標題: Titlebook: Austen After 200; New Reading Spaces Kerry Sinanan,Annika Bautz,Daniel Cook Book 2023 The Editor(s) (if applicable) and The Author(s), unde [打印本頁] 作者: 聯(lián)系 時間: 2025-3-21 16:14
書目名稱Austen After 200影響因子(影響力)
書目名稱Austen After 200影響因子(影響力)學科排名
書目名稱Austen After 200網(wǎng)絡公開度
書目名稱Austen After 200網(wǎng)絡公開度學科排名
書目名稱Austen After 200被引頻次
書目名稱Austen After 200被引頻次學科排名
書目名稱Austen After 200年度引用
書目名稱Austen After 200年度引用學科排名
書目名稱Austen After 200讀者反饋
書目名稱Austen After 200讀者反饋學科排名
作者: Infraction 時間: 2025-3-21 21:28 作者: aristocracy 時間: 2025-3-22 01:45
https://doi.org/10.1007/978-3-031-08372-3Jane Austen; Reception history; Reading cultures; Popular literature; Highbrow; Lowbrow; Book clubs; Blogos作者: 騷擾 時間: 2025-3-22 08:36
978-3-031-08374-7The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: 漸變 時間: 2025-3-22 09:51
A topology for the space of foliations,ng and related than is usually acknowledged by scholarly publications: the collection itself is therefore a physical space in which essays written by academics, and readers and writers from other realms, have been deliberately put together and brought into conversation. The actual collecting of the 作者: 粗俗人 時間: 2025-3-22 14:54
Geometry of Chaos and Phase Transitions,, at the 1917 centenary, and at the bicentenary in 2017, in order to trace shifting trends in the cultural appreciation of the author. The vantage point here is that of the newspaper obituarist or columnist who may or may not have read Austen ahead of their commissions. Turning to non-specialists ca作者: DRAFT 時間: 2025-3-22 18:53 作者: craving 時間: 2025-3-23 01:13
Geometrization of Hamiltonian Dynamics,limitations of writing for the commercial public, and some chose to avoid it entirely, joining a long tradition of manuscript circulation. In this chapter I discuss Austen’s unpublished work as something beyond “juvenilia” or apprentice writing, but at least periodically a choice that allowed her mo作者: Lumbar-Stenosis 時間: 2025-3-23 02:21
Geometrization of Hamiltonian Dynamics,n-centered online reading/writing community is precisely the place to address the relationship between contemporary sociability and close readings of Austen’s writings today because online spaces, such as university classes, devoted to the appreciation and study of the author are places where studen作者: 織布機 時間: 2025-3-23 07:59
Interdisciplinary Applied Mathematicsaving been shaped and fashioned by Austen; it registers their feeling of intimacy with Austen, who may be imagined as the original wearer of the clothes; and it helps present Austen’s novels as a legacy passed from one woman to another, for under English common law, women deprived of any other separ作者: Coterminous 時間: 2025-3-23 12:53 作者: 不在灌木叢中 時間: 2025-3-23 17:15 作者: 博愛家 時間: 2025-3-23 20:09 作者: NUL 時間: 2025-3-24 01:31
Geometry, Topology and Thermodynamics,c spirit that suffuses the film is lighter, brighter and far more sparkling than in the original. So, what is the understanding of Austen to which Stillman lays claim? We answer this question by exploring the intersection of humour and satire in Austen’s work, its relationship to an ironic perspecti作者: adjacent 時間: 2025-3-24 03:58 作者: NIB 時間: 2025-3-24 09:00
Geometry of Chaos and Phase Transitions,om—crafters, professional and layperson scholars, multi-media creators, gamers, and a range of people who just like reading Austen. Hernandez-Knight has long been involved with Austen communities, acting as a regional co-ordinator for the Northern California Region of the Jane Austen Society of Nort作者: 令人不快 時間: 2025-3-24 12:52 作者: 排他 時間: 2025-3-24 17:08
,‘Gentle humour’ to ‘savage satire’: Austen Obituaries on Her Death, Its Centenary and Bicentenary,, at the 1917 centenary, and at the bicentenary in 2017, in order to trace shifting trends in the cultural appreciation of the author. The vantage point here is that of the newspaper obituarist or columnist who may or may not have read Austen ahead of their commissions. Turning to non-specialists ca作者: forebear 時間: 2025-3-24 21:27 作者: 痛得哭了 時間: 2025-3-25 01:52
Austen Among the Amateurs,limitations of writing for the commercial public, and some chose to avoid it entirely, joining a long tradition of manuscript circulation. In this chapter I discuss Austen’s unpublished work as something beyond “juvenilia” or apprentice writing, but at least periodically a choice that allowed her mo作者: instructive 時間: 2025-3-25 07:06
Virtual Sociability and the Online Austen Classroom,n-centered online reading/writing community is precisely the place to address the relationship between contemporary sociability and close readings of Austen’s writings today because online spaces, such as university classes, devoted to the appreciation and study of the author are places where studen作者: 手工藝品 時間: 2025-3-25 10:55 作者: Enzyme 時間: 2025-3-25 14:55 作者: harpsichord 時間: 2025-3-25 17:34
