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標(biāo)題: Titlebook: Austen‘s Unbecoming Conjunctions; Subversive Laughter, Jillian Heydt-Stevenson Book 2005 Palgrave Macmillan, a division of Nature America I [打印本頁]

作者: Withdrawal    時(shí)間: 2025-3-21 17:56
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作者: 釋放    時(shí)間: 2025-3-21 23:40
Making and Improving: Fallen Women, Masquerades, and Erotic Humor in , down her laughter, laughter that became . What was she laughing at? Of all the novels, this seems like the least funny and the most morally earnest work, a text in which self-discipline, restraint, and self-denial triumph.
作者: avarice    時(shí)間: 2025-3-22 02:29

作者: Presbyopia    時(shí)間: 2025-3-22 06:31
1968 as Event, Milieu, and Ideology down her laughter, laughter that became . What was she laughing at? Of all the novels, this seems like the least funny and the most morally earnest work, a text in which self-discipline, restraint, and self-denial triumph.
作者: LEVY    時(shí)間: 2025-3-22 10:45
Book 2005objects, and linguistic patterns by which this sexuality was expressed. Heydt-Stevenson demonstrates the subtle, vulgar, and humorous ways Austen uses human bodies, objects, and activities (fashion, jewelry, crafts, popular literature, travel and tourism, money, and courtship rituals) to convey sexu
作者: DRILL    時(shí)間: 2025-3-22 13:14
Introduction: Did Jane Austen Really Mean ,othes when I get to Longbourn; but I wish you would tell Sally to mend a great slit in my worked muslin gown, before they are packed up” (291–292).. In ., Thorpe congratulates himself on his masculine prowess by displacing it on to his carriage: “What do you think of my gig, Miss Morland? a neat one
作者: 賄賂    時(shí)間: 2025-3-22 17:19
Bejeweling the Clandestine Body/Bawdy: The Miniature Spaces of ,sure: she offers “the chief points [of] his apology … and was carefully minute in every particular of speech and look, where minuteness could be safely indulged” (347–348). In a hyper-vaulted juncture of the symbolic and the literal, Marianne, seizing each microbic sign of Willoughby that Elinor off
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作者: Obstacle    時(shí)間: 2025-3-23 04:51
Fashioning the Body: Cross-Dressing, Dressing, Undressing, and Dressage in ,nd Sir Walter Elliot and his heir glitter with pretense. And . own Henry Tilney, Isabella, Mrs. Allen, and John Thorpe emanate inauthenticity as each, in their own fashion, acts in manipulative, hypocritical—and in a couple of cases—imbecilic ways. Their flimflammery provides comic relief; however,
作者: 欺騙世家    時(shí)間: 2025-3-23 08:55
Making and Improving: Fallen Women, Masquerades, and Erotic Humor in ,ying nothing for a good while, and then would suddenly burst out laughing, jump up and run across the room to a table where pens and paper were lying, write something down, and then come back to the fire and go on quietly working as before” (Hill 202). Neglecting her “work,” Austen runs off to write
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作者: delusion    時(shí)間: 2025-3-24 13:13
https://doi.org/10.1057/9781403982544ninstructed in anagogical or psychoanalytic interpretation, the Thorpes themselves fail because they call attention to the artificiality of conventions by embodying them so exhaustively. An example from Leigh Hunt’s . helps explain this: in his critique of Erasmus Darwin’s poetry, Hunt revealed how
作者: 廢止    時(shí)間: 2025-3-24 17:34

作者: Anticlimax    時(shí)間: 2025-3-24 21:09
https://doi.org/10.1057/9781403982544espondingly increased with a rise in the educational and social level” provides the impediment (. 101). He illustrates the limits of applying male-oriented critiques to women’s humor, especially for Austen’s bawdy humor. Her transgressive comedy isolates such biased ideology and maneuvers its border
作者: 直覺沒有    時(shí)間: 2025-3-25 03:12

作者: 流浪    時(shí)間: 2025-3-25 03:35

作者: preeclampsia    時(shí)間: 2025-3-25 09:04

作者: CHASM    時(shí)間: 2025-3-25 14:34
Fashioning the Body: Cross-Dressing, Dressing, Undressing, and Dressage in ,ninstructed in anagogical or psychoanalytic interpretation, the Thorpes themselves fail because they call attention to the artificiality of conventions by embodying them so exhaustively. An example from Leigh Hunt’s . helps explain this: in his critique of Erasmus Darwin’s poetry, Hunt revealed how
作者: 總    時(shí)間: 2025-3-25 16:56

作者: 背叛者    時(shí)間: 2025-3-25 20:20

作者: Oversee    時(shí)間: 2025-3-26 02:52

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作者: 諷刺滑稽戲劇    時(shí)間: 2025-3-26 10:41

作者: 傷心    時(shí)間: 2025-3-26 14:08
https://doi.org/10.1057/9781403982544nd Sir Walter Elliot and his heir glitter with pretense. And . own Henry Tilney, Isabella, Mrs. Allen, and John Thorpe emanate inauthenticity as each, in their own fashion, acts in manipulative, hypocritical—and in a couple of cases—imbecilic ways. Their flimflammery provides comic relief; however,
作者: 騎師    時(shí)間: 2025-3-26 17:40
1968 as Event, Milieu, and Ideologyying nothing for a good while, and then would suddenly burst out laughing, jump up and run across the room to a table where pens and paper were lying, write something down, and then come back to the fire and go on quietly working as before” (Hill 202). Neglecting her “work,” Austen runs off to write
作者: entreat    時(shí)間: 2025-3-26 21:28

作者: Extemporize    時(shí)間: 2025-3-27 01:55

作者: 粗俗人    時(shí)間: 2025-3-27 05:28
https://doi.org/10.1007/978-1-137-09853-5English literature; Interpretation; Jane Austen; novel; British and Irish Literature
作者: Clumsy    時(shí)間: 2025-3-27 10:24

作者: constitutional    時(shí)間: 2025-3-27 13:39
http://image.papertrans.cn/b/image/165826.jpg
作者: 征兵    時(shí)間: 2025-3-27 19:44
1968 as Event, Milieu, and IdeologyMary Wollstonecraft, with that discomfort toward the physical that marks .,
作者: 異端邪說2    時(shí)間: 2025-3-28 01:51

作者: Irrepressible    時(shí)間: 2025-3-28 05:37

作者: 或者發(fā)神韻    時(shí)間: 2025-3-28 06:22

作者: Conclave    時(shí)間: 2025-3-28 13:05
he prqject began as an effort to bring some order to a large number of descriptions of these deposits that were so varied in presentation and terminology that even specialists found them difficult to compare and analyze. Thus, from the beginning, it was evident that something more than a simple collection of 978-1-4613-8273-7978-1-4613-8271-3
作者: 胎兒    時(shí)間: 2025-3-28 18:32

作者: cataract    時(shí)間: 2025-3-28 20:36
Application of RFID Technology to Reduce Overcrowding in Hospital Emergency Departments,978-3-642-67797-7
作者: outskirts    時(shí)間: 2025-3-29 00:48

作者: 舞蹈編排    時(shí)間: 2025-3-29 03:49
https://doi.org/10.1007/978-3-030-97748-1built environment; ASOCSA; CIB; construction industry; sustainable development; urban planning




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