標題: Titlebook: A Love for Nothingness, A Love for Death; The Metaphysics of D Alberto Castelli Book 2024 The Editor(s) (if applicable) and The Author(s), [打印本頁] 作者: Falter 時間: 2025-3-21 16:11
書目名稱A Love for Nothingness, A Love for Death影響因子(影響力)
書目名稱A Love for Nothingness, A Love for Death影響因子(影響力)學科排名
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書目名稱A Love for Nothingness, A Love for Death網(wǎng)絡公開度學科排名
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書目名稱A Love for Nothingness, A Love for Death被引頻次學科排名
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書目名稱A Love for Nothingness, A Love for Death年度引用學科排名
書目名稱A Love for Nothingness, A Love for Death讀者反饋
書目名稱A Love for Nothingness, A Love for Death讀者反饋學科排名
作者: Common-Migraine 時間: 2025-3-21 22:02 作者: Perceive 時間: 2025-3-22 02:28
self-destructive behaviors.Illustrates how love is still ou.This book aims at explaining romantic love between straight adults through literary texts of the western canon from the nineteenth and twentieth century. Each chapter comes with a multidisciplinary approach in which protagonists are mutila作者: 歡樂東方 時間: 2025-3-22 05:23
Einschr?nkung des Formenwahlermessensnarration. Rather than considering the climactic final as expression of moral or neurotic failure, we shall consider Rogozhin’s and Myshkin’s viewpoint as the embodiment of Kierkegaard’s dichotomy between esthetic and ethical life.作者: 裂口 時間: 2025-3-22 08:44
Einschr?nkung des Formenwahlermessenscher, an unbearable splendour due to her fascination with a death instinct. She is a na?ve self-willed victim, at times disturbing and attractive. One cannot but wonder about the nature of desire, the pleasure principle, a perverse definition of love that is less fictional than it is, once more, an illustration of human nature.作者: 吞吞吐吐 時間: 2025-3-22 15:00
Grundbegriffe der Handlungsformen der EU expressions of Dürkheim’s suicide classification. Goethe and Foscolo, accidentally, created heroes whose tragic action aesthetically reproduces the basic elements belonging to Dürkheim’s three typologies.作者: 有幫助 時間: 2025-3-22 17:23 作者: 載貨清單 時間: 2025-3-23 01:06 作者: chuckle 時間: 2025-3-23 03:35 作者: MOT 時間: 2025-3-23 06:54
A Love that Kills: The Idiot,narration. Rather than considering the climactic final as expression of moral or neurotic failure, we shall consider Rogozhin’s and Myshkin’s viewpoint as the embodiment of Kierkegaard’s dichotomy between esthetic and ethical life.作者: Acupressure 時間: 2025-3-23 09:46 作者: vitreous-humor 時間: 2025-3-23 14:59 作者: oxidant 時間: 2025-3-23 19:13 作者: Individual 時間: 2025-3-23 23:43 作者: 整潔漂亮 時間: 2025-3-24 05:22
The Orphans of Love, the 20th Century, central to the narrative is the enigma of the absence. Love is a muted passion, a dialectical interplay between presence and absence, between creation and destruction, the “how much” the author reveals or conceals has to do with how much love can endure.作者: 不能妥協(xié) 時間: 2025-3-24 07:04
Women of Modernism: The Meaning is Deferred,s. From the protagonists’ perspective, the dichotomy between being and the possibility of being generates a tale in which nothing is more senseless than their freedom and their waiting. Critical intelligence is not enough to redeem humanity from doubt: confusion, estrangement, isolation, and immobility mark indelibly the century’s narrative.作者: poliosis 時間: 2025-3-24 11:07
The Unbearable Lightness of Providence,tal regions of human existence. Accordingly, this chapter will draw attention to the intertwined relationship between chaos, determinism, and free will posing the existence of a Supreme Intelligence as guarantor of meaning.作者: 脫落 時間: 2025-3-24 15:07
