派博傳思國際中心

標(biāo)題: Titlebook: Arts Management, Cultural Policy, & the African Diaspora; Antonio C. Cuyler Book 2022 The Editor(s) (if applicable) and The Author(s), und [打印本頁]

作者: 調(diào)停    時間: 2025-3-21 16:48
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書目名稱Arts Management, Cultural Policy, & the African Diaspora讀者反饋




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作者: CAMP    時間: 2025-3-21 22:53
Cultural Policy and the Film Sector in Cameroonultural sustainability theories and approaches, this chapter examines public cultural policy strategies in Cameroon through the analyses of official texts as well as key informant interviews to shed more light on the socio-political context of filmmaking in Cameroon.
作者: Admire    時間: 2025-3-22 03:30

作者: galley    時間: 2025-3-22 08:01
Systematisation of Art in Nigeriatre of art, supporting a robust domestic market and meaningful international engagements, it must develop an adequate local art infrastructure. While the government may not undertake these independently, considering pressing fundamental demands, it should establish a supportive legislative framework
作者: 藥物    時間: 2025-3-22 09:19

作者: 烤架    時間: 2025-3-22 13:11
Arts Management and Cultural Policy in South Africa: Navigating the Multicultural Labyrinthter interrogates how to navigate and balance the delicate equation of arts management and cultural policy in a multicultural nation such as South Africa. This chapter responds to questions 5 and 6 based on the list of questions sent at invitation: “How might formal educational programmes in arts man
作者: 山間窄路    時間: 2025-3-22 21:00

作者: PUT    時間: 2025-3-22 23:15

作者: 滲入    時間: 2025-3-23 03:56

作者: Respond    時間: 2025-3-23 08:30

作者: NEXUS    時間: 2025-3-23 13:18
Arts Management, Cultural Policy, & the African Diaspora
作者: arterioles    時間: 2025-3-23 17:49

作者: PET-scan    時間: 2025-3-23 21:41
volume’s comparative examination of ten critical, historical, practical, and theoretical questions makes it a significant contribution to the literatures in Arts Management, Cultural Policy, Cultural, Africana, African American, and Ethnic studies..978-3-030-85812-4978-3-030-85810-0
作者: Genistein    時間: 2025-3-24 00:47
Marcin Bizukojc,Stanislaw Ledakowiczmyth as a justification for kidnapping, pillaging, and profiting from the cultural products of people of African descent so much so that over 90–95% of the material cultural legacy of sub-Saharan Africa exists outside of the African continent (Sarr & Savoy, 2018).
作者: Anthropoid    時間: 2025-3-24 05:48

作者: 結(jié)束    時間: 2025-3-24 08:17
https://doi.org/10.1007/978-1-349-07222-4ations, governments, individuals, or institutions prohibit and/or promote the cultural practices and values of the people of Ghana. The findings reveal there are arts management strategies that will need cultural policy support to make them attainable towards the promotion of cultural practices and
作者: 植物茂盛    時間: 2025-3-24 13:09
https://doi.org/10.1007/978-1-4842-1082-6tre of art, supporting a robust domestic market and meaningful international engagements, it must develop an adequate local art infrastructure. While the government may not undertake these independently, considering pressing fundamental demands, it should establish a supportive legislative framework
作者: 平庸的人或物    時間: 2025-3-24 15:42
,Implikationen für das Management,in the Tunisian post-independence context. This theme has not undergone an in-depth analysis of its dynamic in the post-independence period (1956–1987) in previous literature, especially its relevance to the culture’s current strategy in Tunisia.
作者: cogitate    時間: 2025-3-24 21:29
File Structures for On-Line Systemster interrogates how to navigate and balance the delicate equation of arts management and cultural policy in a multicultural nation such as South Africa. This chapter responds to questions 5 and 6 based on the list of questions sent at invitation: “How might formal educational programmes in arts man
作者: Ige326    時間: 2025-3-25 00:02
,“Filial Piety” and Cultural Difference, work to promote their own political empowerment. From this perspective, I will describe the impact of the cultural diversity agenda on contemporary cultural public policies to evaluate which transformations are taking place within the State as a result of the contemporary emergence of the Afrodiasp
作者: 過份    時間: 2025-3-25 04:59
https://doi.org/10.1007/978-3-322-82594-0articular Caribbean language that becomes a transformative self-management practice within the artistic domain, a specific practice of arts management through artistic form..This chapter also responds to the question, “What strategies will most effectively increase the representation of people of Af
作者: 嬉耍    時間: 2025-3-25 11:13
https://doi.org/10.1007/978-3-322-81587-3itutions..The chapter aims to clarify the origins of today’s debate on the restitution of African objects. In this context, it addresses the question, in what ways have cultural policies empowered or victimised people of African descent and how (former) colonial powers used arts management and cultu
作者: Loathe    時間: 2025-3-25 11:51
Filicide literature and research needs. Ultimately, this chapter contributes to a burgeoning field of knowledge that investigates how institutional stakeholders enculturate people of African descent’s cultural practices and values. While focused on the Black British context, the overarching call of this chapter encourages cross-co
作者: 后來    時間: 2025-3-25 18:41

