標(biāo)題: Titlebook: Autofiction in English; Hywel Dix Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Life writing.Memoir.Autobiography.Interte [打印本頁] 作者: minutia 時間: 2025-3-21 18:44
書目名稱Autofiction in English影響因子(影響力)
書目名稱Autofiction in English影響因子(影響力)學(xué)科排名
書目名稱Autofiction in English網(wǎng)絡(luò)公開度
書目名稱Autofiction in English網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Autofiction in English被引頻次
書目名稱Autofiction in English被引頻次學(xué)科排名
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書目名稱Autofiction in English年度引用學(xué)科排名
書目名稱Autofiction in English讀者反饋
書目名稱Autofiction in English讀者反饋學(xué)科排名
作者: 小官 時間: 2025-3-22 00:05 作者: 傳授知識 時間: 2025-3-22 02:41 作者: 謙虛的人 時間: 2025-3-22 05:02 作者: aspersion 時間: 2025-3-22 12:38
Autofiction in English978-3-319-89902-2Series ISSN 2730-9185 Series E-ISSN 2730-9193 作者: exophthalmos 時間: 2025-3-22 14:50 作者: 較早 時間: 2025-3-22 17:22
Das Arbeitsrecht der Arbeitnehmer,lophone writing and beyond. Does this mean autofiction has ‘a(chǎn)rrived’ as a literary genre? Could it be even more significant: an artistic trend? This chapter gives an overview of how autofiction came about, how it evolved and what its possible definitions/interpretations are today. The author discuss作者: 膽大 時間: 2025-3-22 23:19
Leopold Scha?fer,Rudolf Lehmanny in third-person autobiography-fiction blends, narrator and protagonist may sound alike—presumably because the author identifies with both. Such breaches in the areas of mood and voice can be exploited by design. In her ‘a(chǎn)utobifography’ . (1996), Christine Brooke-Rose employs a range of techniques—作者: charisma 時間: 2025-3-23 04:52
Leopold Scha?fer,Rudolf Lehmanndrich, Vladimir Nabokov and Elfriede Jelinek among others, Jensen argues that the unique genre tensions of autofiction provide a space for responding to Dawes’s question, detailing the rhetorical strategies enabling such works to generate empathy. Drawing upon Sianne Ngai’s definition of the ‘intere作者: Airtight 時間: 2025-3-23 06:42 作者: 使更活躍 時間: 2025-3-23 13:31 作者: 我不明白 時間: 2025-3-23 14:33
,Schluss- und übergangsbestimmungen,lished as a literary genre. Illness narratives are valuable because they foreground the lived experience of the patient instead of the dominant biomedical narrative that occludes the experience of suffering with its exclusive focus on physiology. Although medical humanists tend to read illness narra作者: 學(xué)術(shù)討論會 時間: 2025-3-23 20:59 作者: 柱廊 時間: 2025-3-23 23:30
https://doi.org/10.1007/978-3-642-94140-5s of a linear, autobiographical subject. Responding to cultural demands of creativity and self-invention, autofiction in this context relates to a form of recollection, which necessarily links the epistemological status of the self to the act of writing and narrativizing. Through writing and rewriti作者: 簡潔 時間: 2025-3-24 04:43
,Gesetz über die Deutsche Bundesbank, help them to use their minds more reflexively and potentially to derive therapeutic benefit. It brings together Serge Doubrovsky’s reflections on writing his autofiction . an explicitly therapeutic undertaking, and insights from Hunt’s qualitative research into students’ experience of writing autof作者: 芳香一點 時間: 2025-3-24 07:55 作者: inventory 時間: 2025-3-24 11:39
https://doi.org/10.1007/978-3-662-32957-3 of novels by Paul Auster, Philip Roth and Bret Easton Ellis, he argues that the autofictive technique used in each novel provides a new platform on which to consider the implied author. Differentiation between narrative agents is a crucial element of classical narratology, and Womble contends that 作者: 平躺 時間: 2025-3-24 18:51 作者: Jargon 時間: 2025-3-24 21:28 作者: FUSC 時間: 2025-3-25 00:26
2730-9185 ing that there is such a field as autofiction in English, it provides for the first time detailed analysis of the major works in that field and a concise historical overview of its emergence. It thus opens up n978-3-030-07890-4978-3-319-89902-2Series ISSN 2730-9185 Series E-ISSN 2730-9193 作者: 遵循的規(guī)范 時間: 2025-3-25 05:12
https://doi.org/10.1007/978-94-010-3459-3es in the publishing industry; and the pervasive nature of so-called ‘reality’ (or confessional) genres across different media. Finally, arguing that there is such a body of work as autofiction in English, the chapter raises the question of whether the concept itself is utilized and applied in Engli作者: deface 時間: 2025-3-25 09:10
