-22 11:16 作者: Anthropoid 時(shí)間: 2025-3-22 13:37 作者: 小歌劇 時(shí)間: 2025-3-22 18:50
in tracing his connections to a wider circle of continental, British and American avant-garde writers, offers exciting new approaches to reading 1960s experimental fiction.978-1-349-46794-5978-1-137-34955-2作者: Pituitary-Gland 時(shí)間: 2025-3-22 22:07 作者: 侵略 時(shí)間: 2025-3-23 01:56
Houssem Guissouma,Axel Diewald,Eric Saxcused on the figure of an artist) and incorporate elements of autobiography. Before turning to the texts, I shall locate their authors on the map of post-war English fiction and in their cultural and historical moment.作者: APNEA 時(shí)間: 2025-3-23 09:12
Krzysztof Zatwarnicki,Anna Zatwarnicka to identify the source of Johnson’s fascination, I want to discuss the author-reader relationship as it comes into focus in his novels since, implicitly and explicitly, this is a recurring issue in academic studies of Johnson’s work (see White 2011).作者: 農(nóng)學(xué) 時(shí)間: 2025-3-23 10:12 作者: 緩和 時(shí)間: 2025-3-23 16:11
‘Educated and intelligent, if down-at-heel’: John Wain’s Hurry On Down and B.S. Johnson’s Albert Angcused on the figure of an artist) and incorporate elements of autobiography. Before turning to the texts, I shall locate their authors on the map of post-war English fiction and in their cultural and historical moment.作者: 機(jī)構(gòu) 時(shí)間: 2025-3-23 19:26
The Sadism of the Author or the Masochism of the Reader? to identify the source of Johnson’s fascination, I want to discuss the author-reader relationship as it comes into focus in his novels since, implicitly and explicitly, this is a recurring issue in academic studies of Johnson’s work (see White 2011).作者: transient-pain 時(shí)間: 2025-3-24 01:25
Vladimir F. Minakov,Oleg S. Lobanovseems to dominate discussions of the post-war British experimental novel: he has been seen, as Jonathan Coe has written, as ‘the one man avant garde’ of the 1960s. This collection of essays has grown out of one of a handful of symposia on Johnson’s work in the last five years alone, and essays on hi作者: 愛得痛了 時(shí)間: 2025-3-24 05:49
https://doi.org/10.1007/978-3-319-99993-7terary influences (some highly personal in nature), which I will move toward later. Rather this mapping starts with an example of the writer’s aesthetic doubts. This may help explain or at least contextualise the concepts concerning the form and function of the novel that initially animated his aest作者: 半身雕像 時(shí)間: 2025-3-24 09:36 作者: vitreous-humor 時(shí)間: 2025-3-24 12:26
Pawe? Dunaj,Micha? Dolata,Stefan Berczyńskis to perform this reconstruction in a particularly explicit and s elf-aware fashion. The narrative is composed of a series of bound sections contained within a box, all the sections but the first and last being readable in random order. They present Johnson’s reflections on the death of his friend T作者: 組成 時(shí)間: 2025-3-24 15:01
G. Bocewicz,P. Nielsen,Z. Banaszakng lies’ and a compulsion to seek a new form to represent the messy maelstrom of modernity. The novel mediates between wrestling with the fallibility of memory and the self-declared aim of faithfully articulating the unfortunate randomness of illness and loss. Johnson’s attempt to represent the ‘tru作者: 直言不諱 時(shí)間: 2025-3-24 20:09
Pawe? Dunaj,Micha? Dolata,Stefan Berczyński against British state property between 1968 and 1972. The height of their infamy coincided with the trial of the ‘Stoke Newington Eight’, of which four were found guilty of conspiracy and given ten-year sentences. In his book, . ., Gordon Carr describes the history of this group — ‘Britain’s first 作者: Panacea 時(shí)間: 2025-3-25 03:13 作者: dearth 時(shí)間: 2025-3-25 05:42
Andrzej Paszkiewicz,Kamil Iwaniecof the cultural politics of literature in .. Near the end of the first section of Part Two of the ., the text seems to ready its readers for the advent of a ‘holy language’ by clearing its path of the debris of literature (‘littérature’) left behind by other Irish writers:作者: 個(gè)人長篇演說 時(shí)間: 2025-3-25 11:14
Krzysztof Zatwarnicki,Anna Zatwarnickaith the literary and academic community’s relationship with this author, something we (collectively) still haven’t quite fathomed. In order to attempt to identify the source of Johnson’s fascination, I want to discuss the author-reader relationship as it comes into focus in his novels since, implici作者: 悶熱 時(shí)間: 2025-3-25 14:05 作者: limber 時(shí)間: 2025-3-25 18:39 作者: objection 時(shí)間: 2025-3-25 21:03
Yi-Ting Yang,Jiann-Cherng Shieheal of portable reading devices signifies the obsolescence of print: today’s reader has neither time nor space for paperbound volumes. The emergence of technologically advanced narrative media is not, however, a phenomenon unique to the twenty-first century. Nor indeed is the fervour amongst authors作者: scrutiny 時(shí)間: 2025-3-26 02:05 作者: ODIUM 時(shí)間: 2025-3-26 06:05
Book 2014A collection of essays on the 1960s experimental writer B.S. Johnson, this book draws together new research on all aspects of his work, and, in tracing his connections to a wider circle of continental, British and American avant-garde writers, offers exciting new approaches to reading 1960s experimental fiction.作者: cogent 時(shí)間: 2025-3-26 11:54
