標(biāo)題: Titlebook: Audience Development and Cultural Policy; Steven Hadley Book 2021 The Editor(s) (if applicable) and The Author(s) 2021 britain.cultural se [打印本頁(yè)] 作者: otitis-externa 時(shí)間: 2025-3-21 17:21
書目名稱Audience Development and Cultural Policy影響因子(影響力)
書目名稱Audience Development and Cultural Policy影響因子(影響力)學(xué)科排名
書目名稱Audience Development and Cultural Policy網(wǎng)絡(luò)公開(kāi)度
書目名稱Audience Development and Cultural Policy網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書目名稱Audience Development and Cultural Policy被引頻次
書目名稱Audience Development and Cultural Policy被引頻次學(xué)科排名
書目名稱Audience Development and Cultural Policy年度引用
書目名稱Audience Development and Cultural Policy年度引用學(xué)科排名
書目名稱Audience Development and Cultural Policy讀者反饋
書目名稱Audience Development and Cultural Policy讀者反饋學(xué)科排名
作者: arrhythmic 時(shí)間: 2025-3-21 21:51 作者: 黃瓜 時(shí)間: 2025-3-22 04:27
Chapter 3: Audience Development,s marketing, audience development and cultural policy. The argument is made that audience development has come to be understood as a process of arts management. Issues with audience development from the fields of cultural economics and cultural politics are introduced, and questions are asked of the作者: 媒介 時(shí)間: 2025-3-22 04:35
Chapter 4: The Development of Practice: Two Dilemmas,as are discussed in this chapter: the dilemma of marketisation (managerialism, public sector management) which saw the formal adoption and development of arts marketing practice, and the dilemma of social inclusion, which saw the formal adoption and development of audience development practice. The 作者: 無(wú)關(guān)緊要 時(shí)間: 2025-3-22 09:39
Chapter 5: The Traditions of Audience Development,and practitioners. This chapter argues that this cohort was a ‘cultural management elite’ and outlines the group’s key characteristics, most specifically their capacity to iteratively deliver and develop audience development practice. The chapter then proceeds to outline and discuss the two traditio作者: GRAIN 時(shí)間: 2025-3-22 13:59
Chapter 6: Characteristics of Audience Development,audience development identified in Chap. . and towards developing a discourse of practice. The chapter explores the issue of the conceptual ambiguity of audience development and argues that audience development remains in its ontological phase. The chapter then discusses how the two traditions gave 作者: 沙發(fā) 時(shí)間: 2025-3-22 20:06
Chapter 7: Audience Development and Democracy: Third Dilemma, in patterns of cultural engagement. The chapter argues that this data has prompted a third dilemma and questions the impact of this dilemma both on the traditions identified in Chap. . and its wider implications for cultural policy. The research data discussed in this chapter highlights a significa作者: Ejaculate 時(shí)間: 2025-3-22 22:02
Chapter 8: Conclusion,lture. To consider audience development is to put oneself at the centre of one of the most important tensions in publicly subsidised culture. The issue is perhaps not about whether culture and democracy are compatible, but rather how to conceive of that compatibility, about the reconciliation or bal作者: 教唆 時(shí)間: 2025-3-23 02:25 作者: 連累 時(shí)間: 2025-3-23 09:32
Gabler Kompakt-Lexikon Werbepraxisnsider this question, the chapter starts by defining cultural policy and the terminology of the democratisation of culture/cultural democracy. This section, alongside outlining the key debates within each position, also discusses issues of vested interest, the contested nature of the relationship be作者: Cholecystokinin 時(shí)間: 2025-3-23 11:10
Gabler Kompakt-Lexikon Wirtschafts marketing, audience development and cultural policy. The argument is made that audience development has come to be understood as a process of arts management. Issues with audience development from the fields of cultural economics and cultural politics are introduced, and questions are asked of the作者: 量被毀壞 時(shí)間: 2025-3-23 17:35
https://doi.org/10.1007/978-3-322-99616-9as are discussed in this chapter: the dilemma of marketisation (managerialism, public sector management) which saw the formal adoption and development of arts marketing practice, and the dilemma of social inclusion, which saw the formal adoption and development of audience development practice. The 作者: 同義聯(lián)想法 時(shí)間: 2025-3-23 18:38 作者: Coeval 時(shí)間: 2025-3-23 23:54
