標(biāo)題: Titlebook: Australian Animation; An International His Dan Torre,Lienors Torre Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 cartoons. [打印本頁] 作者: MIFF 時(shí)間: 2025-3-21 19:11
書目名稱Australian Animation影響因子(影響力)
書目名稱Australian Animation影響因子(影響力)學(xué)科排名
書目名稱Australian Animation網(wǎng)絡(luò)公開度
書目名稱Australian Animation網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Australian Animation被引頻次
書目名稱Australian Animation被引頻次學(xué)科排名
書目名稱Australian Animation年度引用
書目名稱Australian Animation年度引用學(xué)科排名
書目名稱Australian Animation讀者反饋
書目名稱Australian Animation讀者反饋學(xué)科排名
作者: 比賽用背帶 時(shí)間: 2025-3-21 23:14
Handbuch der Physik‘ Encyclopedia of Physicslevision was first introduced in Australia). Some of the animators discussed include Dick Ovenden, the Owen Brothers, Eric Porter, and Dusan Marek. It was during this era that Australian animation oscillated between isolationism and the acknowledgement of the growing influence of overseas studios, i作者: collagen 時(shí)間: 2025-3-22 02:54 作者: Simulate 時(shí)間: 2025-3-22 06:04 作者: 有節(jié)制 時(shí)間: 2025-3-22 09:10
La luminescence nocturne (The Nightglow),; he produced nearly a dozen other animated features, plus a number of animated television series, which included ., featuring the iconic Australian koala character. Many of these films featured live-action backgrounds which highlighted the Australian landscape in a way that no previous animation ha作者: 外觀 時(shí)間: 2025-3-22 14:16 作者: disparage 時(shí)間: 2025-3-22 17:47 作者: CRACK 時(shí)間: 2025-3-23 00:13 作者: 郊外 時(shí)間: 2025-3-23 05:10
https://doi.org/10.1007/978-3-662-07450-3 of animation in Australia, surveying a large number who have worked between the 1960s and the present day. Arguably, it is within these independent animations that one can also witness some of the strongest expressions of Australian culture and thematic content.作者: Malcontent 時(shí)間: 2025-3-23 07:57 作者: 變形詞 時(shí)間: 2025-3-23 09:48
Handbuch der Physik‘ Encyclopedia of Physics formation and rise of this studio, featuring a number of intriguing anecdotes gleaned from interviews with former animators and directors of the studio. It proves to be a colourful and scholarly account of a previously unpublished segment of both Australian animation history, and of the history of the Hanna-Barbera studios.作者: Insubordinate 時(shí)間: 2025-3-23 14:14 作者: 1FAWN 時(shí)間: 2025-3-23 19:49
https://doi.org/10.1007/978-3-662-07450-3 of animation in Australia, surveying a large number who have worked between the 1960s and the present day. Arguably, it is within these independent animations that one can also witness some of the strongest expressions of Australian culture and thematic content.作者: 委派 時(shí)間: 2025-3-24 00:59
Dan Torre,Lienors TorreConstitutes the first comprehensive study of the fascinating history of Australian animation.Provides extensive insights into both Australian and international animation.Written in a highly accessible作者: 正式演說 時(shí)間: 2025-3-24 06:14 作者: admission 時(shí)間: 2025-3-24 08:18
https://doi.org/10.1007/978-3-319-95492-9cartoons; films; international; advertising; television; Harry Julius; Pat Sullivan; Felix the Cat; Disney; A作者: quiet-sleep 時(shí)間: 2025-3-24 14:05 作者: 考古學(xué) 時(shí)間: 2025-3-24 16:45
Marco Polo Junior: A Crisis of Animated Identity,ture to be produced in Australia. This film suffered greatly from an identity crisis that not only complicated its perceived national identity and placement in animation history, but ultimately affected its financial success.作者: 慢慢流出 時(shí)間: 2025-3-24 19:03
Hanna-Barbera Australia, formation and rise of this studio, featuring a number of intriguing anecdotes gleaned from interviews with former animators and directors of the studio. It proves to be a colourful and scholarly account of a previously unpublished segment of both Australian animation history, and of the history of the Hanna-Barbera studios.作者: 解脫 時(shí)間: 2025-3-25 00:39
An Industry Matures,between the 1970s and the present day. Studios discussed include: Burbank Films, Energee Entertainment, Southern Star, Aboriginal Nations, Animal Logic and Walt Disney Studios Australia. Several significant animated films are highlighted; a brief survey is made of animated video games and visual effects films.作者: 機(jī)密 時(shí)間: 2025-3-25 04:24
Independently Animated, of animation in Australia, surveying a large number who have worked between the 1960s and the present day. Arguably, it is within these independent animations that one can also witness some of the strongest expressions of Australian culture and thematic content.作者: Cupping 時(shí)間: 2025-3-25 10:06
,Strahlung in der unteren Atmosph?re,This introductory chapter provides a brief overview of the history of Australian animation and outlines the main themes of the book.作者: 原來 時(shí)間: 2025-3-25 15:21
Geophysical Aspects of Meteors,This chapter looks at the beginnings of Australian animation, detailing the events, processes, and many of the people who pioneered the medium in Australia from approximately 1900–1930. It describes the early patents and innovators, and the formation by veteran animator, Harry Julius, of the large international animation empire, Cartoon Filmads.作者: 壓迫 時(shí)間: 2025-3-25 17:25
