標(biāo)題: Titlebook: Augmented Reality Art; From an Emerging Tec Vladimir Geroimenko Book 20182nd edition Springer International Publishing AG 2018 Augmented Re [打印本頁] 作者: hypothyroidism 時(shí)間: 2025-3-21 17:48
書目名稱Augmented Reality Art影響因子(影響力)
作者: incubus 時(shí)間: 2025-3-21 23:45 作者: 評論者 時(shí)間: 2025-3-22 02:59 作者: 消息靈通 時(shí)間: 2025-3-22 05:25
https://doi.org/10.1007/978-3-319-69932-5Augmented Reality; Computers and Society; Digital Art; Human-Computer Interaction; New Media Design作者: 冷淡一切 時(shí)間: 2025-3-22 09:53 作者: TEN 時(shí)間: 2025-3-22 16:19 作者: Sarcoma 時(shí)間: 2025-3-22 17:17
https://doi.org/10.1007/978-3-030-16670-0boration with the design office PATTU at the Istanbul Biennale. The interventions used the emerging technology of mobile augmented reality to geolocate virtual artworks—visible for viewers in the displays of their smartphones as overlays on the live camera view of their surroundings—inside the norma作者: CRASS 時(shí)間: 2025-3-22 23:11 作者: 慎重 時(shí)間: 2025-3-23 05:14
Lecture Notes in Computer Science in place-based augmented reality public art and describes the work within the framework of electracy (the digital apparatus). Apparatus theory correlates technological innovations with the corresponding inventions in institutional practices, including individual and collective identity behaviors. U作者: MURAL 時(shí)間: 2025-3-23 08:15
Evolving Game State Features from Raw Pixels emerged as a significant force in contemporary networked culture from the commercial commodification of online presence as practised by internet giants Facebook and Google to the 2013 revelations of the unprecedented scale of the US Government’s data collection regime carried out by the NSA (Gellma作者: BROW 時(shí)間: 2025-3-23 11:01
Dario Izzo,Francesco Biscani,Alessio Meretal-time pattern recognition with media, finally realizing the fantasies of William Gibson through goggles or handheld devices. This creates a welding of a form of perceptual vision and virtual reality, or optically registered simulation overlaid upon actual spatial environments. And even though AR-ba作者: 顯微鏡 時(shí)間: 2025-3-23 14:04
Lecture Notes in Computer Sciencessed in the normal ideological apparatus became the arena for new expression. As cinema through its acceleration of mechanization and sequence became the essential medium of its era, Augmented Reality accelerates the electric image and realizes a movement begun in video art and installation. This es作者: 舊式步槍 時(shí)間: 2025-3-23 20:01
Kourosh Neshatian,Mengjie Zhang It allows the artist to translocate the borders and constraints of the experience from physical to virtual, expressing the piece onto spaces independent of physical or locative constraint, yet still tethered to the real world. This practice of anchoring virtual assets to the physical world allows a作者: backdrop 時(shí)間: 2025-3-24 00:48
James Vincent Patten,Conor Ryannthusiasts have been looking forward to for decades. AR has traditionally been defined by the capability to integrate real-time 3D computer graphics into a person’s field of view in such a manner as to be convincing that they are as real as the physical objects surrounding them. Interestingly though作者: 蛙鳴聲 時(shí)間: 2025-3-24 05:01
Michaela Sikulova,Jiri Hulva,Lukas Sekaninart can be created and experienced. This is particularly true in the case of digital dance performance, as well as the digital augmentation of images to create performative gallery experiences. This chapter undertakes an examination of the use of augmented reality in recent examples of digital perfor作者: Keshan-disease 時(shí)間: 2025-3-24 10:03 作者: 抓住他投降 時(shí)間: 2025-3-24 11:43 作者: 植物茂盛 時(shí)間: 2025-3-24 16:30
Penousal Machado,Jo?o Correia,Juan Romerocurs, which we will call Behavioral Art (BA). An important aspect of BA is “borrowing intelligence” from a humanly organized source, such as a painting, applied to a computer process. The resulting artifact of this auto-creative process might easily be mistaken for an objet de (computer) art. But we作者: 震驚 時(shí)間: 2025-3-24 19:40
