標(biāo)題: Titlebook: Avant-Garde Theatre Sound; Staging Sonic Modern Adrian Curtin Book 2014 Adrian Curtin 2014 [打印本頁(yè)] 作者: 游牧 時(shí)間: 2025-3-21 17:23
書目名稱Avant-Garde Theatre Sound影響因子(影響力)
作者: dysphagia 時(shí)間: 2025-3-21 20:40
The Acoustic Imaginary,kenly thought you heard something in your immediate environment, then you have experienced the faculty of . hearing. Theorists and psychologists have given this phenomenon a variety of names, but there is broad consensus about its meaning: .; they exist not in the phenomenal world but in the “mind’s作者: CHECK 時(shí)間: 2025-3-22 00:25
Theatre Sound in the Age of Mechanical Reproduction,uly 24, 1890. This was apparently the first use of recorded sound in theatre, made 13 years after Thomas Edison patented the phonograph in 1877. Law’s play concerns a nervous, hypochondriac judge who takes an imperiled married woman and her baby into his protection. The baby howls. The production us作者: lactic 時(shí)間: 2025-3-22 07:45 作者: 不易燃 時(shí)間: 2025-3-22 12:06
Hearing ,: The Noise of Avant-Garde Performance,disturbed; hearing affectively means experiencing sound viscerally, not just with one’s ears but one’s whole body. Rave-goers hear affectively: the dance music pulses through them with vibrational force, promoting communal ecstasy. People who live near train lines may feel the rumble of passing trai作者: 良心 時(shí)間: 2025-3-22 13:12
,Conclusion: A Resounding…,non-facetiously, “Isn’t that equally valid?” I said it was and joked that this would be my next project, provided we were talking about the use and historicity of scent in performance and not the smell of avant-garde artists. As it happens, scholars have already written about the creative use of olf作者: 斑駁 時(shí)間: 2025-3-22 21:04
Introduction: The Sound of No Hands Clapping, discourse as a non sequitur or paradox.. Avant-garde theatre is so radical, the cartoon mischievously implies, it goes beyond the sound of . hand clapping (how jejune) and obtains the eminently more achievable, but perhaps less desirable, “sound” of . hands clapping. It does this, one assumes, by b作者: PLUMP 時(shí)間: 2025-3-23 00:15
Theatre Sound in the Age of Mechanical Reproduction,k the role of a fretful baby’s howls and acquitted itself admirably.”. Not all the critics were impressed. Clement Scott, advocate of the picturesque stage and avowed antimodernist, ranted about it in the.. Hearing a . cry on stage provoked his ire (likely exaggerated for comic effect); the mechanic作者: 憤世嫉俗者 時(shí)間: 2025-3-23 04:46 作者: 構(gòu)成 時(shí)間: 2025-3-23 09:12 作者: ostrish 時(shí)間: 2025-3-23 12:33 作者: AROMA 時(shí)間: 2025-3-23 15:09
Swee Lean Collin Koh,Ian Bowersk the role of a fretful baby’s howls and acquitted itself admirably.”. Not all the critics were impressed. Clement Scott, advocate of the picturesque stage and avowed antimodernist, ranted about it in the.. Hearing a . cry on stage provoked his ire (likely exaggerated for comic effect); the mechanic作者: Entropion 時(shí)間: 2025-3-23 21:24
Singapore’s Maritime Security Approach humanly perceived. In her essays and public speeches, Dame Evelyn Glennie, the virtuoso percussionist, calls attention to the audiohaptic nature of vibratory perception. Hearing, Glennie insists, is not just a single-sensory process restricted to sound waves detected by the ears but a whole-body ph作者: 粘土 時(shí)間: 2025-3-23 23:55