Empire, and the Classics,nd Rome. This chapter argues that in ., Austen draws upon Ovid’s myth of Pygmalion in Book 10 of the ., the tale of a sculptor who brings his statue to life and marries her. Subverting expectations, this artist/creation dynamic does not dominate the marriage plot of Emma and Mr. Knightley, but inste作者: 同時發(fā)生 時間: 2025-3-25 22:18
Casting Mr Collins; Or How a Zombie Film Returned Us to the Novel, is dismissed as silly, is at once obsessively formal but completely inappropriate, obsequious but constantly offending. It is fitting that ., a screen adaptation we initially overlooked, would leave us wondering what would happen if we took Mr Collins as seriously as he takes himself. What would th作者: PACT 時間: 2025-3-26 00:35
and ,: Laughter, Satire and the Impact of Form,c spirit that suffuses the film is lighter, brighter and far more sparkling than in the original. So, what is the understanding of Austen to which Stillman lays claim? We answer this question by exploring the intersection of humour and satire in Austen’s work, its relationship to an ironic perspecti作者: 陪審團每個人 時間: 2025-3-26 05:11
Blog Softly and Carry a Big Cluebat,iction, zombies—the blog’s catchphrase was “She’s Everywhere.” I chose this niche because I felt a need for it in the fandom, pre-Facebook and Twitter, and also because I thought I did not have anything to add to the public perception of Austen’s books. As the blog has evolved, so has my interest in作者: modest 時間: 2025-3-26 09:55 作者: conformity 時間: 2025-3-26 14:04
Book 2023ith Austen in different settings, and will help a comparative approach between the popular and the academic to emerge more fully in Austen studies. The book gathers insights from a range of contributors invested in new reading spaces in order to show the creative ways in which we are all adapting as we continue to read Austen’s works.作者: expunge 時間: 2025-3-26 18:05 作者: 受辱 時間: 2025-3-26 21:47 作者: Pathogen 時間: 2025-3-27 03:34
,‘Gentle humour’ to ‘savage satire’: Austen Obituaries on Her Death, Its Centenary and Bicentenary,tly based on the novels. By 2017 Austen had largely become a popular icon independent of her works. The chapter explores each period’s version of Austen, discusses what she is seen as being about and associated with and asks to what degree her public reputation is based on the novels, spin-offs, her life, or on cultural construction.作者: 持續(xù) 時間: 2025-3-27 05:26 作者: Gullible 時間: 2025-3-27 10:38 作者: falsehood 時間: 2025-3-27 17:14 作者: 社團 時間: 2025-3-27 20:31
https://doi.org/10.1007/978-0-387-49957-4 the popular culture side of the Austen fandom, which for me was always led by the books. I feel myself being drawn into writing about the books now, and trying to persuade other people to read them, even as they consume other media related to Jane Austen and her work.作者: 關(guān)心 時間: 2025-3-27 22:22
Book 2023her novels. The volume begins by looking at Austen’s popular appeal and at how she is consumed today in diverse cultural venues such the digisphere, blogosphere, festivals and book clubs. It then offers new approaches to the novels within various critical contexts, including adaptation studies, fan 作者: FEIGN 時間: 2025-3-28 05:31
Wearing Austen,ate property could bequeath clothing to heirs of their choice. Austen’s own depictions of feminine legacies make?the presentation of Austen’s novels as a maternal bequest of clothing in many ways apt. Yet this presentation threatens to deprive some potential Austen readers of the inheritance.作者: cathartic 時間: 2025-3-28 07:27 作者: Acumen 時間: 2025-3-28 11:03
A topology for the space of foliations,be considerable advantages in working on such a popular canonical author.” The present collection goes further to try to dismantle the “popular”/ “academic” divide so that our conversations can merge and forge a more open community. Many events that occurred throughout the bicentenaries have inspire作者: Canyon 時間: 2025-3-28 17:23 作者: nutrition 時間: 2025-3-28 22:32 作者: Rheumatologist 時間: 2025-3-29 02:44 作者: Antagonist 時間: 2025-3-29 06:40 作者: violate 時間: 2025-3-29 09:28 作者: sacrum 時間: 2025-3-29 13:12 作者: overshadow 時間: 2025-3-29 17:45
Geometry of Chaos and Phase Transitions, the Coronavirus pandemic gave her the perfect opportunity to launch .. In its first year, 2020, it had 15 contributors and a live audience of anywhere between 15–200 people per session. Now it looks set to become an annual event with considerable cultural energy and a place in which Austen reading,作者: 可用 時間: 2025-3-29 20:32 作者: 津貼 時間: 2025-3-30 00:36
Jane Austen and Professional Fanfiction,ten Fan Fiction (or JAFF, a discrete but large and diverse community) and professional secondary authorship (a broader category of rewriting with a combative literary history). What general observations about modern rewrites can we feasibly extrapolate from such a specific set of circumstances? What