Iliya Miralavy,Wolfgang Banzhafternet connection. The focus of the research is on the notion of “wilderness onticology” by Levi Bryant, and the ideas of “hyperobjectivity” by Timothy Morton, while examining artworks by George Ahgupuk, Alvin Lucier, Mark Skwarek, Nathan Shafer, v1b3, and John Craig Freeman. Most of the conclusions作者: exceed 時(shí)間: 2025-3-25 01:54 作者: inclusive 時(shí)間: 2025-3-25 04:21
Ting Hu,Gabriela Ochoa,Wolfgang Banzhafg archaeological science, art and IT technology. Inspired from the fractal theory, this method employs different levels of augmentations from general context to detail and uses a combination of Augmented Reality techniques and visual media, with a high artistic quality, to create a mixed-reality use作者: Wallow 時(shí)間: 2025-3-25 10:36
Augmented Reality Painting and Sculpture: From Experimental Artworks to Art for Saleon by 2D and 3D objects. This type of painting can provide one easy and reliable solution to the acute problem of the saleability of Augmented Reality Art. Alongside theoretical considerations, the first-ever Augmented Reality painting for sale on Amazon is presented—the author’s artwork . Similar possibilities for AR sculptures are also analysed.作者: Exploit 時(shí)間: 2025-3-25 12:56
Augmented Reality Graffiti and Street Artoking at the tradition of graffiti and street art; this is followed by a discussion around the philosophical implications for digitally augmented graffiti. A number of key techniques and technologies are then explored through the use of two practice-based case studies.作者: 低三下四之人 時(shí)間: 2025-3-25 18:20
Augmenting Wilderness: Points of Interest in Pre-connected Worlds of the research point to the praxis of the art historical anti-tradition as a tool for negotiating ontologies of the wilderness, or the unknown, as well as the virtual objects which exist there, for creating socially useful forms of art. Other topics include the usage of the Earth art binary of site/non-site, media ecology, and the flaneur.作者: 四溢 時(shí)間: 2025-3-25 20:09
Book 20182nd editiong area of research and creative practice it will be essential reading not only for artists, researchers and technology developers, but also for students (graduates and undergraduates) and all those interested in emerging augmented reality technology and its current and future applications in art..作者: glans-penis 時(shí)間: 2025-3-26 03:52 作者: pulmonary-edema 時(shí)間: 2025-3-26 07:36 作者: reflection 時(shí)間: 2025-3-26 12:04 作者: 啞巴 時(shí)間: 2025-3-26 14:17
Book 20182nd editiondition has been thoroughly revised and updated, and contains 5 new chapters. As well as investigating augmented reality as a novel artistic medium the book covers cultural, social, spatial and cognitive facets of augmented reality art.? .Intended as a starting point for exploring this new fascinatin作者: 甜瓜 時(shí)間: 2025-3-26 17:49 作者: 火花 時(shí)間: 2025-3-26 23:14 作者: GROVE 時(shí)間: 2025-3-27 04:39
Ting Hu,Gabriela Ochoa,Wolfgang Banzhafcational strategy to help communities recover and transmit their immaterial heritage to future generations. The research was based in V?dastra village, southern Romania, in an archaeological complex of a prehistoric settlement.作者: CLASP 時(shí)間: 2025-3-27 07:28
Augmented Reality Activismthose working with this technology face? Does AR have the ability to empower the masses? Can it create real social change and can it unite society by turning virtual experiences into physical ones? The activists in this chapter set out to find these answers.作者: 委派 時(shí)間: 2025-3-27 11:34
An Emotional Compass: Emotions on Social Networks and a New Experience of Citiestions (or their combinations) have been expressed on social networks. This gives rise to achieve novel ways for experiencing the city, including peculiar forms of way-finding techniques which rely on emotions rather than street names and buildings. The resulting experience constitutes an interesting mix of Augmented Reality and Rhabdomancy.作者: Buttress 時(shí)間: 2025-3-27 17:39 作者: needle 時(shí)間: 2025-3-27 19:53 作者: 詞匯表 時(shí)間: 2025-3-27 22:39
