派博傳思國(guó)際中心

標(biāo)題: Titlebook: Asia and the Historical Imagination; Jane Yeang Chui Wong Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Historical Fictio [打印本頁(yè)]

作者: Dangle    時(shí)間: 2025-3-21 18:23
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作者: senile-dementia    時(shí)間: 2025-3-21 20:32

作者: cataract    時(shí)間: 2025-3-22 03:49
,Asia’s Other History,ger networks that exist beyond their peripheries. Critics have questioned the limitations and implications of studying representations of histories and cultures against a globalized, cosmopolitan backdrop. . is preoccupied with two types of boundaries. Geographical boundaries provide a broad-spectru
作者: Onerous    時(shí)間: 2025-3-22 05:35

作者: Throttle    時(shí)間: 2025-3-22 09:17
Cultural Encounters and Imagining Multicultural Identities in Two Taiwanese Historical Novels,past, the historical novel at the same time makes sense of histories through perspectives of identity, especially when a writer attempts to construct multiple identities and various perspectives. In the past two decades, a new trend of historical novels has attracted readers using the theme of Taiwa
作者: 吵鬧    時(shí)間: 2025-3-22 16:56

作者: 同來(lái)核對(duì)    時(shí)間: 2025-3-22 17:42

作者: alabaster    時(shí)間: 2025-3-22 22:14

作者: expdient    時(shí)間: 2025-3-23 04:13

作者: obstruct    時(shí)間: 2025-3-23 05:54

作者: 懸崖    時(shí)間: 2025-3-23 09:45

作者: 強(qiáng)化    時(shí)間: 2025-3-23 14:49

作者: synovium    時(shí)間: 2025-3-23 21:15

作者: FEAS    時(shí)間: 2025-3-24 01:39

作者: 制造    時(shí)間: 2025-3-24 03:45
978-981-13-3948-6The Editor(s) (if applicable) and The Author(s) 2018
作者: 波動(dòng)    時(shí)間: 2025-3-24 08:28

作者: 聰明    時(shí)間: 2025-3-24 14:29
Fine Needle Aspiration Cytologyhoose a side” as they re-evaluated their relationships with both communists and their Western alliances. In Indonesia, the Cold War manifested as an extremely violent persecution of communists following a failed coup in 1965. With his assumption of power in 1966, Suharto’s regime actively oppressed
作者: 四溢    時(shí)間: 2025-3-24 16:44

作者: 值得    時(shí)間: 2025-3-24 21:44

作者: STAT    時(shí)間: 2025-3-25 00:41
Anatomy and Physiology of the Breast,drop of World War II, Claude Lim’s and Han Ling-li’s torture at the hands of Japanese soldiers, and their attempts to bear witness to the war crimes inflicted on the local citizenry are associated with the trauma of war. To interpret Claude’s need to express his traumatic experience as a response to
作者: glacial    時(shí)間: 2025-3-25 06:29
Gary Tse,Puay Hoon Tan,Fernando Schmitttre production (.), a music video (.), and a film (.) that all feature a historical female icon, Empress Myoungsung, I examine how cultural texts inculcate anti-Japanese sentiment by juxtaposing a single, century-old incident (the night of Queen Min’s assassination) onto contemporary South Korean so
作者: generic    時(shí)間: 2025-3-25 08:15
Anatomy and Physiology of the Breast,n literary texts. The interface and interflow between history and fiction has long been the subject of critical attention. What has been far less attended to is the “textual” dynamics of this interface—in terms of the organization of meaning through specific formal ordering—which bears crucially on
作者: 不感興趣    時(shí)間: 2025-3-25 14:29

作者: Nefarious    時(shí)間: 2025-3-25 18:21

作者: 內(nèi)向者    時(shí)間: 2025-3-25 23:15

作者: 引起    時(shí)間: 2025-3-26 00:43
Fine Needle Aspiration Cytologyplentiful. The coup in 1965 (or the September 30th Movement) and the bloody nationwide mass murders that followed were common subject matters for authors such as Pramoedya Ananta Toer, Putu Wijaya, Umar Kayam, and Y. B. Mangunwijaya. Most of these authors employ the use of the . and a Javanised . as
作者: SKIFF    時(shí)間: 2025-3-26 04:52

作者: amplitude    時(shí)間: 2025-3-26 09:06

作者: 違抗    時(shí)間: 2025-3-26 13:27
Anatomy and Physiology of the Breast,se ideas together appear to, but do not, render Claude a “reborn” Chinese. This chapter examines the versions of Chineseness in Loh’s novel, and how Claude must break away from assumptions and expectations of Chineseness that are linked to China in order to develop a unique Chinese identity that is
作者: 廣大    時(shí)間: 2025-3-26 18:42

作者: 令人作嘔    時(shí)間: 2025-3-27 00:28

作者: Adjourn    時(shí)間: 2025-3-27 02:09

作者: pacific    時(shí)間: 2025-3-27 08:32

作者: muffler    時(shí)間: 2025-3-27 13:10
,Asia’s Other History,s that are influenced by regional or global power relations. Instead of focusing on the “export” of fictional narratives as a means to represent histories and cultures, . considers historical fiction more introspectively and explores how relationships among community, nation, and region can help exp
作者: arrogant    時(shí)間: 2025-3-27 16:45

作者: 憲法沒(méi)有    時(shí)間: 2025-3-27 19:06

作者: Buttress    時(shí)間: 2025-3-28 00:36
Fate or State: The Double Life of a Composite Chinese Spy in ,is daughter’s first-person account, covering two historical periods, representing different generations, and orchestrating multiple national(ist) perspectives. This chapter brings out the four-way correspondences between the author Jin, the historical Chin, and the fictional Gary and his grandson Be
作者: 沙草紙    時(shí)間: 2025-3-28 03:03
,Contesting Chineseness in Vyvyane Loh’s ,se ideas together appear to, but do not, render Claude a “reborn” Chinese. This chapter examines the versions of Chineseness in Loh’s novel, and how Claude must break away from assumptions and expectations of Chineseness that are linked to China in order to develop a unique Chinese identity that is
作者: saturated-fat    時(shí)間: 2025-3-28 08:44
The Female Body as the Site of Historical Controversy: Ghostly Reappearance in South Korean Historithe global era. I also demonstrate how the workings of visualization in these texts posit the Empress and her significance within ambivalent frameworks (i.e. between “tradition”/“modern” and “national”/“global desire”), and how such positioning manipulates her significance in order to fulfill Korea’
作者: gait-cycle    時(shí)間: 2025-3-28 13:46
,Cosmopolitan Retellings and the Idea of the Local: The Case of Salman Rushdie’s ,ical approach becomes especially relevant in Asian post-colonial “cosmopolitan” contexts with their historically mixed (or split) epistemological and aesthetic legacies. Examining . in this light, I highlight the text’s aesthetically hybrid magic-realist negotiation of gender issues in the early dec




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