Book 2024ury. Each chapter comes with a multidisciplinary approach in which protagonists are mutilated in their quest for loving as alternative to annihilation...The book emphasizes love as an obsession, thus as an exploration of the mind. From the passion-myth of Tristan and Isolde to the nihilist modernist作者: charisma 時間: 2025-3-24 22:44 作者: pacific 時間: 2025-3-24 23:49 作者: epinephrine 時間: 2025-3-25 06:48 作者: 注意力集中 時間: 2025-3-25 08:54 作者: 名字 時間: 2025-3-25 12:15
Einschr?nkung des Formenwahlermessensathological man of compassionate nature. However, it is possible that Dostoevsky himself did not completely grasp the ethical dilemma inherent in the narration. Rather than considering the climactic final as expression of moral or neurotic failure, we shall consider Rogozhin’s and Myshkin’s viewpoin作者: entreat 時間: 2025-3-25 17:02 作者: GRUEL 時間: 2025-3-25 23:43 作者: Unsaturated-Fat 時間: 2025-3-26 02:31
https://doi.org/10.1007/978-3-540-34473-5tal state that induced their death helps to engage the protagonists no more as victims of society, martyrs of fate, or wicked characters, but pathological human beings. Their psychological duality brings not an affirmation of identity but a breakdown of identity, hence turning the reader’s judgment 作者: nitroglycerin 時間: 2025-3-26 06:44 作者: Affluence 時間: 2025-3-26 11:37
Grundbegriffe der Handlungsformen der EUeeds to summon his courage for a sort of proposal, while the Underground Man needs Liza’s love in order to escape the underground. If we consider the texts in their poignant call for authentic communication between individuals, then Prufrock and the Underground Man become the archetype of those of u作者: beta-carotene 時間: 2025-3-26 13:17
https://doi.org/10.1007/978-3-540-34473-5the bleak backdrop of Czechoslovakia occupied by Soviet tanks, the tragic love story, melancholic and violent at times, between Tomas and Tereza, invokes questions of philosophical nature. The text that opens with a reflection on Nietzsche’s doctrine of the eternal return, is a journey into fundamen作者: Cryptic 時間: 2025-3-26 20:07
https://doi.org/10.1007/978-3-540-34473-5Duras’ . and Isabel Allende’s . exert upon their readers. While both texts concern a knotty tangle of characters searching for love in the wreckage of the 20th Century, central to the narrative is the enigma of the absence. Love is a muted passion, a dialectical interplay between presence and absenc作者: nettle 時間: 2025-3-26 21:55
A Love that Kills: The Idiot,athological man of compassionate nature. However, it is possible that Dostoevsky himself did not completely grasp the ethical dilemma inherent in the narration. Rather than considering the climactic final as expression of moral or neurotic failure, we shall consider Rogozhin’s and Myshkin’s viewpoin作者: Infinitesimal 時間: 2025-3-27 02:01 作者: 存心 時間: 2025-3-27 08:09
Romantic Agony: Young Werther and Jacopo Ortis,odern individualism. This paper intends to demonstrate that the tragic endings of Goethe’s Werther and Foscolo’s Jacopo Ortis. represent the aesthetic expressions of Dürkheim’s suicide classification. Goethe and Foscolo, accidentally, created heroes whose tragic action aesthetically reproduces the b作者: 故意 時間: 2025-3-27 13:00 作者: Anthrp 時間: 2025-3-27 15:19 作者: Pageant 時間: 2025-3-27 17:47 作者: chapel 時間: 2025-3-28 00:25 作者: 撕裂皮肉 時間: 2025-3-28 02:28
The Orphans of Love,Duras’ . and Isabel Allende’s . exert upon their readers. While both texts concern a knotty tangle of characters searching for love in the wreckage of the 20th Century, central to the narrative is the enigma of the absence. Love is a muted passion, a dialectical interplay between presence and absenc作者: 成績上升 時間: 2025-3-28 09:54 作者: 落葉劑 時間: 2025-3-28 13:26 作者: 導師 時間: 2025-3-28 16:41
Background and Overviewt, we illustrate the “heavy-cloud versus light-end” polarization of Internet content distribution under the novel settings of cloud computing and mobile Internet. Afterward, we review various frontier techniques that attempt to address current issues of Internet content distribution. At the end, we
