標(biāo)題: Titlebook: ARTISTS-IN-LABS: Networking in the Margins; Jill Scott Book 2010Latest edition Springer-Verlag / Wien 2010 art and science.interdisciplina [打印本頁] 作者: fumble 時(shí)間: 2025-3-21 16:49
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作者: Myocyte 時(shí)間: 2025-3-22 00:07 作者: 大猩猩 時(shí)間: 2025-3-22 02:28 作者: SMART 時(shí)間: 2025-3-22 08:13 作者: Humble 時(shí)間: 2025-3-22 09:49
Fifty Materials That Make the Worldfrom 2007 to 2009 by 12 artists from the disciplines of sculpture, installation, performance and sound, in collaboration with scientists from the fields of physics, computer technologies, environmental ecology, neuroscience and psychology. While artists have become more involved in ethical and socia作者: 帽子 時(shí)間: 2025-3-22 12:53 作者: 能得到 時(shí)間: 2025-3-22 19:14
Glass Fiber Reinforced Polymers, photograph was taken from lunar orbit in December 1968 with a Hasselblad camera loaded with colour film. It is an image of the Earth as it appears from deep space, rising over the lunar horizon, and it was a view that no one had seen before. Hanging, half visible, in the black void of space was a b作者: NAVEN 時(shí)間: 2025-3-22 22:07
Glass Fiber Reinforced Polymers,storyteller’ for the public. These artists, who are now part of my generation, still fondly talk about their responsibility to engage with the public and how this focus drew them together as an art community. In this essay, I would like to outline how, today, the art/sci margin might become a health作者: noxious 時(shí)間: 2025-3-23 03:12
Fifty Materials That Make the World today is the re-design of ourselves. We are at the final frontier of knowledge: consciousness, a calling for the imaginative deployment of new technologies of communication, computing, as well as chemistry and older somatic practices. Our sense of Being and of Time is changing. The creative navigat作者: 釘牢 時(shí)間: 2025-3-23 06:16
Fifty Materials That Make the Worldelcomed as a research fellow at laboratories of neurobiology — as an ‘a(chǎn)rt historian in lab’ one might say. While I was officially treated as a ‘visiting scholar’, it was quite clear that I was seen rather as a more or less exotic ‘guest’ than as a ‘collaborator’ in a strict sense. A different perspe作者: ureter 時(shí)間: 2025-3-23 12:34 作者: achlorhydria 時(shí)間: 2025-3-23 16:47 作者: Employee 時(shí)間: 2025-3-23 18:31
http://image.papertrans.cn/b/image/162756.jpg作者: 流行 時(shí)間: 2025-3-24 01:23
https://doi.org/10.1007/978-3-7091-0321-0art and science; interdisciplinary studies; lab context; media design; sociology作者: 膠狀 時(shí)間: 2025-3-24 05:18 作者: 新奇 時(shí)間: 2025-3-24 09:17 作者: pellagra 時(shí)間: 2025-3-24 12:35 作者: innovation 時(shí)間: 2025-3-24 15:00
On the Nature of Interactions photograph was taken from lunar orbit in December 1968 with a Hasselblad camera loaded with colour film. It is an image of the Earth as it appears from deep space, rising over the lunar horizon, and it was a view that no one had seen before. Hanging, half visible, in the black void of space was a b作者: 使成整體 時(shí)間: 2025-3-24 22:57 作者: Tidious 時(shí)間: 2025-3-24 23:38
Art at the End of Tunnel Vision: A Syncretic Surmise today is the re-design of ourselves. We are at the final frontier of knowledge: consciousness, a calling for the imaginative deployment of new technologies of communication, computing, as well as chemistry and older somatic practices. Our sense of Being and of Time is changing. The creative navigat作者: Ancestor 時(shí)間: 2025-3-25 07:02 作者: 表臉 時(shí)間: 2025-3-25 08:20 作者: 埋伏 時(shí)間: 2025-3-25 13:04 作者: 一瞥 時(shí)間: 2025-3-25 17:59
