標(biāo)題: Titlebook: A History of Italian Cinema; Cinema Paradiso? Irmbert Schenk Book 2025 The Editor(s) (if applicable) and The Author(s), under exclusive lic [打印本頁] 作者: Washington 時(shí)間: 2025-3-21 16:07
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書目名稱A History of Italian Cinema讀者反饋
書目名稱A History of Italian Cinema讀者反饋學(xué)科排名
作者: 騎師 時(shí)間: 2025-3-22 00:12
Neorealism, movies (including many US-imports) presented to the Italian audience. The political intentions were disappointed when general politics in Italy took the path of conservative restoration as early as the end of the 1940s. Then forms of comical popularization of neorealism like Rosa-Neorealism arose. 作者: 有雜色 時(shí)間: 2025-3-22 03:04 作者: dialect 時(shí)間: 2025-3-22 06:55 作者: 外面 時(shí)間: 2025-3-22 12:37
Crisis and New Beginning of Italian Cinema, N.C. P. had a worldwide success (Academy Award Best Foreign Language Film 1990). Two actor-directors achieved the greatest success on the domestic market. They represent a special form of Italian comic cinema, based exclusively on the personal ‘mask’ of the comedian, a form with a long tradition in作者: FIS 時(shí)間: 2025-3-22 14:09
2524-3020 of Italy‘s political and social history and the institutional formation of film and cinema. This is the basis for the extensive examination of genres and films. The film analyses also include a look at the reception by the audiences..978-3-658-44820-2978-3-658-44821-9Series ISSN 2524-3020 Series E-ISSN 2524-3039 作者: CROW 時(shí)間: 2025-3-22 18:32
https://doi.org/10.1007/978-3-531-92926-2or comical movies. With the beginning of World War II, the melodramas were telling more and more escapist stories. At the same time, during fascism, discussions began about new film aesthetics, looking for a new realism with the result of a few corresponding films.作者: Grandstand 時(shí)間: 2025-3-22 23:15 作者: 細(xì)胞 時(shí)間: 2025-3-23 05:02 作者: lobster 時(shí)間: 2025-3-23 06:17
Gro?forschung mit kleinen TeilchenLuigi Zampa, and Vittorio De Sica, now often with a more satirical and bitter note. And finally, the 1960s gave birth to a new subgenre: the Italo-Western or Spaghetti-Western, and even the horror film and the sword-and-sandal movies had a strong revival. Thus, Italian film after 1960 was characteri作者: Nomadic 時(shí)間: 2025-3-23 13:39 作者: incarcerate 時(shí)間: 2025-3-23 16:20
https://doi.org/10.1007/978-3-531-92926-2896. For ten years Italian production consisted mostly just of short documentaries and newsreels. The first longer fiction film was not made until 1905 by Alberini; French productions dominated the market. Alberinis L.R.T.C.R. was already a . a small epic film treating a historical event: the victor作者: nepotism 時(shí)間: 2025-3-23 21:37
https://doi.org/10.1007/978-3-531-92926-2th the rise of the United States and European countries. That concerned not only the economy but also the aesthetics, so that those outdated Italian genres no longer attracted domestic or international audiences. Therefore, at the end of the 1920s Italian fiction film production was near zero. Fasci作者: Liability 時(shí)間: 2025-3-23 22:20 作者: accomplishment 時(shí)間: 2025-3-24 04:18
Gro?forschung in neuen Dimensionene subgenre of the . which went on—highly successfully at the box-office—until the 1970s. Its specific characteristic consisted of a permanent connection to social reality—underneath the comical effects—that permitted an ironical and often satirical look at customs and behavior of Italian society in 作者: 向外 時(shí)間: 2025-3-24 08:35 作者: 繞著哥哥問 時(shí)間: 2025-3-24 10:50 作者: 600 時(shí)間: 2025-3-24 18:53 作者: Accolade 時(shí)間: 2025-3-24 22:40
Irmbert SchenkComplete history of Italian cinema from 1895 until today.Concise introductions to political and social history of Italy.Cronological narration of the formation of genres and films作者: 哀悼 時(shí)間: 2025-3-24 23:15 作者: indigenous 時(shí)間: 2025-3-25 06:01 作者: nuclear-tests 時(shí)間: 2025-3-25 09:48 作者: CRAMP 時(shí)間: 2025-3-25 13:01 作者: 攝取 時(shí)間: 2025-3-25 18:54
