作者: asthma 時(shí)間: 2025-3-21 22:01 作者: 合乎習(xí)俗 時(shí)間: 2025-3-22 00:47
https://doi.org/10.1007/978-1-349-21099-2spero deserves redemption, as he deserves our applause: he has brought things to a happy end by forgiving those who have trespassed against him. The Christian overtones are unavoidable. But Dimetos has been unable to forgive, or be forgiven.作者: 駕駛 時(shí)間: 2025-3-22 05:14
,The ‘Statements’ Plays,’s wig and padding has his cell mate John — and us — falling about with laughter. ‘You call laughing at me Theatre?’ the big man exclaims, resentfully. ‘Who cares’, comes the reply. ‘As long as they’ (John sweeps his arm to include both imaginary and real audiences), ‘a(chǎn)s long as they listen at the end!’作者: tic-douloureux 時(shí)間: 2025-3-22 11:12
,Man Alone: ‘Dimetos’ and ‘The Guest’,spero deserves redemption, as he deserves our applause: he has brought things to a happy end by forgiving those who have trespassed against him. The Christian overtones are unavoidable. But Dimetos has been unable to forgive, or be forgiven.作者: Conclave 時(shí)間: 2025-3-22 14:04 作者: Debility 時(shí)間: 2025-3-22 19:53 作者: 認(rèn)為 時(shí)間: 2025-3-23 00:14 作者: 親密 時(shí)間: 2025-3-23 04:45 作者: 走調(diào) 時(shí)間: 2025-3-23 09:21
Introduction,ed to the windows. But the journalists, theatre people and assorted friends who packed the new ‘Rehearsal Room’ of the African Music and Drama Association in Dorkay House were gripped as never before by a passionate duet which probed and revealed the feelings associated with that perennial South African subject — race.作者: CLAM 時(shí)間: 2025-3-23 11:19 作者: Cardioplegia 時(shí)間: 2025-3-23 16:45
Career and Personal Influences,gdalena, . Potgieter, carried the name of one of the foremost Voortrekker families, long settled in the Karroo. Fugard’s parents came from different worlds, yet, ‘because of the strength of my mother’s personality the Afrikaner culture was more dominant’..作者: arsenal 時(shí)間: 2025-3-23 21:39
Aggregation and Distribution of Freedom,h are two ‘Coloured’ sons of the same mother, outcasts tormented by the fact that one of them (Morris) is whiter, more ‘European’ than the other. . explores the shifting pattern of dominance and dependence between them created by this difference in a racialist society.作者: 賞心悅目 時(shí)間: 2025-3-23 23:56 作者: –scent 時(shí)間: 2025-3-24 02:39
https://doi.org/10.1007/978-1-349-21099-2o region of South Africa. His parents ran a small general dealer’s ‘cash store’ in Middelburg. His father, Harold, a crippled former jazz pianist was descended from Manchester immigrants, possibly Irish Catholic in origin, ‘sort of good, English-speaking Eastern Cape stock’. His mother, Elizabeth Ma作者: 繼而發(fā)生 時(shí)間: 2025-3-24 06:33
https://doi.org/10.1007/978-1-349-21099-2hin a town and its people grew his first two full-length plays, . and .. Although, as Fugard himself willing admits, the plays now look like rather na?ve apprenticeship work, they remain unique examples of an attempt by a white South African writer to enter into and understand the day-to-day sufferi作者: 欺騙世家 時(shí)間: 2025-3-24 12:34 作者: INERT 時(shí)間: 2025-3-24 15:47
https://doi.org/10.1007/978-1-349-21099-2ace of nails, and a shirt stuffed with false breasts. He is pretending to be the ancient Greek princess Antigone. But we do not laugh. Nor do we laugh when he goes on to deliver Antigone’s famous speech, defying the law which has condemned her. For what we are watching is a play-within-a-play: a two作者: Gorilla 時(shí)間: 2025-3-24 19:20
https://doi.org/10.1007/978-1-349-21099-2ecause your gaiety is so great,’ he tells himself, ‘the last skill of all. Hold them out, and wait.…’ He extends his hands towards the audience, and waits. It is a strange, compelling and ambiguous gesture. What is he waiting for? The answer is suggested by the end of another, much greater play, ., 作者: 只有 時(shí)間: 2025-3-25 02:37 作者: 嫌惡 時(shí)間: 2025-3-25 05:02 作者: manifestation 時(shí)間: 2025-3-25 11:10
Modern Dramatistshttp://image.papertrans.cn/b/image/163966.jpg作者: 多節(jié) 時(shí)間: 2025-3-25 12:20
https://doi.org/10.1007/978-1-349-17712-7Africa; contemporary literature; history of literature; literature; twentieth century作者: preservative 時(shí)間: 2025-3-25 17:16
Macmillan Publishers Limited 1984作者: enlist 時(shí)間: 2025-3-25 20:54
Introduction,or of an abandoned factory in Eloff Street, Johannesburg, something did happen. A new South African play was performed in which, for the first time, a white man and a black man appeared together on stage. And for nearly four hours the two held their invited, multiracial audience spellbound. Traffic 作者: 擁護(hù) 時(shí)間: 2025-3-26 01:53
Career and Personal Influences,o region of South Africa. His parents ran a small general dealer’s ‘cash store’ in Middelburg. His father, Harold, a crippled former jazz pianist was descended from Manchester immigrants, possibly Irish Catholic in origin, ‘sort of good, English-speaking Eastern Cape stock’. His mother, Elizabeth Ma作者: MORT 時(shí)間: 2025-3-26 05:46 作者: Substance 時(shí)間: 2025-3-26 11:26 作者: 比賽用背帶 時(shí)間: 2025-3-26 14:24 作者: antiquated 時(shí)間: 2025-3-26 19:56
,Man Alone: ‘Dimetos’ and ‘The Guest’,ecause your gaiety is so great,’ he tells himself, ‘the last skill of all. Hold them out, and wait.…’ He extends his hands towards the audience, and waits. It is a strange, compelling and ambiguous gesture. What is he waiting for? The answer is suggested by the end of another, much greater play, ., 作者: 剛開(kāi)始 時(shí)間: 2025-3-26 22:55
,Port Elizabeth Revisited: ‘Marigolds’, ‘Aloes’ and ‘“Master Harold” … and the boys’,n didactic. This has coincided with a return to the familiar setting, textures and accent of his home environment — to the ‘specifics’ of Port Elizabeth, expressed in a form of naturalism not restricted to the evocation of locale, but shot through with explicit, metaphoric ‘lessons’ — for example in作者: 向前變橢圓 時(shí)間: 2025-3-27 04:04 作者: 共同生活 時(shí)間: 2025-3-27 07:02 作者: 美麗的寫(xiě) 時(shí)間: 2025-3-27 13:23 作者: 發(fā)酵劑 時(shí)間: 2025-3-27 15:15 作者: follicular-unit 時(shí)間: 2025-3-27 19:16 作者: 解凍 時(shí)間: 2025-3-27 23:30 作者: Fillet,Filet 時(shí)間: 2025-3-28 04:31 作者: Optometrist 時(shí)間: 2025-3-28 08:24 作者: Foregery 時(shí)間: 2025-3-28 13:53