iry.Encouragement for interdisciplinary approachesNetworking in the Margins is about sharing information in the margins where immersive learning can expand the exact sciences and demand a more robust level of dialogue from the humanities and the arts. At base of these margins, sits an attitude, whic作者: 伸展 時(shí)間: 2025-3-25 20:11 作者: DEBT 時(shí)間: 2025-3-26 02:58 作者: capsaicin 時(shí)間: 2025-3-26 05:51
Fifty Materials That Make the Worldience tends to expand the borders of the exact sciences and to contribute to a more robust level of dialogue within the humanities and the arts. These trans-disciplinary potentials are contextualized by 9 prominent authors, who each shed light on the future implications of such interactions for society.作者: ANN 時(shí)間: 2025-3-26 12:29
Introduction: Networking is Both an Art and a Science!ience tends to expand the borders of the exact sciences and to contribute to a more robust level of dialogue within the humanities and the arts. These trans-disciplinary potentials are contextualized by 9 prominent authors, who each shed light on the future implications of such interactions for society.作者: Agnosia 時(shí)間: 2025-3-26 15:23 作者: FISC 時(shí)間: 2025-3-26 17:44 作者: 拘留 時(shí)間: 2025-3-26 23:28
Art at the End of Tunnel Vision: A Syncretic Surmisensciousness. Concomitant with the views of Bohm, Grobstein, and Blofeld that all matter, animate or otherwise, is mind, this paper concludes that art has a new responsibility towards the creative unfolding of reality.作者: MOAN 時(shí)間: 2025-3-27 01:30 作者: 意外 時(shí)間: 2025-3-27 08:30
Book 2010Latest edition social debates about scientific discovery in relation to society. In this book the potentials of networking in these margins are reflected upon by 9 prominent authors, 12 artists and 12 leading scientific researchers from various Laboratories.作者: 魯莽 時(shí)間: 2025-3-27 11:02 作者: Chivalrous 時(shí)間: 2025-3-27 14:34 作者: 去世 時(shí)間: 2025-3-27 19:24
Glass Fiber Reinforced Polymers,ers in our society to be re-thought. Because this is such a large subject, I will attempt to address current social and ethical issues by using examples from the following debates; access to technological interactivity, caring about impairment and human neural perception, the impact of biotechnology作者: Figate 時(shí)間: 2025-3-28 01:46 作者: 中和 時(shí)間: 2025-3-28 02:23
Formative Encounters: Laboratory Life and Artistic Practice Institut de Recherche et Coordination Acoustique/Musique IRCAM in Paris in 1977, the composer and program director, Pierre Boulez, characterized the cooperation of artists and engineers as a ‘utopian marriage of fire and water’ (.).作者: uncertain 時(shí)間: 2025-3-28 06:48 作者: 衍生 時(shí)間: 2025-3-28 11:56
Think Art — Act Science: Meeting on an Equal Levelsts meet and this encounter can ‘open up’ other forms of knowledge. By sharing the specific expertise of artists with those of scientists, these nine-month encounters provide a solid ground for productive interrelations to develop.作者: POINT 時(shí)間: 2025-3-28 15:37
0930-8989 ng academicians and professionals in the field.Provides caseThis book presents articles from the World Conference on Acoustic Emission 2019 (WCAE-2019) held at Guangdong, China. The latest research and applications of acoustic emission (AE) are explored, with a particular emphasis on detecting and p作者: 斷斷續(xù)續(xù) 時(shí)間: 2025-3-28 21:15 作者: 上坡 時(shí)間: 2025-3-29 02:46
Gated Hierarchical Attention for Image Captioningls that employ attributes boosting and reinforcement learning (RL). We also conduct extensive experiments to analyze the CNN decoder and our proposed GHA, and we find that deeper decoders cannot obtain better performance, and when the convolutional decoder becomes deeper the model is likely to colla
