標(biāo)題: Titlebook: Augmented Reality Art; From an Emerging Tec Vladimir Geroimenko Book 20141st edition Springer International Publishing Switzerland 2014 Aug [打印本頁(yè)] 作者: 哪能仁慈 時(shí)間: 2025-3-21 20:09
書目名稱Augmented Reality Art影響因子(影響力)
作者: 袋鼠 時(shí)間: 2025-3-21 23:11 作者: 結(jié)果 時(shí)間: 2025-3-22 03:17 作者: Foam-Cells 時(shí)間: 2025-3-22 04:35 作者: REIGN 時(shí)間: 2025-3-22 09:44 作者: 影響深遠(yuǎn) 時(shí)間: 2025-3-22 13:38
Augmented Reality in Art: Aesthetics and Material for Expression its materials. The material and production elements repressed in the normal ideological apparatus became the arena for new expression. Cinema accelerated the mechanization and sequence of its era to create the essential medium of that era; Augmented Reality is a similar acceleration of the electric作者: 珊瑚 時(shí)間: 2025-3-22 17:13
Digital Borders and the Virtual Gallery It allows the artist to translocate the borders and constraints of the experience from physical to virtual, expressing the piece onto spaces independent of physical or locative constraint, yet still tethered to the real world. This practice of anchoring virtual assets to the physical world allows a作者: 遺產(chǎn) 時(shí)間: 2025-3-22 21:12 作者: BRAWL 時(shí)間: 2025-3-23 04:48
Skin to Skin: Performing Augmented Realityart can be created and experienced. This is particularly true in the case of digital dance performance, as well as the digital augmentation of images to create performative gallery experiences. This chapter undertakes an examination of the use of augmented reality in recent examples of digital perfo作者: jabber 時(shí)間: 2025-3-23 07:21 作者: 焦慮 時(shí)間: 2025-3-23 12:09 作者: 有惡意 時(shí)間: 2025-3-23 17:42
Why We Might Augment Reality: Art’s Role in the Development of Cognitioncurs, we will call Behavioral Art (BA). An important aspect of BA is “borrowing intelligence” from a humanly organized source, such as a painting, and applies it to a computer process. This process might easily be mistaken for an objet de (computer) art, but we must look further into the larger dyna作者: 禁止 時(shí)間: 2025-3-23 19:25
Augmenting Wilderness: Points of Interest in Pre-connected Worldsternet connection. The focus of the research is on the notion of ‘wilderness onticology’ by Levi Bryant, and the ideas of ‘hyperobjectivity’ by Timothy Morton, while examining artworks by George Ahgupuk, Alvin Lucier, Mark Skwarek, Nathan Shafer, v1b3, and John Craig Freeman..Most of the conclusions作者: 季雨 時(shí)間: 2025-3-24 01:03 作者: 延期 時(shí)間: 2025-3-24 02:37 作者: Iatrogenic 時(shí)間: 2025-3-24 07:32
Spatial Narratives in Artalysis is to understand socio-cultural transformations in the fields of art and technology in social space and what new forms of aggregation and participation have developed, providing an opportunity to reflect on new concepts of democracy that are emerging in our global media age. The question unde作者: Conduit 時(shí)間: 2025-3-24 14:45 作者: 基因組 時(shí)間: 2025-3-24 16:08
Automatic Synthesis of Genetic Networks,oking at the tradition of graffiti and street art; this is followed by a discussion around the philosophical implications for digitally augmented graffiti. A number of key techniques and technologies are then explored through the use of two practice-based case studies.作者: 察覺 時(shí)間: 2025-3-24 22:47
Parallel Implementation and Computer Time, of the research point to the praxis of the art historical anti-tradition as a tool for negotiating ontologies of the wilderness, or the unknown, as well as the virtual objects which exist there, for creating socially useful forms of art. Other topics include the usage of the Earth art binary of site/non-site, media ecology and the flanuer.作者: 退潮 時(shí)間: 2025-3-25 02:51 作者: Feature 時(shí)間: 2025-3-25 07:17 作者: 填料 時(shí)間: 2025-3-25 08:58
Augmenting Wilderness: Points of Interest in Pre-connected Worlds of the research point to the praxis of the art historical anti-tradition as a tool for negotiating ontologies of the wilderness, or the unknown, as well as the virtual objects which exist there, for creating socially useful forms of art. Other topics include the usage of the Earth art binary of site/non-site, media ecology and the flanuer.作者: 搖擺 時(shí)間: 2025-3-25 12:42 作者: GEAR 時(shí)間: 2025-3-25 17:04 作者: Arthropathy 時(shí)間: 2025-3-25 22:37
Robert J. Smith,Malcolm I. Heywoody excavates and diagrams the electric image apparatus to search out the repressed and revealed in viewers’ perception. For AR, the first medium which fully realizes the electric image, a new way forward is proposed, towards an avant-garde AR(t).作者: 死亡 時(shí)間: 2025-3-26 01:15
https://doi.org/10.1007/b137549 Art. Alongside theoretical considerations, the first ever augmented reality painting for sale on Amazon is presented – the author’s artwork . Similar possibilities for AR sculptures are also analysed.作者: refine 時(shí)間: 2025-3-26 05:53 作者: 討好女人 時(shí)間: 2025-3-26 12:09 作者: Increment 時(shí)間: 2025-3-26 14:00 作者: ITCH 時(shí)間: 2025-3-26 18:57
Augmented Reality in Art: Aesthetics and Material for Expressiony excavates and diagrams the electric image apparatus to search out the repressed and revealed in viewers’ perception. For AR, the first medium which fully realizes the electric image, a new way forward is proposed, towards an avant-garde AR(t).作者: lambaste 時(shí)間: 2025-3-26 22:01
