標(biāo)題: Titlebook: Audience Engagement in the Performing Arts; A Critical Analysis Ben Walmsley Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 [打印本頁(yè)] 作者: Sediment 時(shí)間: 2025-3-21 18:29
書(shū)目名稱Audience Engagement in the Performing Arts影響因子(影響力)
書(shū)目名稱Audience Engagement in the Performing Arts影響因子(影響力)學(xué)科排名
書(shū)目名稱Audience Engagement in the Performing Arts網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱Audience Engagement in the Performing Arts網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱Audience Engagement in the Performing Arts被引頻次
書(shū)目名稱Audience Engagement in the Performing Arts被引頻次學(xué)科排名
書(shū)目名稱Audience Engagement in the Performing Arts年度引用
書(shū)目名稱Audience Engagement in the Performing Arts年度引用學(xué)科排名
書(shū)目名稱Audience Engagement in the Performing Arts讀者反饋
書(shū)目名稱Audience Engagement in the Performing Arts讀者反饋學(xué)科排名
作者: BAIL 時(shí)間: 2025-3-21 20:48 作者: 有說(shuō)服力 時(shí)間: 2025-3-22 04:03
Book 2019ment of arts organisations. Illustrating how audiences have traditionally been side-lined, homogenised and vilified, it contends that the future paradigm of audience studies should be based on an engagement model, wherein audiences take their rightful place as subjects rather than objects of empirical research..作者: 大廳 時(shí)間: 2025-3-22 08:27
Understanding Audiences: A Critical Review of Audience Research, ritual; reception theory and semiotics; research methodologies; the audience experience; value and impact research; young audiences; arts marketing and management; audience engagement and enrichment. The aim of this taxonomy is to inform a new paradigm for audience studies in the context of the performing arts.作者: BOAST 時(shí)間: 2025-3-22 10:35 作者: strdulate 時(shí)間: 2025-3-22 13:40 作者: tympanometry 時(shí)間: 2025-3-22 19:36
https://doi.org/10.1007/978-3-8349-6487-8 the relative agency that audiences have in engaging with performance. It then explores the phenomenology of audiency, including the roles that empathy, immersion, arousal, catharsis, intersubjectivity, and embodied and enactive spectatorship play in shaping audiences’ experiences.作者: 太空 時(shí)間: 2025-3-23 00:19
https://doi.org/10.1007/978-3-322-94424-5his for arts organisations and for cultural policy? In response to these questions, the chapter contends that only interdisciplinary and multi-perspectival approaches will ever be nuanced enough to capture the multidimensional value of audiences’ experiences.作者: lattice 時(shí)間: 2025-3-23 02:19
https://doi.org/10.1007/978-3-322-83540-6e traditional marketing mix for contemporary philosophies, modes, and techniques of audience engagement, and suggests an alternative, audience-centred paradigm fit for contemporary arts marketing scholarship and for twenty-first-century performing arts organisations.作者: 共棲 時(shí)間: 2025-3-23 07:17 作者: commute 時(shí)間: 2025-3-23 13:02
Dirk Piekenbrock,Michael Olssonion with audiences. In order to illustrate how theories pertaining to digital engagement play out in practice, the chapter presents four case studies: National Theatre of Scotland’s .-., Bristol’s Watershed, Brooklyn Museum, and Yorkshire Dance’s . project.作者: 陰險(xiǎn) 時(shí)間: 2025-3-23 17:01 作者: Narrative 時(shí)間: 2025-3-23 18:49 作者: 高貴領(lǐng)導(dǎo) 時(shí)間: 2025-3-24 02:10 作者: Pastry 時(shí)間: 2025-3-24 04:04 作者: 使入迷 時(shí)間: 2025-3-24 09:13 作者: Minutes 時(shí)間: 2025-3-24 14:25 作者: APNEA 時(shí)間: 2025-3-24 18:52
Engaging Audiences Through Digital Technologies,ion with audiences. In order to illustrate how theories pertaining to digital engagement play out in practice, the chapter presents four case studies: National Theatre of Scotland’s .-., Bristol’s Watershed, Brooklyn Museum, and Yorkshire Dance’s . project.作者: 粗糙 時(shí)間: 2025-3-24 23:03
