作者: Uncultured 時(shí)間: 2025-3-21 23:44 作者: antiandrogen 時(shí)間: 2025-3-22 02:24
Jordan Wick,Erik Hemberg,Una-May O’Reillyement. AR art was experienced in cities all over the world from New York to its perilous appearance in Shanghai, China. And on the other hand, on the moon, the “Seed Robots” plan, organize and build a person’s lunar comfort zone in the Moon Lust exhibition that explores global interests and issues p作者: 柔聲地說 時(shí)間: 2025-3-22 04:38 作者: 混合 時(shí)間: 2025-3-22 08:58 作者: 錢財(cái) 時(shí)間: 2025-3-22 12:53
Pawe? Liskowski,Krzysztof Krawiecthis project detailing its ambition to utilize AR art to build AR prototypes that over-layered city neighbourhoods with a series of cell phone-based data-driven AR narratives. Contextual location-based narratives visualize and engage complex issues. The process of building an artistic AR layer built作者: 托人看管 時(shí)間: 2025-3-22 18:46
Michal Wiglasz,Michaela Drahosovaia, augmented by literacy, became journalism—the fourth estate of a democratic society. The konsult practice described in this essay updates Theoria for a fifth estate with a new function supporting collective well-being, in the global experience of a potentially ubiquitous public square.作者: Feedback 時(shí)間: 2025-3-22 21:46
Benjamin Fowler,Wolfgang Banzhaf use of hybrid visual/digital displays. The chapter includes a review of existing practices and describes original experimental case study material that is designed to ascertain how a digitally augmented Environmental Graphic Design activation might affect the workplace experience and emotional well作者: 閃光東本 時(shí)間: 2025-3-23 03:56 作者: 玩忽職守 時(shí)間: 2025-3-23 06:43 作者: 毀壞 時(shí)間: 2025-3-23 12:27 作者: 清真寺 時(shí)間: 2025-3-23 14:18 作者: irreducible 時(shí)間: 2025-3-23 20:54 作者: Muffle 時(shí)間: 2025-3-24 00:14
Augmented Reality, the Expansive Object, and the Vivification of the Memory Theatre: Field Notest metaphor for augmented reality. The new technology updates the memory theatre as an extreme spatialization of knowledge and experience mapped upon location through digitization. This chapter will develop the field notes of the use of augmented reality in two exhibitions, . and 作者: 表狀態(tài) 時(shí)間: 2025-3-24 02:37
Critical Interventions into Canonical Spaces: Augmented Reality at the 2011 Venice and Istanbul Biend or blocked by the curators or other authorities and will remain at those locations as long as the artist desires. The artworks exploit the site-specificity as an integral part of the artwork while simultaneously questioning the value of location to canonize works of art and the power of the curato作者: homocysteine 時(shí)間: 2025-3-24 06:35 作者: 性行為放縱者 時(shí)間: 2025-3-24 11:03
Beyond the Virtual Public Square: Ubiquitous Computing and the New Politics of Well-Beingia, augmented by literacy, became journalism—the fourth estate of a democratic society. The konsult practice described in this essay updates Theoria for a fifth estate with a new function supporting collective well-being, in the global experience of a potentially ubiquitous public square.作者: Crohns-disease 時(shí)間: 2025-3-24 17:11
Augmenting Environmental Graphics in Healthcare Spaces use of hybrid visual/digital displays. The chapter includes a review of existing practices and describes original experimental case study material that is designed to ascertain how a digitally augmented Environmental Graphic Design activation might affect the workplace experience and emotional well作者: PUT 時(shí)間: 2025-3-24 21:36 作者: 外來 時(shí)間: 2025-3-25 01:09
Augmented Reality Graffiti and Street Artrtistic, formal, social and philosophical intersections generated by AR graffiti and street art: the ways by which a digital interface allows us to experience art and urban environments in drastically different ways and the social and spatial implications that come with such experiences. These inter作者: 社團(tuán) 時(shí)間: 2025-3-25 06:28
2195-9056 es and undergraduates) and all those interested in emerging augmented reality technology and its current and future applications in art..978-3-030-96863-2Series ISSN 2195-9056 Series E-ISSN 2195-9064 作者: 附錄 時(shí)間: 2025-3-25 09:27
Book 2022Latest editionn has been thoroughly revised and updated, with 9 new chapters included. As well as investigating augmented reality as a novel artistic medium, the book covers cultural, social, spatial and cognitive facets of augmented reality art.? It has been written by a virtual team of 33 researchers and artist作者: Contracture 時(shí)間: 2025-3-25 13:26
Lecture Notes in Computer Scienceon by 2D and 3D objects. This type of painting can provide one easy and reliable solution to the acute problem of the saleability of augmented reality art. Alongside theoretical considerations, the first-ever augmented reality painting for sale on Amazon is presented—the author’s artwork . Similar possibilities for AR sculptures are also analysed.作者: 裝入膠囊 時(shí)間: 2025-3-25 19:35