https://doi.org/10.1007/978-3-663-13378-0s and Kay’s incorporation of various textual forms in their work is not only representative of their own hybrid identities, but also creates a space for imagining Welsh and Scottish identities in ways which are inclusive of the many diverse cultures that exist within these nations. In comparing the 作者: arabesque 時間: 2025-3-25 15:09
,Schluss- und übergangsbestimmungen,city in any illness narrative. The first part details the ways in which the act of narrating the experience of illness through autofictional pathographies produces a provisional, varying and performative self while the second part identifies a series of autofictional theatre and dance performances t作者: 怒目而視 時間: 2025-3-25 16:38
Deutsche Reichsbahn-Gesellschaftreoccupation with what it means to be an author), it can be argued that as much as autofiction emerges from within the tradition of postmodern metafiction in the United States, it might make sense to consider metafiction itself as a subcategory of autofiction. At the heart of the chapter is a study 作者: Fortuitous 時間: 2025-3-25 22:54 作者: judiciousness 時間: 2025-3-26 03:14 作者: 泥瓦匠 時間: 2025-3-26 06:34
Illness Narratives and the Consolations of Autofictioncity in any illness narrative. The first part details the ways in which the act of narrating the experience of illness through autofictional pathographies produces a provisional, varying and performative self while the second part identifies a series of autofictional theatre and dance performances t作者: 煤渣 時間: 2025-3-26 12:23
Eye to I: American Autofiction and Its Contexts from Jerzy Kosinski to Dave Eggersreoccupation with what it means to be an author), it can be argued that as much as autofiction emerges from within the tradition of postmodern metafiction in the United States, it might make sense to consider metafiction itself as a subcategory of autofiction. At the heart of the chapter is a study 作者: 不理會 時間: 2025-3-26 15:09
Book 2018uthorial self-reflexivity beyond that typically associated with postmodernism...By concluding that there is such a field as autofiction in English, it provides for the first time detailed analysis of the major works in that field and a concise historical overview of its emergence. It thus opens up n作者: 侵蝕 時間: 2025-3-26 17:15
Introduction: Autofiction in English: The Story so Far,cal interest in Anglophone scholarship has been relatively slight until the recent past. This means that there has been little critical discussion of the field in English, and few identifications of Anglophone writers as themselves practitioners of autofiction. Having first discussed different ways 作者: heckle 時間: 2025-3-26 21:25
Does Autofiction Belong to French or Francophone Authors and Readers Only?lophone writing and beyond. Does this mean autofiction has ‘a(chǎn)rrived’ as a literary genre? Could it be even more significant: an artistic trend? This chapter gives an overview of how autofiction came about, how it evolved and what its possible definitions/interpretations are today. The author discuss作者: 能夠支付 時間: 2025-3-27 04:26 作者: 裂隙 時間: 2025-3-27 09:16
How Art Constitutes the Human: Aesthetics, Empathy and the Interesting in Autofictiondrich, Vladimir Nabokov and Elfriede Jelinek among others, Jensen argues that the unique genre tensions of autofiction provide a space for responding to Dawes’s question, detailing the rhetorical strategies enabling such works to generate empathy. Drawing upon Sianne Ngai’s definition of the ‘intere作者: Offbeat 時間: 2025-3-27 12:38 作者: enmesh 時間: 2025-3-27 14:11 作者: 兩棲動物 時間: 2025-3-27 21:04
Illness Narratives and the Consolations of Autofictionlished as a literary genre. Illness narratives are valuable because they foreground the lived experience of the patient instead of the dominant biomedical narrative that occludes the experience of suffering with its exclusive focus on physiology. Although medical humanists tend to read illness narra作者: 者變 時間: 2025-3-27 23:31
Lives in Story: Tim O’Brien’s amines what is at stake in making such a distinction, before moving to an analysis of how Tim O’Brien’s . employs autofictive elements to explore the history of the Vietnam War. The chapter considers how O’Brien consciously complicates the lines between fact and fiction to draw the readers’ attentio作者: 性行為放縱者 時間: 2025-3-28 03:49