Introduction,This introductory chapter provides a brief overview of the history of Australian animation and outlines the main themes of the book.作者: 磨碎 時(shí)間: 2025-3-25 20:05 作者: 賞心悅目 時(shí)間: 2025-3-26 01:41 作者: expdient 時(shí)間: 2025-3-26 04:43
Pat Sullivan and ,livan’s work in the animation industry in New York. A number of plausible arguments are presented to show that both Pat Sullivan and Otto Messmer (as well as many of the other talented animators at the Sullivan studio) probably played a more balanced role in the Felix the Cat enterprise. Felix the C作者: 土產(chǎn) 時(shí)間: 2025-3-26 09:53 作者: Foment 時(shí)間: 2025-3-26 14:04 作者: exercise 時(shí)間: 2025-3-26 17:40 作者: 不出名 時(shí)間: 2025-3-26 23:16 作者: absorbed 時(shí)間: 2025-3-27 01:57 作者: Original 時(shí)間: 2025-3-27 07:33
Hanna-Barbera Australia, formation and rise of this studio, featuring a number of intriguing anecdotes gleaned from interviews with former animators and directors of the studio. It proves to be a colourful and scholarly account of a previously unpublished segment of both Australian animation history, and of the history of 作者: 有特色 時(shí)間: 2025-3-27 12:47
An Industry Matures,between the 1970s and the present day. Studios discussed include: Burbank Films, Energee Entertainment, Southern Star, Aboriginal Nations, Animal Logic and Walt Disney Studios Australia. Several significant animated films are highlighted; a brief survey is made of animated video games and visual eff作者: 雜色 時(shí)間: 2025-3-27 14:48
Independently Animated, of animation in Australia, surveying a large number who have worked between the 1960s and the present day. Arguably, it is within these independent animations that one can also witness some of the strongest expressions of Australian culture and thematic content.作者: 過多 時(shí)間: 2025-3-27 19:24
Book 2018it explores a wide-range both of independent animation, and of large-scale commercial productions. Presented within a uniquely international context, it details the frequent links between Australian animation and overseas productions. New perspectives and original information are offered on a variet作者: 破裂 時(shí)間: 2025-3-27 23:45
La luminescence nocturne (The Nightglow),d. Ultimately the animated films of Yoram Gross have had strong cultural implications, successfully reflecting aspects of Australian culture, and projecting these to the national and international scene.作者: Atheroma 時(shí)間: 2025-3-28 02:41
Yoram Gross: Bringing Australian Animation to the World, One , at a Time,d. Ultimately the animated films of Yoram Gross have had strong cultural implications, successfully reflecting aspects of Australian culture, and projecting these to the national and international scene.作者: 小步舞 時(shí)間: 2025-3-28 09:37
Book 2018y of international subjects such as: Felix the Cat, the Australian Hanna-Barbera studios, and the Australian Walt Disney studios. Drawing on both extensive archival research and original interviews this book illuminates, for the first time, the breadth and richness of Australia’s animation history..作者: 暴行 時(shí)間: 2025-3-28 13:31
n and international animation.Written in a highly accessibleThis book provides the most comprehensive history and analysis of Australian animation published to date. Spanning from the 1910s to the present day, it explores a wide-range both of independent animation, and of large-scale commercial prod作者: 努力趕上 時(shí)間: 2025-3-28 14:34 作者: 縮影 時(shí)間: 2025-3-28 20:52
Handbuch der Physik‘ Encyclopedia of Physics was during this era that Australian animation oscillated between isolationism and the acknowledgement of the growing influence of overseas studios, in particular the Fleischer Brothers and Disney. It was also an era that saw a large number of European migrants settle in Australia, bringing with them a fresh animation aesthetic.作者: Rinne-Test 時(shí)間: 2025-3-29 02:00 作者: 民間傳說 時(shí)間: 2025-3-29 03:15 作者: Intact 時(shí)間: 2025-3-29 07:33
Pat Sullivan and ,well as many of the other talented animators at the Sullivan studio) probably played a more balanced role in the Felix the Cat enterprise. Felix the Cat’s transition into synchronised-sound films is detailed, as well as previously unpublished information surrounding the production of the 1950s Felix the Cat television series.作者: 領(lǐng)巾 時(shí)間: 2025-3-29 12:19
Early Australian Animators: Isolation and International Influences, was during this era that Australian animation oscillated between isolationism and the acknowledgement of the growing influence of overseas studios, in particular the Fleischer Brothers and Disney. It was also an era that saw a large number of European migrants settle in Australia, bringing with them a fresh animation aesthetic.作者: 冷漠 時(shí)間: 2025-3-29 19:07 作者: 粗魯性質(zhì) 時(shí)間: 2025-3-29 23:15
Alex Stitt: Animation by Design,n the 1950s. He later set up his own studios producing (along with a team of other talented animators) countless animated advertisements, short films and ultimately two animated feature films: . (1981) and . (1983).作者: dissent 時(shí)間: 2025-3-30 01:11