Augmented Reality Painting and Sculpture: From Experimental Artworks to Art for Sale Art. Alongside theoretical considerations, the first ever augmented reality painting for sale on Amazon is presented – the author’s artwork . Similar possibilities for AR sculptures are also analysed.作者: placebo-effect 時(shí)間: 2025-3-27 05:11 作者: 沙發(fā) 時(shí)間: 2025-3-27 07:06 作者: 勉勵(lì) 時(shí)間: 2025-3-27 11:48 作者: 放縱 時(shí)間: 2025-3-27 15:32
Automatic Synthesis of Circuits, via machine, a process we can now call Augmented Reality, we might imbue whatever quality triggered an interpretation of “potentially meaningful” in audience members regarding that painting, to our computed output. In this chapter, we address how and why humans tends to employ this particular form of nonverbal expression.作者: hieroglyphic 時(shí)間: 2025-3-27 19:10
Why We Might Augment Reality: Art’s Role in the Development of Cognition via machine, a process we can now call Augmented Reality, we might imbue whatever quality triggered an interpretation of “potentially meaningful” in audience members regarding that painting, to our computed output. In this chapter, we address how and why humans tends to employ this particular form of nonverbal expression.作者: Conjuction 時(shí)間: 2025-3-27 22:24
Book 20141st editionations as a new form of art - this is the first book to explore the exciting new field of augmented reality art and its enabling technologies.???.As well as investigating augmented reality as a novel artistic medium the book covers cultural, social, spatial and cognitive facets of augmented reality 作者: 雜色 時(shí)間: 2025-3-28 02:59 作者: 都相信我的話 時(shí)間: 2025-3-28 10:04
Giorgia Nadizar,Eric Medvet,Dennis G. Wilsonaboration with the design office PATTU at the Istanbul Biennale. The interventions used the emerging technology of mobile augmented reality to geolocate virtual artworks – visible for viewers in the displays of their smartphones as overlays on the live camera view of their surroundings – inside the 作者: 博識(shí) 時(shí)間: 2025-3-28 11:15
Giorgia Nadizar,Eric Medvet,Dennis G. Wilson in place-based augmented reality public art and describes the work within the framework of electracy (the digital apparatus). Apparatus theory correlates technological innovations with the corresponding inventions in institutional practices, including individual and collective identity behaviours. 作者: Malfunction 時(shí)間: 2025-3-28 16:53 作者: 音樂學(xué)者 時(shí)間: 2025-3-28 20:14
Lecture Notes in Computer Sciencen of virtual media, it merges real-time pattern recognition with goggles, finally realizing William Gibson’s sci-fi fantasy, or handheld devices. This creates a welding of a form of real-time video and virtual reality, or an optically registered simulation overlaid upon an actual spatial environment作者: 哄騙 時(shí)間: 2025-3-29 01:00 作者: Myocarditis 時(shí)間: 2025-3-29 03:30 作者: Glucose 時(shí)間: 2025-3-29 07:38 作者: cardiopulmonary 時(shí)間: 2025-3-29 11:47
Higher Order Functions for Kernel Regressionart can be created and experienced. This is particularly true in the case of digital dance performance, as well as the digital augmentation of images to create performative gallery experiences. This chapter undertakes an examination of the use of augmented reality in recent examples of digital perfo作者: 預(yù)定 時(shí)間: 2025-3-29 18:52
https://doi.org/10.1007/b137549 installations. Based on an analysis of the author’s experimental paintings and sculptures, presented in his solo exhibition . and the outdoor installation ., it deals with a particular type of augmented reality paintings that integrate gallery-quality art prints of digital paintings with augmentati作者: 過于平凡 時(shí)間: 2025-3-29 23:41 作者: Filibuster 時(shí)間: 2025-3-30 01:23 作者: 舞蹈編排 時(shí)間: 2025-3-30 05:57
Parallel Implementation and Computer Time,ternet connection. The focus of the research is on the notion of ‘wilderness onticology’ by Levi Bryant, and the ideas of ‘hyperobjectivity’ by Timothy Morton, while examining artworks by George Ahgupuk, Alvin Lucier, Mark Skwarek, Nathan Shafer, v1b3, and John Craig Freeman..Most of the conclusions作者: 分發(fā) 時(shí)間: 2025-3-30 11:56
Automatic Synthesis of Antennas,ontent harvested from major social networks to create novel forms of urban navigation. The user-generated content harvested from social networks is processed in real-time to capture emotional information as well as geo-location data and different types of additional meta-data. This information is th作者: Melanocytes 時(shí)間: 2025-3-30 14:40 作者: 高談闊論 時(shí)間: 2025-3-30 16:50
Reinvention of Negative Feedback,alysis is to understand socio-cultural transformations in the fields of art and technology in social space and what new forms of aggregation and participation have developed, providing an opportunity to reflect on new concepts of democracy that are emerging in our global media age. The question unde作者: MERIT 時(shí)間: 2025-3-30 21:14 作者: condescend 時(shí)間: 2025-3-31 03:13 作者: BYRE 時(shí)間: 2025-3-31 05:37
https://doi.org/10.1007/978-3-319-06203-7Augmented Reality; Computers and Society; Digital Art; Human-Computer Interaction; New Media Design作者: 身體萌芽 時(shí)間: 2025-3-31 09:20 作者: 漂亮 時(shí)間: 2025-3-31 13:38 作者: braggadocio 時(shí)間: 2025-3-31 20:09 作者: parallelism 時(shí)間: 2025-3-31 22:06 作者: 厚顏 時(shí)間: 2025-4-1 04:21