Lecture Notes in Computer Sciencethe essential medium of its era, Augmented Reality accelerates the electric image and realizes a movement begun in video art and installation. This essay excavates and diagrams the AR apparatus to search out the repressed in viewers’ perception and point a way forward toward an avant-garde AR(t).作者: 墊子 時(shí)間: 2025-3-28 05:31
Augmented Reality in Art: Aesthetics and Material for Expressionthe essential medium of its era, Augmented Reality accelerates the electric image and realizes a movement begun in video art and installation. This essay excavates and diagrams the AR apparatus to search out the repressed in viewers’ perception and point a way forward toward an avant-garde AR(t).作者: 沒有希望 時(shí)間: 2025-3-28 08:32
Critical Interventions into Canonical Spaces: Augmented Reality at the 2011 Venice and Istanbul Biened or blocked by the curators or other authorities and will remain at those locations as long as the artist desires. The artworks exploit the site specificity as an integral part of the artwork while simultaneously questioning the value of location to canonize works of art, and the power of the cura作者: 方舟 時(shí)間: 2025-3-28 14:27 作者: angiography 時(shí)間: 2025-3-28 18:24
Beyond the Virtual Public Square: Ubiquitous Computing and the New Politics of Well-Beinga, augmented by literacy, became journalism—the fourth estate of a democratic society. The konsult practice described in this essay updates theoria for a fifth estate with a new function supporting collective well-being, in the global experience of a potentially ubiquitous public square.作者: 其他 時(shí)間: 2025-3-28 19:21 作者: 憤怒事實(shí) 時(shí)間: 2025-3-29 01:32 作者: SOB 時(shí)間: 2025-3-29 04:13 作者: Flustered 時(shí)間: 2025-3-29 08:33
Immersive Art in Augmented Realityd post them as photographs, tweets, video and audio to cloud-based social media platforms whereby these are viewed by our social networks and then threaded, parsed and responded to as well as archived into spatial and temporal timelines. In context of this new mobile form of Augmented Reality that i作者: 遍及 時(shí)間: 2025-3-29 13:19 作者: Carminative 時(shí)間: 2025-3-29 19:26 作者: 低能兒 時(shí)間: 2025-3-29 19:59 作者: lactic 時(shí)間: 2025-3-30 01:13
https://doi.org/10.1007/978-3-030-16670-0ed or blocked by the curators or other authorities and will remain at those locations as long as the artist desires. The artworks exploit the site specificity as an integral part of the artwork while simultaneously questioning the value of location to canonize works of art, and the power of the cura作者: construct 時(shí)間: 2025-3-30 05:57
Evolving AVX512 Parallel C Code Using GPial such as providing support for: context aware bookmarking, artistic expression of the visitor (e.g. enabling visitors to curate augmentations for the exhibited artefacts), sharing the visit experience of “I was here”; (ii) low quality of support for analytical activity where applications fail to 作者: 協(xié)定 時(shí)間: 2025-3-30 09:26
Lecture Notes in Computer Sciencea, augmented by literacy, became journalism—the fourth estate of a democratic society. The konsult practice described in this essay updates theoria for a fifth estate with a new function supporting collective well-being, in the global experience of a potentially ubiquitous public square.作者: Glaci冰 時(shí)間: 2025-3-30 16:13
Evolving Game State Features from Raw Pixelsnly available to government and corporations. We have seen advances in techniques of data scraping and manipulation which have democratised the ability to parse, analyse and effectively manipulate data, and developments which have powerful implications for artists and activists. This chapter examine