Gabler Kompakt-Lexikon eBusinessaudience development identified in Chap. . and towards developing a discourse of practice. The chapter explores the issue of the conceptual ambiguity of audience development and argues that audience development remains in its ontological phase. The chapter then discusses how the two traditions gave 作者: Vsd168 時(shí)間: 2025-3-24 02:59
Klaus Bichler,Ralf Krohn,Peter Philippi in patterns of cultural engagement. The chapter argues that this data has prompted a third dilemma and questions the impact of this dilemma both on the traditions identified in Chap. . and its wider implications for cultural policy. The research data discussed in this chapter highlights a significa作者: 血友病 時(shí)間: 2025-3-24 07:15 作者: 基因組 時(shí)間: 2025-3-24 12:10 作者: Adenoma 時(shí)間: 2025-3-24 18:14 作者: Tdd526 時(shí)間: 2025-3-24 22:32 作者: 無(wú)畏 時(shí)間: 2025-3-25 02:49 作者: 有限 時(shí)間: 2025-3-25 06:25 作者: 初次登臺(tái) 時(shí)間: 2025-3-25 09:20 作者: 縮減了 時(shí)間: 2025-3-25 15:36
Chapter 7: Audience Development and Democracy: Third Dilemma,ay no longer be a viable option, alternative structures have proved elusive. This discussion raises questions about the discursive function of audience development and the wider democratic imperative implicit within public subsidy of the arts.作者: 手榴彈 時(shí)間: 2025-3-25 16:38 作者: 爆米花 時(shí)間: 2025-3-25 20:04 作者: BOOST 時(shí)間: 2025-3-26 03:18 作者: 持續(xù) 時(shí)間: 2025-3-26 08:23 作者: 顛簸地移動(dòng) 時(shí)間: 2025-3-26 08:40 作者: 全部 時(shí)間: 2025-3-26 13:51
Gabler Kompakt-Lexikon Wirtschaft governmental rationales which regard a reluctance or unwillingness to engage with subsidised culture as a form of failure. The chapter closes by outlining the research approach underpinning the book‘s main arguments about the relationship between audience development and democratic cultural policy.作者: 忘川河 時(shí)間: 2025-3-26 18:51
Gabler Kompakt-Lexikon Werbepraxisthe democratisation of culture and cultural democracy, and identifies how audience development was the first proactive attempt to democratise the arts which considered the audience rather than the art. This chapter concludes with a summary of the book’s main arguments.作者: 巨大沒(méi)有 時(shí)間: 2025-3-26 23:03 作者: Hearten 時(shí)間: 2025-3-27 03:05 作者: 宮殿般 時(shí)間: 2025-3-27 08:17
Gabler Kompakt-Lexikon eBusinesslopment because the ‘functional ambiguity’ of the term allowed for a broad church of interpretation. Far from being a purely technical process, audience development was conceived by the cultural management elite as an attempt to fundamentally alter the policy trajectory of the subsidised arts sector.作者: 水獺 時(shí)間: 2025-3-27 11:42 作者: anaphylaxis 時(shí)間: 2025-3-27 15:18 作者: Adulterate 時(shí)間: 2025-3-27 18:17
Chapter 4: The Development of Practice: Two Dilemmas,lopment practice within that context. In response to the dilemmas of marketisation of the arts and the rise of the social inclusion agenda the chapter outlines how hostility to marketing created the conditions for audience development’s rise to prominence in the cultural sector.作者: 哥哥噴涌而出 時(shí)間: 2025-3-28 01:14
Chapter 5: The Traditions of Audience Development,ives of cultural engagement and consumption, but evidence importantly divergent views on both the transformative power of art and thereby on the ultimate purpose of public subsidy for the arts and cultural sector.作者: 亞當(dāng)心理陰影 時(shí)間: 2025-3-28 06:09 作者: Costume 時(shí)間: 2025-3-28 08:55
Chapter 8: Conclusion,‘everyone an artist’. The question arises as to how best adapt and utilise the tools of audience development practice in a context where the notion of cultural participation has been extended beyond the arts and into the arena of everyday creativity and participation.作者: Fulsome 時(shí)間: 2025-3-28 12:14
2730-924X g in the arts, cultural and heritage sectors with an interest in understanding how our relationship with the audience has been constructed..? ? ??.978-3-030-62972-4978-3-030-62970-0Series ISSN 2730-924X Series E-ISSN 2730-9258 作者: engrossed 時(shí)間: 2025-3-28 15:16 作者: Enervate 時(shí)間: 2025-3-28 20:04
10樓作者: 牛馬之尿 時(shí)間: 2025-3-29 01:01
10樓