Ian Bowers,Swee Lean Collin Kohvoice, speech, and music, which are all elaborate domains. Silence is also potentially sonorous, as John Cage’s famous “silent” piece . (1952) reveals. The category of imaginary hearing should not be discounted either; it plays a part in drama even if it is not actually sounded. It is practically im作者: 噴油井 時(shí)間: 2025-3-24 05:19
Grey Clustering Evaluation Models,to the door. Evidently, he is trying to discern what is going on inside. The other looks at him with a goofy grin. The sign on the door, written in quirky lettering, says “Avant-Garde Theatre Company.” The eavesdropper has the group’s initials on his clothing. The cartoon caption reads: “Listen, you作者: Brain-Imaging 時(shí)間: 2025-3-24 07:42 作者: Gleason-score 時(shí)間: 2025-3-24 11:34
Swee Lean Collin Koh,Ian Bowersuly 24, 1890. This was apparently the first use of recorded sound in theatre, made 13 years after Thomas Edison patented the phonograph in 1877. Law’s play concerns a nervous, hypochondriac judge who takes an imperiled married woman and her baby into his protection. The baby howls. The production us作者: Adrenaline 時(shí)間: 2025-3-24 18:40
Singapore’s Maritime Security Approachight pick out their mother tongue—partially or completely—and follow the action, focusing on a single aspect of the soundscape, similar to a guest at a cocktail party who tunes out background noise to hear selected speakers. Bi- or tri-lingual attendees might alternate between presentations, getting作者: CLOWN 時(shí)間: 2025-3-24 19:12 作者: 獨(dú)特性 時(shí)間: 2025-3-24 23:29 作者: Nerve-Block 時(shí)間: 2025-3-25 05:00 作者: Entirety 時(shí)間: 2025-3-25 08:08 作者: Bother 時(shí)間: 2025-3-25 11:49
2946-3092 of theatre history. Curtin explores how artists engaged with the sonic conditions of modernity through dramatic form, characterization, staging, technology, performance style, and other forms of interaction. ? ? ? ? ? ? ? ? ??978-1-349-45906-3978-1-137-32479-5Series ISSN 2946-3092 Series E-ISSN 2946-3106 作者: 殺子女者 時(shí)間: 2025-3-25 17:01 作者: 梯田 時(shí)間: 2025-3-25 20:47
2946-3092 of theatre history. Curtin explores how artists engaged with the sonic conditions of modernity through dramatic form, characterization, staging, technology, performance style, and other forms of interaction. ? ? ? ? ? ? ? ? ??978-1-349-45906-3978-1-137-32479-5Series ISSN 2946-3092 Series E-ISSN 294作者: Incorporate 時(shí)間: 2025-3-26 03:48 作者: Extort 時(shí)間: 2025-3-26 07:23 作者: 最小 時(shí)間: 2025-3-26 12:28
Reinventing Language: Sense and Nonsense, a flavor of the play in one language, then another, or might listen to multiple languages simultaneously, appreciating their aesthetic and semantic overlap or just the sounds of the different languages. Who needs surtitles, or linguistic clarity for that matter?作者: 聯(lián)想記憶 時(shí)間: 2025-3-26 14:43
Book 2014e history. Curtin explores how artists engaged with the sonic conditions of modernity through dramatic form, characterization, staging, technology, performance style, and other forms of interaction. ? ? ? ? ? ? ? ? ??作者: 我說(shuō)不重要 時(shí)間: 2025-3-26 19:43
Singapore’s Maritime Security Approach a flavor of the play in one language, then another, or might listen to multiple languages simultaneously, appreciating their aesthetic and semantic overlap or just the sounds of the different languages. Who needs surtitles, or linguistic clarity for that matter?作者: 合群 時(shí)間: 2025-3-27 00:59
9樓作者: 易受刺激 時(shí)間: 2025-3-27 01:22
9樓作者: obviate 時(shí)間: 2025-3-27 07:30
10樓作者: 朋黨派系 時(shí)間: 2025-3-27 10:39
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10樓作者: 漂亮 時(shí)間: 2025-3-27 21:06
10樓