https://doi.org/10.1007/978-3-642-78661-7on that necessitates ongoing, critical study. To illustrate this approach, the chapter concludes with a case study featuring an AR memorial to George Floyd created by American artist Steven Christian in support of the Black Lives Matter movement.作者: 最有利 時(shí)間: 2025-3-25 20:46 作者: 中子 時(shí)間: 2025-3-26 00:30
Book 2022Latest editionot only for artists, researchers and technology developers, but also for students (graduates and undergraduates) and all those interested in emerging augmented reality technology and its current and future applications in art..作者: 問到了燒瓶 時(shí)間: 2025-3-26 06:32
2195-9056 ugmented reality art and an overview of its historic events..This is the third edition of the first ever book to explore the exciting field of augmented reality art and its enabling technologies. The new edition has been thoroughly revised and updated, with 9 new chapters included. As well as invest作者: 頭腦冷靜 時(shí)間: 2025-3-26 09:09
https://doi.org/10.1007/978-3-031-02056-8the essential medium of its era; augmented reality accelerates the electric video image and holds promise to be the essential medium of our new era. This essay excavates and diagrams the AR apparatus to search out the repressed in viewers’ perception and point a way forward toward an avant-garde augmented reality art.作者: caldron 時(shí)間: 2025-3-26 16:19
Augmented Reality in Art: Aesthetics and Material for Expressionthe essential medium of its era; augmented reality accelerates the electric video image and holds promise to be the essential medium of our new era. This essay excavates and diagrams the AR apparatus to search out the repressed in viewers’ perception and point a way forward toward an avant-garde augmented reality art.作者: 竊喜 時(shí)間: 2025-3-26 19:09
M. I. Heywood,A. N. Zincir-Heywoodt augmented reality art can have an immediate public presence, responding to social, environmental, and cultural issues as they are unfolding, making it a pivotal form of public art for the twenty-first century.作者: 消瘦 時(shí)間: 2025-3-27 00:24
Concepts of inductive genetic programming,dings of physical and virtual space. By intervening physical spaces with augmented experiences, artists can highlight unseen or underexplored social issues, provoke new conversations around them, and drive new understandings of these sites in ways that prompt social change within local communities and among the broader public.作者: 發(fā)展 時(shí)間: 2025-3-27 02:55 作者: 不朽中國(guó) 時(shí)間: 2025-3-27 05:36 作者: bizarre 時(shí)間: 2025-3-27 10:49
Augmented Reality Interventions in Shared Space: Subversion and Social Impactdings of physical and virtual space. By intervening physical spaces with augmented experiences, artists can highlight unseen or underexplored social issues, provoke new conversations around them, and drive new understandings of these sites in ways that prompt social change within local communities and among the broader public.作者: ANTI 時(shí)間: 2025-3-27 15:35
Face Filters as Augmented Reality Art on Social Mediaes as self-portraiture. This chapter will generate fresh insight into the current trends in AR art on social media. It is likely that AR face filters will radically change how we see ourselves online and how we engage with art in general.作者: 冰雹 時(shí)間: 2025-3-27 18:07
Augmented Reality Painting and Sculpture: From Experimental Artworks to Art for Saleon by 2D and 3D objects. This type of painting can provide one easy and reliable solution to the acute problem of the saleability of augmented reality art. Alongside theoretical considerations, the first-ever augmented reality painting for sale on Amazon is presented—the author’s artwork . Similar possibilities for AR sculptures are also analysed.作者: Consensus 時(shí)間: 2025-3-28 01:44 作者: tangle 時(shí)間: 2025-3-28 06:08 作者: 委屈 時(shí)間: 2025-3-28 10:09
Why We Might Augment Reality: Art’s Role in the Development of Cognitioncurs, which we will call Behavioral Art (BA). An important aspect of BA is ‘borrowing intelligence’ from a humanly organized source, such as a painting, applied to a computer process. The resulting artifact of this auto-creative process might easily be mistaken for an object de (computer) art. But w作者: excursion 時(shí)間: 2025-3-28 11:23
Shifting Perceptions—Shifting Realities—Shifting Spheresourney begins on earth and takes the artist to the moon. On one hand, on the earth, an AR heart is located at a local park during Occupy, an international progressive socio-political movement. The ubiety of the AR art provoked an intimate encounter with a local park patron that illustrates the multi作者: 放逐某人 時(shí)間: 2025-3-28 14:42