作者: 漂白    時間: 2025-3-25 21:41

作者: habitat    時間: 2025-3-26 00:09

作者: 不能強(qiáng)迫我    時間: 2025-3-26 07:31

作者: 灰心喪氣    時間: 2025-3-26 09:54

作者: saphenous-vein    時間: 2025-3-26 15:37
,Implikationen für das Management, artworks constitute the canon of African art scholarship, their management in western cultural institutions deserves critical assessments. This chapter explores the question, how have colonizers used arts management and cultural policy to forcefully plunder and retain the cultural patrimony of the
作者: 因無茶而冷淡    時間: 2025-3-26 18:25

作者: 廣告    時間: 2025-3-26 23:56
File Structures for On-Line Systemsnt and cultural planning. Producing an arts policy and managing it may appear relatively easy in a homogeneous society, but in a multicultural society such as South Africa, this is likely to become complex and difficult. Faced with this challenge, this chapter examines the current documented cultura
作者: 小平面    時間: 2025-3-27 03:32
,“Filial Piety” and Cultural Difference,on of a westernized and racially white Nation have successfully implemented the myth of the disappearance of Afro descendants. This chapter addresses how Argentina’s political elite shaped the hegemonic narratives about national identity in Argentina, specifically in relation to its Afro component a
作者: daredevil    時間: 2025-3-27 08:37
,“Filial Piety” and Cultural Difference,ast decades. It takes into consideration the laws approved from struggle processes and historical claims, the contributions of its unfolding for this sector, and the recent situations of cultural precariousness in the country, which generate aggravation of the cultural, economic, and social fracture
作者: Encapsulate    時間: 2025-3-27 10:34
https://doi.org/10.1007/978-3-322-82594-0ated practices of arts management through which the cultural production of the Garífuna is undervalued and misappropriated, while simultaneously attempting to hispanicize Honduras’ Afrodescendant populations and fold them into the mythology of a . nation. Engaging with the question of how corporatio
作者: 斜坡    時間: 2025-3-27 17:01
https://doi.org/10.1007/978-3-322-82594-0emporary visual arts practices of the region as performative strategies of arts management. Such artistry that I describe as counter-cultural-memory disseminated via networks of practitioners construct meaningful and effective modalities that should inform culturally specific arts management practic
作者: 數(shù)量    時間: 2025-3-27 20:04

作者: 星星    時間: 2025-3-27 23:48

作者: Paleontology    時間: 2025-3-28 05:38
Filicide literature and research the historical context of change. One where cultural policy through programmes, funding streams, and position papers has shaped the arts and cultural landscape and the position of Black people within it. The aims of this chapter are to highlight the impact of the seminal report . by Khan (1976) as
作者: 固定某物    時間: 2025-3-28 07:31

作者: insightful    時間: 2025-3-28 14:25
https://doi.org/10.1007/978-3-030-85810-0Arts management across Africa; Arts management across the African diaspora; African cultural policy; Af
作者: Spongy-Bone    時間: 2025-3-28 18:21

