標(biāo)題: Titlebook: Automata and Mimesis on the Stage of Theatre History; Kara Reilly Book 2011 Palgrave Macmillan, a division of Macmillan Publishers Limited [打印本頁] 作者: LH941 時(shí)間: 2025-3-21 18:39
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作者: Dignant 時(shí)間: 2025-3-21 23:17
A. Vonend Dr. med.,N.-P. Hoff Dr. med.is book argues that cyberculture didn’t arrive on the scene fully formed in the twentieth century. Automata are immediate precursors to our digital world; they bear the evidentiary traces of the long history of mechanized spectacle.作者: 有角 時(shí)間: 2025-3-22 00:46
Introduction,is book argues that cyberculture didn’t arrive on the scene fully formed in the twentieth century. Automata are immediate precursors to our digital world; they bear the evidentiary traces of the long history of mechanized spectacle.作者: Pedagogy 時(shí)間: 2025-3-22 05:23 作者: BRIDE 時(shí)間: 2025-3-22 11:18
https://doi.org/10.1007/3-540-36724-1dience member transforming into a dynamic masked actor, mounting the stage of the ., and unmasking the mysteries of the natural world. In another of his earliest writings, he continues his use of theatrical metaphor:作者: 一致性 時(shí)間: 2025-3-22 14:20 作者: delusion 時(shí)間: 2025-3-22 21:07
Telekooperation, eCollaboration,on: we access social networking sites where we perform our identities in public. In-person conversations often begin, ‘I saw your status’. People now ask, ‘is your relationship facebook official?’ Acronyms for emotions used in texting, such as lol, omg, and wtf, have entered everyday speech.作者: ARK 時(shí)間: 2025-3-23 00:24 作者: 發(fā)出眩目光芒 時(shí)間: 2025-3-23 02:06
https://doi.org/10.1007/3-540-36724-1rt and nature as delightful flirtations. In particular, nature’s water from mountain springs is harnessed by art’s machinery in order to power water games or . also known as . or water jokes. Aristocrats and elite were actors playing together in the ornate grottos of Orpheus, Venus, Neptune, Actaeon作者: 做方舟 時(shí)間: 2025-3-23 07:20
Aspekte der Gesundheitstelematik,canny coincides with the Enlightenment era, as Terry Castle explains, the ‘“invention of automata” was also an invention of the Uncanny.’. The advent of Enlightenment rationalism gives birth to the grotesque, as though the uncanny were the perverse irruption of so much rationalism.. Olympia is a len作者: Intellectual 時(shí)間: 2025-3-23 11:01
Telekooperation, eCollaboration,he twentieth century, the world of R.U.R. is distinctly dystopian. Over the decade that passes during the course of the play, Robots replace human beings as workers in all areas of industry, including in the military. These replacement Robots allow humans the ultimate leisure time. However, certain 作者: 感染 時(shí)間: 2025-3-23 16:17
Automata and Mimesis on the Stage of Theatre History作者: 神圣將軍 時(shí)間: 2025-3-23 18:02
Automata and Mimesis on the Stage of Theatre History978-0-230-34754-0作者: Euphonious 時(shí)間: 2025-3-23 23:16 作者: Genome 時(shí)間: 2025-3-24 03:29
From Aristocrats to Autocrats: The Elite as Automata,rt and nature as delightful flirtations. In particular, nature’s water from mountain springs is harnessed by art’s machinery in order to power water games or . also known as . or water jokes. Aristocrats and elite were actors playing together in the ornate grottos of Orpheus, Venus, Neptune, Actaeon作者: 高爾夫 時(shí)間: 2025-3-24 06:41
,Olympia’s Legacy,canny coincides with the Enlightenment era, as Terry Castle explains, the ‘“invention of automata” was also an invention of the Uncanny.’. The advent of Enlightenment rationalism gives birth to the grotesque, as though the uncanny were the perverse irruption of so much rationalism.. Olympia is a len作者: 存在主義 時(shí)間: 2025-3-24 14:17 作者: lattice 時(shí)間: 2025-3-24 17:45
nations of Iconoclasm‘s fear that art might surpass nature, the Cartesian mind/body divide, automata as objects of courtly desire, the uncanny Olympia, and the revolutionary Robots in post-WWI drama.978-1-349-31243-6978-0-230-34754-0作者: saphenous-vein 時(shí)間: 2025-3-24 21:09 作者: 來就得意 時(shí)間: 2025-3-25 00:56 作者: 反對(duì) 時(shí)間: 2025-3-25 04:54 作者: gait-cycle 時(shí)間: 2025-3-25 09:37