Augmented Reality, the Expansive Object, and the Vivification of the Memory Theatre: Field NotesThe discussed artworks are a reified memory theatre, a destabilizing mélange of subjectivities loosely hung on the framework of the works’ object-ness. These are portals, parasites, and libraries of imagination and thought. Defining “object” and “augmented reality” implies that AR represents the con作者: 山頂可休息 時(shí)間: 2025-3-28 22:00 作者: TIA742 時(shí)間: 2025-3-29 02:36
Merging Spaces: Augmented Reality, Temporary Public Art, and the Reinvention of Sitend offering possibilities for public engagement that did not exist before. This chapter investigates temporary and site-specific public art before AR technology, then looks at Broadway Augmented—an innovative early augmented reality public art project located in Sacramento, California—and finishes w作者: Lipoprotein 時(shí)間: 2025-3-29 06:13
Data Narratives: Aesthetic Activation of Urban Space Through Augmented Realityd on working with city data to create hybrid artistic representations of Dublin’s ongoing housing affordability crisis, acting both as activist artistic engagement with the socio-political-economic space of the city and aesthetic activation of urban space through augmented reality. As data describes作者: Legion 時(shí)間: 2025-3-29 10:41
Beyond the Virtual Public Square: Ubiquitous Computing and the New Politics of Well-Beingk in place-based augmented reality public art and describes the work within the framework of electracy (the digital apparatus). Apparatus theory correlates technological innovations with the corresponding inventions in institutional practices, including individual and collective identity behaviors. 作者: 冒失 時(shí)間: 2025-3-29 11:43
Augmenting Environmental Graphics in Healthcare Spacesents such as hospital wards, public health spaces, clinics, and consultancy waiting rooms. We use the term Environmental Graphic Design to include all 2D design and visual artworks as aspects of placemaking that connect people to the built environment, including visual identity, wayfinding, communic作者: 猛然一拉 時(shí)間: 2025-3-29 19:33
Augmented Reality Interventions in Shared Space: Subversion and Social Impactaborations, and the potential of augmented reality technology to affect social change. The interview examines the possibilities and limitations of contemporary AR as an artistic medium, the ways AR can be used as a novel form of public art and idea activation, and the evolving relationships that AR 作者: 要塞 時(shí)間: 2025-3-29 22:57 作者: 弄皺 時(shí)間: 2025-3-30 01:36 作者: separate 時(shí)間: 2025-3-30 07:58
Augmented Reality Painting and Sculpture: From Experimental Artworks to Art for Sale installations. Based on an analysis of the author’s experimental paintings and sculptures, presented in his solo exhibition . and the outdoor installation ., it deals with a particular type of augmented reality paintings that integrate gallery-quality art prints of digital paintings with augmentati作者: 彎曲道理 時(shí)間: 2025-3-30 11:46 作者: inventory 時(shí)間: 2025-3-30 13:54
Face Filters as Augmented Reality Art on Social Mediatual objects to an individual’s face—have become wildly popular on Instagram, Snapchat, and even video calling on Zoom. Up to now, far too little attention has been paid to face filters as a form of AR art. Often seen as play, AR face filters can provide an engaging and personal art experience that 作者: Carbon-Monoxide 時(shí)間: 2025-3-30 18:27
Augmented Reality Art978-3-030-96863-2Series ISSN 2195-9056 Series E-ISSN 2195-9064 作者: 野蠻 時(shí)間: 2025-3-30 22:44 作者: MUMP 時(shí)間: 2025-3-31 03:51
https://doi.org/10.1007/978-3-642-78661-7d politically engaged augmented reality art (ARt). This critical corpus of works is an important, though underexplored, dimension of the ARtistic canon, and of the genealogy of augmented reality technology. To facilitate deeper ethnographic engagement with today’s critical ARt practices, this chapte作者: 愛好 時(shí)間: 2025-3-31 07:48
Francesco Marchetti,Edmondo Miniscicurs, which we will call Behavioral Art (BA). An important aspect of BA is ‘borrowing intelligence’ from a humanly organized source, such as a painting, applied to a computer process. The resulting artifact of this auto-creative process might easily be mistaken for an object de (computer) art. But w作者: Hangar 時(shí)間: 2025-3-31 11:04
Jordan Wick,Erik Hemberg,Una-May O’Reillyourney begins on earth and takes the artist to the moon. On one hand, on the earth, an AR heart is located at a local park during Occupy, an international progressive socio-political movement. The ubiety of the AR art provoked an intimate encounter with a local park patron that illustrates the multi作者: MOAT 時(shí)間: 2025-3-31 14:54
Mining Feature Relationships in DataThe discussed artworks are a reified memory theatre, a destabilizing mélange of subjectivities loosely hung on the framework of the works’ object-ness. These are portals, parasites, and libraries of imagination and thought. Defining “object” and “augmented reality” implies that AR represents the con作者: 競(jìng)選運(yùn)動(dòng) 時(shí)間: 2025-3-31 18:55
