標(biāo)題: Titlebook: Australian Film Festivals; Audience, Place, and Kirsten Stevens Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 film festiva [打印本頁(yè)] 作者: urinary-tract 時(shí)間: 2025-3-21 16:19
書(shū)目名稱(chēng)Australian Film Festivals影響因子(影響力)
書(shū)目名稱(chēng)Australian Film Festivals影響因子(影響力)學(xué)科排名
書(shū)目名稱(chēng)Australian Film Festivals網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱(chēng)Australian Film Festivals網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱(chēng)Australian Film Festivals被引頻次
書(shū)目名稱(chēng)Australian Film Festivals被引頻次學(xué)科排名
書(shū)目名稱(chēng)Australian Film Festivals年度引用
書(shū)目名稱(chēng)Australian Film Festivals年度引用學(xué)科排名
書(shū)目名稱(chēng)Australian Film Festivals讀者反饋
書(shū)目名稱(chēng)Australian Film Festivals讀者反饋學(xué)科排名
作者: 溺愛(ài) 時(shí)間: 2025-3-21 21:36
,Enthusiastic Amateurs: Origins of Australia’s Film Festival Movement,Sydney (SFF) film festivals. Emerging in the early years of international film festival development, MIFF and SFF represent distinctly different festival experiences compared with events emerging in Europe contemporaneously. This chapter engages directly with assumptions that the early years of fest作者: 薄荷醇 時(shí)間: 2025-3-22 04:00
Growth and Change: Curator-Led Festivals, Fragmenting Audiences, and Shifting Film Exhibition Cultudney, the chapter traces the increasing professionalism of the Australian events and examines their early adoption of festival directors as curators. Continuing the chronology of festival development, the chapter also identifies the emergence of several new film festivals throughout Australia’s majo作者: 新星 時(shí)間: 2025-3-22 06:38 作者: Tidious 時(shí)間: 2025-3-22 09:18
Between Success and Failure: Crisis and Recovery at the Melbourne International Film Festival,racing MIFF’s decline into bankruptcy and its subsequent recovery through the 1980s, this chapter identifies the competing agendas and stakeholders that operate within the film festival space. Positing that celebrations such as MIFF must negotiate a variety of agendas and positions in order to remai作者: 敬禮 時(shí)間: 2025-3-22 15:39 作者: 雪上輕舟飛過(guò) 時(shí)間: 2025-3-22 17:14 作者: 防止 時(shí)間: 2025-3-22 23:52
Conclusion,pter looks to the accomplishments of . while also looking towards those questions that lie beyond the scope of the book. As an ending, it eulogises the conclusion of certain key elements of Australia’s regional festival experience. Yet in doing so it also points to the continuation of the Australian作者: osteopath 時(shí)間: 2025-3-23 03:49 作者: 隱藏 時(shí)間: 2025-3-23 08:17
https://doi.org/10.1007/978-3-531-93132-6lopment of new festivals through the 1980s and 1990s, this chapter reflects on the effects of globalisation of the regional festival scene and further links developments in Australia to the global proliferation of festivals during this period.作者: hurricane 時(shí)間: 2025-3-23 13:04
Georg Simmel und die aktuelle StadtforschungIt focuses attention on the specific importance of place in determining not only what types of festivals operate within a given cultural space, but also which ones will achieve permanence and ongoing relevance within both regional and global contexts.作者: 爆米花 時(shí)間: 2025-3-23 16:17
https://doi.org/10.1007/978-3-531-93132-6. The chapter explores how the privileged position of festivals as cultural events not only determines their place within local environments, but further constructs their audience and the ways in which they are understood.作者: 忙碌 時(shí)間: 2025-3-23 18:03
Growth and Change: Curator-Led Festivals, Fragmenting Audiences, and Shifting Film Exhibition Cultue relationships between the newly emerging film festivals and film culture activities, as well as between Australia’s festivals and the international festival regulator FIAPF, the chapter highlights the unique qualities of Australia’s developing film festival movement.作者: 取消 時(shí)間: 2025-3-24 00:34 作者: 描述 時(shí)間: 2025-3-24 04:56
Between Success and Failure: Crisis and Recovery at the Melbourne International Film Festival,It focuses attention on the specific importance of place in determining not only what types of festivals operate within a given cultural space, but also which ones will achieve permanence and ongoing relevance within both regional and global contexts.作者: Axon895 時(shí)間: 2025-3-24 06:53