Unpicked and Remade: Creative Imperatives in John Burnside’s Autofictionss of a linear, autobiographical subject. Responding to cultural demands of creativity and self-invention, autofiction in this context relates to a form of recollection, which necessarily links the epistemological status of the self to the act of writing and narrativizing. Through writing and rewriti作者: Interdict 時間: 2025-3-28 10:18
Autofiction as a Reflexive Mode of Thought: Implications for Personal Development help them to use their minds more reflexively and potentially to derive therapeutic benefit. It brings together Serge Doubrovsky’s reflections on writing his autofiction . an explicitly therapeutic undertaking, and insights from Hunt’s qualitative research into students’ experience of writing autof作者: 流動才波動 時間: 2025-3-28 14:05
Autofictionalizing Reflective Writing Pedagogies: Risks and Possibilitieses students to challenge received assumptions, recognize complexities of difference and reimagine more socially inclusive ways of being. However, the process can backfire, serving to cohere norms that limit being. Seeking ways to strengthen writing’s potential benefits, and redress its risks, Walker作者: 喚醒 時間: 2025-3-28 15:42
Roth Is Roth as Roth: Autofiction and the Implied Author of novels by Paul Auster, Philip Roth and Bret Easton Ellis, he argues that the autofictive technique used in each novel provides a new platform on which to consider the implied author. Differentiation between narrative agents is a crucial element of classical narratology, and Womble contends that 作者: 慷慨不好 時間: 2025-3-28 21:32
Self and Fiction in e, based on Self’s own walk to Hollywood from an LA airport, as he quests to discover who has murdered modern cinema. Ostensibly a postmodern novel in the tradition of Pynchon and DeLillo, the book in fact describes itself as ‘three memoirs’. This chapter reads . as life writing and specifically aut作者: 刪除 時間: 2025-3-29 02:52
Eye to I: American Autofiction and Its Contexts from Jerzy Kosinski to Dave Eggersrary-critical analysis in France. In the United States the situation is almost the exact opposite. Autofiction features seldom in studies of American literature from the late twentieth century to the present day, while postmodernism remains one of the dominant categories within which to analyse late作者: MELON 時間: 2025-3-29 03:50 作者: Suggestions 時間: 2025-3-29 08:20 作者: 抗原 時間: 2025-3-29 11:59
https://doi.org/10.1007/978-3-662-33975-6 the genre and how that, in turn, complicates the representation of trauma. Michael also proposes that ‘graphic autofiction’ allows the formation of feminist counter-narratives to the silencing of female abuse victims and the latter’s representation beyond victimhood.作者: 贊美者 時間: 2025-3-29 16:51 作者: 套索 時間: 2025-3-29 23:18 作者: MEAN 時間: 2025-3-30 00:54
https://doi.org/10.1007/978-3-662-32957-3ofiction, analysing its experiments in fictionalizing details from, and reflections upon, its author’s life. Self directs the reader to his playful employment of displacement, distortion and role-playing and the chapter argues that such strategies develop an argument on the relationship between identity and the ubiquity of fiction-making.作者: 凝結(jié)劑 時間: 2025-3-30 04:42 作者: Initial 時間: 2025-3-30 08:19
Graphic Autofiction and the Visualization of Trauma in Lynda Barry and Phoebe Gloeckner’s Graphic Me the genre and how that, in turn, complicates the representation of trauma. Michael also proposes that ‘graphic autofiction’ allows the formation of feminist counter-narratives to the silencing of female abuse victims and the latter’s representation beyond victimhood.作者: 鬼魂 時間: 2025-3-30 14:28
Lives in Story: Tim O’Brien’s n to the notion that history and memory are always tied up in narrative and story, and even while such understandings of the past may be constructed or inauthentic, they can still help us to better engage with and understand our histories and ourselves.作者: visual-cortex 時間: 2025-3-30 17:32
Roth Is Roth as Roth: Autofiction and the Implied Authorautofiction offers unique challenges and complications to the way readers understand the role of author, narrator and the link between the two: the implied author. This chapter identifies autofiction as another narrative device used to enable thematic emphases of narrative texts.