作者: 可能性    時間: 2025-3-28 19:19

作者: 銀版照相    時間: 2025-3-28 22:58

作者: VOC    時間: 2025-3-29 06:39

作者: Blanch    時間: 2025-3-29 10:12
Filicide literature and researchs Phoenix Dance Theatre. My hope is that this chapter will provide insight into the impact that cultural policy has had on Black-led arts in the UK. From here, this chapter will explore the steps that the UK creative and cultural industry could take to transform the current structures to fully respond to Black-led aesthetics and arts practice.
作者: 鋼盔    時間: 2025-3-29 11:46

作者: bioavailability    時間: 2025-3-29 17:12
Black British Cultural Practice in an Era of Changes Phoenix Dance Theatre. My hope is that this chapter will provide insight into the impact that cultural policy has had on Black-led arts in the UK. From here, this chapter will explore the steps that the UK creative and cultural industry could take to transform the current structures to fully respond to Black-led aesthetics and arts practice.
作者: 光滑    時間: 2025-3-29 22:31

作者: colloquial    時間: 2025-3-30 00:03
File Management Made Simple, Windows Editionand their impact on the people of Ghana. The chapter, therefore, addresses the questions, how have cultural policies (dis)empowered Ghanaians? In addition, how have the government and cultural institutions promoted and/or prohibited some cultural practices of Ghanaians?
作者: septicemia    時間: 2025-3-30 06:27
,“Filial Piety” and Cultural Difference,s. More specifically, this chapter responds to the central research question: what strategies will most effectively increase the representation of people of African descent within the global arts management workforce?
作者: Arrhythmia    時間: 2025-3-30 08:34
Book 2022 their culture.?.Arts Management, Cultural Policy, & the African Diaspora.?also presents comparative case studies of the challenges, differences, similarities, and successes in approaches to cultural leadership across multiple cultural contexts throughout the diaspora. This volume disrupts the endur
作者: 恃強(qiáng)凌弱    時間: 2025-3-30 13:32
Ghana’s Cultural Policy and (Dis)Empowerment: Three Decades Reflections on the Centres for National and their impact on the people of Ghana. The chapter, therefore, addresses the questions, how have cultural policies (dis)empowered Ghanaians? In addition, how have the government and cultural institutions promoted and/or prohibited some cultural practices of Ghanaians?
作者: critic    時間: 2025-3-30 17:29

作者: flourish    時間: 2025-3-30 22:23

作者: Commemorate    時間: 2025-3-31 01:31

作者: 周年紀(jì)念日    時間: 2025-3-31 05:38
Ayesha Shahid,Isfandyar Ali Khan theory, the Neurology of Power, this chapter argues that neurological understandings of power can point to innate behaviours that in turn explain the difficulties in sharing, gaining, and using power in an inherently biased system.
作者: upstart    時間: 2025-3-31 10:07
The Art of Belonging: Exploring the Impact of the Garífuna on Honduran Culture and Identitypter explores the ways in which the Garífuna resist attempts to misidentify, co-opt, and appropriate their cultural production, centering their African heritage while still rooting themselves firmly in the Americas as a people with indigenous rights and a position of belonging.
作者: 安心地散步    時間: 2025-3-31 16:18

作者: TOXIN    時間: 2025-3-31 21:06
Introduction,iences of all people of African descent around the globe? Although scholars have explored aspects of arts management and cultural policy throughout the African diaspora (Adedokun, 2001; Ajala, 2015; Alhassan, 2005; Bauer, 2015; Bell, 2014; Beukelaer, 2016; Boucher et al., 2018; Chandler, 2013; Colli
作者: peritonitis    時間: 2025-4-1 00:40

作者: 難聽的聲音    時間: 2025-4-1 05:45
Arts Management and Cultural Policy in Ghanaizational development. However, such systems are liberally adopted in Ghana, particularly the lack of professional administration procedures in culture and the lack of communication flow between public and private cultural sectors. This chapter will investigate how arts management and cultural polic




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