Programming Perceptions: Film Festivals and the Construction of Taste,. The chapter explores how the privileged position of festivals as cultural events not only determines their place within local environments, but further constructs their audience and the ways in which they are understood.作者: 步履蹣跚 時(shí)間: 2025-3-24 13:05
Book 2016 audience-driven spectacles throughout Australia, while never developing the same industry and market foci of their international fellows. Drawing on over sixty-years of archival records, festival commentary, interviews with festival insiders and ephemera, this book opens up a largely uncharted history of film culture activity in Australia..作者: Decibel 時(shí)間: 2025-3-24 16:13 作者: 災(zāi)難 時(shí)間: 2025-3-24 21:07
https://doi.org/10.1007/978-3-658-05730-5ival development were a uniquely European phenomenon, arguing instead that Australia’s engagement with the format suggests that festivals were a global response to the spread of cinephilia and the growing hegemony of Hollywood in the post-Second World War period.作者: Epithelium 時(shí)間: 2025-3-25 01:37 作者: 繁殖 時(shí)間: 2025-3-25 05:41
https://doi.org/10.1007/978-3-531-93132-6 festival experience in new forms and points to the changes now occurring, particularly in relation to the growth of digital technology, which clearly speaks of a new phase in film festival evolution that stands just around the temporal corner.作者: 共同給與 時(shí)間: 2025-3-25 10:33 作者: COWER 時(shí)間: 2025-3-25 14:31
2946-3734 and market foci of their international fellows. Drawing on over sixty-years of archival records, festival commentary, interviews with festival insiders and ephemera, this book opens up a largely uncharted history of film culture activity in Australia..978-1-137-58130-3Series ISSN 2946-3734 Series E-ISSN 2946-3742 作者: ALB 時(shí)間: 2025-3-25 17:29
Introduction,lishes the importance that audiences, place, and cultures of film exhibition have had on the development of film festivals in Australia, their unique position in the international film festival circuit, as well as their relationship to the development of cinema appreciation and specialist exhibition in the country over the past 60 and more years.作者: novelty 時(shí)間: 2025-3-25 22:51 作者: keloid 時(shí)間: 2025-3-26 02:08 作者: Flatus 時(shí)間: 2025-3-26 08:23
Conclusion, festival experience in new forms and points to the changes now occurring, particularly in relation to the growth of digital technology, which clearly speaks of a new phase in film festival evolution that stands just around the temporal corner.作者: CHAR 時(shí)間: 2025-3-26 09:36
Book 2016tralia. Tracing the birth of film festivals in Australia in the 1950s through to their present abundance, it asks why film festivals have prospered as audience-driven spectacles throughout Australia, while never developing the same industry and market foci of their international fellows. Drawing on 作者: 沙發(fā) 時(shí)間: 2025-3-26 16:10 作者: 新字 時(shí)間: 2025-3-26 19:02 作者: COUCH 時(shí)間: 2025-3-27 00:48
The Editor(s) (if applicable) and The Author(s) 2016作者: overhaul 時(shí)間: 2025-3-27 03:54 作者: Terrace 時(shí)間: 2025-3-27 06:55 作者: Instrumental 時(shí)間: 2025-3-27 13:22 作者: Induction 時(shí)間: 2025-3-27 15:34
https://doi.org/10.1007/978-3-531-93132-6in film festivals had on broader issues of film exhibition. An exponential increase in festival activities through the 1980s coincided with declines in other non-commercial film culture activities, including film societies and various other film culture activities supported by national and state-bas作者: Mirage 時(shí)間: 2025-3-27 19:08 作者: Muffle 時(shí)間: 2025-3-28 00:18
https://doi.org/10.1007/978-3-531-93132-6rketing strategies place on the role of taste within film festival programmes. Drawing on the imagery and lexicon of festival promotional material, the chapter interrogates the construction of festivals as ‘good taste’ and ‘cultured’ events. It considers the value attached to festival screenings and作者: concentrate 時(shí)間: 2025-3-28 02:58 作者: bisphosphonate 時(shí)間: 2025-3-28 09:37 作者: 保存 時(shí)間: 2025-3-28 12:18
Kirsten StevensExamines the Australian response to and engagement with film festivals beyond models set by Europe and North America.Traces the history, proliferation, and current practice of film festivals in Austra作者: 大喘氣 時(shí)間: 2025-3-28 16:49
Framing Film Festivalshttp://image.papertrans.cn/b/image/165862.jpg作者: 營(yíng)養(yǎng) 時(shí)間: 2025-3-28 21:12 作者: 防銹 時(shí)間: 2025-3-28 23:31 作者: 爭(zhēng)吵 時(shí)間: 2025-3-29 06:58
Constructive Analysis978-3-642-61667-9Series ISSN 0072-7830 Series E-ISSN 2196-9701