https://doi.org/10.1057/9781137349552Beckett; English literature; fiction; Modernism; Nouveau Roman; post-war literature; prose; Samuel Beckett; 作者: COMA 時(shí)間: 2025-3-26 13:15
978-1-349-46794-5Palgrave Macmillan, a division of Macmillan Publishers Limited 2014作者: 大包裹 時(shí)間: 2025-3-26 18:47
Antepostdated Johnsonof the cultural politics of literature in .. Near the end of the first section of Part Two of the ., the text seems to ready its readers for the advent of a ‘holy language’ by clearing its path of the debris of literature (‘littérature’) left behind by other Irish writers:作者: Finasteride 時(shí)間: 2025-3-26 23:28 作者: Fulminate 時(shí)間: 2025-3-27 05:10
Andrzej Paszkiewicz,Kamil Iwaniecof the cultural politics of literature in .. Near the end of the first section of Part Two of the ., the text seems to ready its readers for the advent of a ‘holy language’ by clearing its path of the debris of literature (‘littérature’) left behind by other Irish writers:作者: inflate 時(shí)間: 2025-3-27 05:19 作者: instate 時(shí)間: 2025-3-27 11:41 作者: 定點(diǎn) 時(shí)間: 2025-3-27 16:38
Introduction: Avant-Garde Possibilities — B.S. Johnson and the Sixties Generationeen renewed interest in other experimental and avant-garde writers of the period, and an awareness of the vitalising influence of the continental ., via figures such as Christine Brooke-Rose and Rayner Heppenstall. A version of the sixties is currently in the critical ascendancy that will hopefully 作者: Inflammation 時(shí)間: 2025-3-27 21:13 作者: 權(quán)宜之計(jì) 時(shí)間: 2025-3-28 00:23
Cell of One: B.S. Johnson, Christie Malry and the Angry Brigadedrama [which] played the part of an ideal public committed to the interests of the body politic’ (iv). For ‘members’ at least, then, there operated a certain assumption that there existed a central ‘idea’ of the Angry Brigade to which everyone gave their assent — even if they remained uncommitted in作者: 地名詞典 時(shí)間: 2025-3-28 04:15 作者: CAPE 時(shí)間: 2025-3-28 10:17 作者: Robust 時(shí)間: 2025-3-28 14:29 作者: jungle 時(shí)間: 2025-3-28 16:20
Pawe? Dunaj,Micha? Dolata,Stefan Berczyńskisentation. If, as critics such as Kaye Mitchell (2007: 56) claim, the novel’s sequences do not create radically different readings from one another, the mere fact of this multiplicity would not in itself cause difficulties in reader construction of character. B.S. Johnson’s prose style may be more r作者: judiciousness 時(shí)間: 2025-3-28 19:58 作者: 懶鬼才會(huì)衰弱 時(shí)間: 2025-3-28 23:15
https://doi.org/10.1007/978-3-030-30443-0this recognisable genre in which fiction is mingled with autobiography. In particular, Saunders links the late nineteenth-century autohiografiction of writers such as Mark Rutherford, Samuel Butler and George Gissing to the subsequent emergence of literary modernism, seeing the developments pioneere作者: Ordnance 時(shí)間: 2025-3-29 04:16
Tadeusz Gospodarek,S?awomir Pizoń in pattern and eternity, but today what characterises our reality is the probability that chaos is the most likely explanation’ (ibid.: 17). Since ‘Life is chaotic, fluid, random’, Johnson asserts, ‘telling stories really is telling lies’ (14). Approvingly quoting words attributed to Samuel Beckett作者: 大門在匯總 時(shí)間: 2025-3-29 10:33
Introduction: Avant-Garde Possibilities — B.S. Johnson and the Sixties Generationseems to dominate discussions of the post-war British experimental novel: he has been seen, as Jonathan Coe has written, as ‘the one man avant garde’ of the 1960s. This collection of essays has grown out of one of a handful of symposia on Johnson’s work in the last five years alone, and essays on hi作者: FRAX-tool 時(shí)間: 2025-3-29 12:48 作者: LATHE 時(shí)間: 2025-3-29 15:44 作者: Insatiable 時(shí)間: 2025-3-29 22:36
‘Like loose leaves in the wind’: Effacement and Characterisation in B.S. Johnson’s The Unfortunates s to perform this reconstruction in a particularly explicit and s elf-aware fashion. The narrative is composed of a series of bound sections contained within a box, all the sections but the first and last being readable in random order. They present Johnson’s reflections on the death of his friend T作者: 謊言 時(shí)間: 2025-3-30 03:23
B.S. Johnson and the Aleatoric Novelng lies’ and a compulsion to seek a new form to represent the messy maelstrom of modernity. The novel mediates between wrestling with the fallibility of memory and the self-declared aim of faithfully articulating the unfortunate randomness of illness and loss. Johnson’s attempt to represent the ‘tru作者: 項(xiàng)目 時(shí)間: 2025-3-30 05:54 作者: Intrepid 時(shí)間: 2025-3-30 11:15 作者: 迅速成長 時(shí)間: 2025-3-30 12:41
Antepostdated Johnsonof the cultural politics of literature in .. Near the end of the first section of Part Two of the ., the text seems to ready its readers for the advent of a ‘holy language’ by clearing its path of the debris of literature (‘littérature’) left behind by other Irish writers:作者: opalescence 時(shí)間: 2025-3-30 18:33