Conclusions and Implications, case for audience-centric organisations fuelled by mutually beneficial relationships of artistic exchange. Finally, the chapter offers some overall conclusions and speculates about the likely direction of future research in the field.作者: NOTCH 時(shí)間: 2025-3-25 01:03 作者: 正式演說(shuō) 時(shí)間: 2025-3-25 05:37 作者: PHONE 時(shí)間: 2025-3-25 11:18
Gabler Lexikon Material Wirtschaft & Einkaufd over the past 150 years and that this has had a negative impact on the field of audience studies. The chapter advocates for an engagement-based approach to audience research, which places audiences at the heart of empirical enquiries into the complex multi-sensory experiences that they have before作者: 不利 時(shí)間: 2025-3-25 13:11
Insa Sjurts (wissenschaftliche Leiterin)s to the rapidly emerging field of audience studies and classifies its recurrent themes into the following categories: the pacification of audiences; power, elitism and class; cultural policy, participation and co-creation; immersive performance; performance venues, spaces and places; performance as作者: 姑姑在炫耀 時(shí)間: 2025-3-25 17:01 作者: 完成才會(huì)征服 時(shí)間: 2025-3-25 23:24 作者: Ataxia 時(shí)間: 2025-3-26 03:56 作者: 到婚嫁年齡 時(shí)間: 2025-3-26 06:41 作者: 褻瀆 時(shí)間: 2025-3-26 11:37
Gabler Lexikon Technologie Managementnal practices to appropriate and make sense of cultural products and experiences. This chapter investigates why and how audience expectations and behaviours are changing, and explores emerging theories, concepts and practices of co-creation, including active spectatorship, co-production, participati作者: 業(yè)余愛(ài)好者 時(shí)間: 2025-3-26 14:30 作者: malign 時(shí)間: 2025-3-26 18:40
https://doi.org/10.1007/978-3-322-82843-9 most significantly, for the future of audience research in the performing arts. It hones in on the phenomenon of engagement and outlines how this core concept might be fruitfully reconceptualised to move the field and the performing arts sector forwards. The chapter considers the implications of th作者: 形上升才刺激 時(shí)間: 2025-3-26 23:28
https://doi.org/10.1007/978-3-030-26653-0Jean-Paul Sartre; arts audiences; audience research; quixotic thinking; death of the audience; prosumers; 作者: orthodox 時(shí)間: 2025-3-27 01:08 作者: 蘑菇 時(shí)間: 2025-3-27 05:32
Ben WalmsleyExplores the implications of changing audience expectations and evolving practices of engagement.Provides a thorough summary of existing scholarship in the field, drawing out key and emergent themes.D作者: 異端 時(shí)間: 2025-3-27 11:38 作者: 去掉 時(shí)間: 2025-3-27 15:05
Audience Engagement in the Performing Arts978-3-030-26653-0Series ISSN 2730-924X Series E-ISSN 2730-9258 作者: angiography 時(shí)間: 2025-3-27 18:07 作者: Chromatic 時(shí)間: 2025-3-27 22:57 作者: 惡意 時(shí)間: 2025-3-28 05:54 作者: 反對(duì) 時(shí)間: 2025-3-28 07:02
,Deconstructing Audiences’ Experiences,e? How important is the live element of audiences’ experiences? What kinds of experiences do audiences have when they engage with the performing arts? Which elements and phenomena characterise and differentiate these experiences from other kinds of experiences? Can audiences’ experiences be truly re作者: 勤勞 時(shí)間: 2025-3-28 13:31
Capturing, Interpreting, and Evaluating Cultural Value,ue that are relevant to the performing arts. It achieves this by interrogating a series of core questions: What do we know about cultural value and what is the purpose of asking questions about it? Who wants to know what about cultural value? Why and how do they want to know? In what sense are exper作者: 使成波狀 時(shí)間: 2025-3-28 15:47 作者: Decline 時(shí)間: 2025-3-28 22:27 作者: athlete’s-foot 時(shí)間: 2025-3-28 22:58 作者: 露天歷史劇 時(shí)間: 2025-3-29 06:18
Engaging Audiences Through Digital Technologies,ates practices of digital engagement within the wider phenomena of participatory culture and social production, and acknowledges the implications of mass online migration for artists, producers, arts marketers, and policymakers. The chapter explores the relative utility of digital platforms in suppo