978-1-349-31243-6Palgrave Macmillan, a division of Macmillan Publishers Limited 2011作者: 停止償付 時(shí)間: 2025-3-25 15:19 作者: 白楊 時(shí)間: 2025-3-25 18:12
https://doi.org/10.1007/3-540-36724-1 for almost a century from the 1530s to the 1640s.. Iconoclasts advocated the breaking of statues, idols, and paintings connected with Catholic veneration and therefore seen as superstitious. A central tenet of Iconoclasm was privileging the word of God over and above visual representation of any ki作者: ECG769 時(shí)間: 2025-3-25 23:19
https://doi.org/10.1007/3-540-36724-1ading to his claim: . or I think, therefore I am. But long before Descartes explored questions of subjectivity and epistemology, he was fascinated by natural philosophy. In the early seventeenth century, science and philosophy had not yet become separate disciplines. Descartes also had an interest i作者: Nostalgia 時(shí)間: 2025-3-26 00:41
https://doi.org/10.1007/3-540-36724-1e you look the mechanical philosophy is at play. Consider the Schloss Hellbrunn Palace Gardens in Salzburg, Austria, where an outdoor mechanical theatre stages the daily life of an eighteenth-century Austrian city (Figure 8). This mechanical theatre was commissioned by Archbishop Andreas Jakob Graf 作者: Notorious 時(shí)間: 2025-3-26 05:54 作者: 笨拙的我 時(shí)間: 2025-3-26 12:17
Telekooperation, eCollaboration,he Czech . meaning ‘drudgery’ or ‘servitude’; a . is Czech for both worker and serf or peasant. (Robot is always capitalized, since it is a trade-marked brand name.) . enjoyed enough cultural capital that the play introduced the word Robot into the lexicon. The R.U.R. factory, an early-adopter of ac作者: Painstaking 時(shí)間: 2025-3-26 16:38 作者: Abrade 時(shí)間: 2025-3-26 17:38
Introduction,eferring to automated moving figures of animals or human beings. While automata look like dolls or toys, it is their animation that signifies life. This life-like movement means that automata are often perceived as if they’re alive. As a result, automata are central to debates about mimesis or the r作者: harrow 時(shí)間: 2025-3-27 00:52
Iconoclasm and Automata, for almost a century from the 1530s to the 1640s.. Iconoclasts advocated the breaking of statues, idols, and paintings connected with Catholic veneration and therefore seen as superstitious. A central tenet of Iconoclasm was privileging the word of God over and above visual representation of any ki作者: Fabric 時(shí)間: 2025-3-27 04:52 作者: 慢跑鞋 時(shí)間: 2025-3-27 08:09 作者: certain 時(shí)間: 2025-3-27 11:47
,Olympia’s Legacy,formed into a terrifying uncanny Other. The uncanny Other this chapter examines is the ravishingly beautiful automaton Olympia from German Romantic E. T. A. Hoffmann’s famous short story ‘Der Sandmann’ (1816–17), a major text in the literature of the fantastic. Nathanael, the protagonist of ‘The San作者: 半圓鑿 時(shí)間: 2025-3-27 16:13 作者: 爭論 時(shí)間: 2025-3-27 19:52
Epilogue, iphones, and ipods. These digital tools appear to have radically reshaped our culture, changing our conceptions of both time and space by directly connecting us to other users around the globe at high speeds. Our relationship to technology extends well beyond just the desire for immediate informati作者: chassis 時(shí)間: 2025-3-27 23:36
Tobias Fink,Daniel Kiefere?most recent?trends in the book‘s areas of focus to highlight where further improvement in materials and techniques can drive continued advancements, particularly in thermal management, usability, efficiency, reliability and overall cost of power semiconductor solutions.作者: 男生戴手銬 時(shí)間: 2025-3-28 03:33 作者: 溫順 時(shí)間: 2025-3-28 10:07 作者: 中和 時(shí)間: 2025-3-28 13:02 作者: staging 時(shí)間: 2025-3-28 17:40 作者: 畢業(yè)典禮 時(shí)間: 2025-3-28 19:24
Textbook 2007 scale. In response to these discoveries numerous legislative initiatives were enacted in most developed countries to limit the introduction of contaminants to the environment. It quickly became apparent, however, that not only was there a need to reduce the quantity of contaminants introduced to su