Book 2025placed on those periods in which Italian film history became aesthetically decisive for world cinematography: silent film of the 1910s, neorealism after World War II, and auteur and genre cinema around 1960. And then on the multifaceted development up to the present day, which still guarantees films作者: COLON 時(shí)間: 2025-3-25 21:28
Book 2025 from Italy a significant place in international cinema. The chapters are introduced with compact descriptions of Italy‘s political and social history and the institutional formation of film and cinema. This is the basis for the extensive examination of genres and films. The film analyses also include a look at the reception by the audiences..作者: 有斑點(diǎn) 時(shí)間: 2025-3-26 01:44
https://doi.org/10.1007/978-3-531-92926-2numental historical films in particular dealing with topics of antique Roman history. The high point was reached in 1914 with the film C. by Giovanni Pastrone. The second genre with enormous international success was the ., films presenting female divas in a kind of early star system.作者: GET 時(shí)間: 2025-3-26 05:22
The Silent Film from 1895 to the 1910s,numental historical films in particular dealing with topics of antique Roman history. The high point was reached in 1914 with the film C. by Giovanni Pastrone. The second genre with enormous international success was the ., films presenting female divas in a kind of early star system.作者: Erythropoietin 時(shí)間: 2025-3-26 08:51
Zusammenfassung der F?rderkostenG.G. resp. L.T. G. B. achieved huge international successes. They are surrounded by a greater number of young (male and female) directors who guarantee the continuation of a manifold movie landscape of Italian cinema for the present and the future.作者: Fermentation 時(shí)間: 2025-3-26 16:05
Contemporary Cinema,G.G. resp. L.T. G. B. achieved huge international successes. They are surrounded by a greater number of young (male and female) directors who guarantee the continuation of a manifold movie landscape of Italian cinema for the present and the future.作者: 錯事 時(shí)間: 2025-3-26 20:11
2524-3020 on of the formation of genres and films.This book provides a complete description of the development of Italian film and cinema from its beginnings in 1895 until today. Special emphasis is placed on those periods in which Italian film history became aesthetically decisive for world cinematography: s作者: 因無茶而冷淡 時(shí)間: 2025-3-27 00:32 作者: 生來 時(shí)間: 2025-3-27 01:41
Film and Cinema after World War I and during Fascism,th the rise of the United States and European countries. That concerned not only the economy but also the aesthetics, so that those outdated Italian genres no longer attracted domestic or international audiences. Therefore, at the end of the 1920s Italian fiction film production was near zero. Fasci作者: 動物 時(shí)間: 2025-3-27 07:48
Neorealism,This impulse even became apparent in a few films like Visconti’s O.O. from 1943. With the end of the war and the begin of struggles for a radical new leftist formation of Italian society, filmmakers had few economic resources but great aesthetic (and political) intentions to form a new cinema style 作者: 中和 時(shí)間: 2025-3-27 12:43 作者: 強(qiáng)所 時(shí)間: 2025-3-27 14:00
The Breakthrough of Italian Cinema Around 1960,den Age of Italian Cinema.” On the one hand it was a culmination of the auteur cinema, but on the other also a genuinely new step in genre cinema. In one year, 1960, Fellini’s L., Antonioni’s L.T. A. and Visconti’s R.R. H. B. arrived on the screen, followed in the next years and in the 1970s by othe作者: BOOR 時(shí)間: 2025-3-27 18:27 作者: 剛毅 時(shí)間: 2025-3-28 00:13 作者: jabber 時(shí)間: 2025-3-28 05:03
Content Analysis: Overview of a Measurement Methodernando Lolas), and Australia (Linda L. Viney). The actual contributors come from a wider range of areas than is included in these locations. There are authors from West Germany — specifically from Freiburg, Hamburg, Heidelberg, Kiel, Munich, and Ulm. From South America the contributors are from Por
