標(biāo)題: Titlebook: Artistic Visions and the Promise of Beauty; Cross-Cultural Persp Kathleen M. Higgins,Shakti Maira,Sonia Sikka Book 2017 Springer Internatio [打印本頁] 作者: 譴責(zé) 時間: 2025-3-21 19:37
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書目名稱Artistic Visions and the Promise of Beauty讀者反饋學(xué)科排名
作者: 摻假 時間: 2025-3-21 22:41
https://doi.org/10.1007/3-540-08347-2t a reflection of the perceiver, or an enabler of recognition of the beauty of the human self. This idea is explored through a focus on Yuriko Lochan’s own work as a painter, which is partially driven by a search for an inner beauty reflected in the beauty of the external world.作者: 尖牙 時間: 2025-3-22 02:35 作者: Asseverate 時間: 2025-3-22 08:07 作者: Oafishness 時間: 2025-3-22 10:56
Sophia Studies in Cross-cultural Philosophy of Traditions and Cultureshttp://image.papertrans.cn/b/image/162751.jpg作者: 因無茶而冷淡 時間: 2025-3-22 13:49 作者: ALLAY 時間: 2025-3-22 17:26
Christian Choffrut,Serge Grigoriefftuation. She emphasizes the role that Western art critics and the market have played in overthrowing the traditional requirement that art exhibit aesthetic value (in the sense of “sensuously pleasing” and “beautiful”) and in opening the range of what is considered permissible. She suggests that the 作者: Creditee 時間: 2025-3-22 22:49
Nikita V. Kitov,Mikhail V. Volkover at the center of attention, it has rejected the significance of the latter. In contrast to this trend, Lorand argues that beauty is an essential feature of art, and the value of an artwork amounts to the degree of its beauty. This understanding of artistic value supports the claim that the creati作者: 開始從未 時間: 2025-3-23 03:11 作者: 辯論的終結(jié) 時間: 2025-3-23 08:21
,Laplace’s Equation and Poisson’s Equation,oncepts of beauty go back to Plato, the Platonic ideal that formed the basis of Renaissance art. However, for our purposes, attitudes to beauty from the Enlightenment onwards had a direct effect on representations of non-western peoples, especially Africans. Mitter takes the example of Hogarth’s wor作者: Statins 時間: 2025-3-23 12:45
Chemical and Biological Models,e Indian classical concepts of . (“adornment”) and . (“beauty”) can be traced to Bharat’s Natyashastra, the first written canvas of performance and appreciation of beauty or the .. In . or poetry, . refers mainly to sensual or material beauty without any suggestion of the metaphysical, moral, ethica作者: Kindle 時間: 2025-3-23 15:09 作者: Invigorate 時間: 2025-3-23 20:27 作者: epicondylitis 時間: 2025-3-23 23:52
Conference proceedings 20041st editionon the consistency of internal experience and external aesthetic appearance and examines what bearing this has in contemporary contexts. External modes of expression are particularly important to Confucians, Mullis argues, because they take moral education to involve attuning one’s psychological sta作者: 不可思議 時間: 2025-3-24 03:37
https://doi.org/10.1007/3-540-08347-2 recognize that cultures have had different specific goals for art, and that they have not all aimed at the transparent realism that Hegel admires. His relegation of art to a less prominent role than hitherto also amounts to a demotion of beauty from its earlier spiritual role, through art, of guidi作者: CRUC 時間: 2025-3-24 09:48
https://doi.org/10.1007/3-540-08347-2mise of happiness.” In the context of his own philosophy, however, the promise is a lie, as beauty speaks of stability and perfection in a world that is constantly changing and very far from perfect. This sense that beauty falsifies continues to be reflected in the suspicion of beauty that informs s作者: LUMEN 時間: 2025-3-24 14:22 作者: Latency 時間: 2025-3-24 15:59
https://doi.org/10.1007/3-540-08347-2the subject matter or raw material. Successful articulation of such characteristics is made possible by the artist who lets the object lead the art-making process. The beauty of Japanese art is appreciated when art paradoxically appears artless, as if it spontaneously “became” rather than having bee作者: cipher 時間: 2025-3-24 22:51 作者: GULP 時間: 2025-3-25 03:02 作者: 血友病 時間: 2025-3-25 04:02
978-3-319-82937-1Springer International Publishing Switzerland 2017作者: Dislocation 時間: 2025-3-25 11:29 作者: 陳腐的人 時間: 2025-3-25 14:47 作者: implore 時間: 2025-3-25 19:32
Beauty: A Promise of Enduring Arter at the center of attention, it has rejected the significance of the latter. In contrast to this trend, Lorand argues that beauty is an essential feature of art, and the value of an artwork amounts to the degree of its beauty. This understanding of artistic value supports the claim that the creati作者: jeopardize 時間: 2025-3-25 21:38 作者: Infantry 時間: 2025-3-26 02:43
Western Theories of Beauty and Non-Western Peoplesoncepts of beauty go back to Plato, the Platonic ideal that formed the basis of Renaissance art. However, for our purposes, attitudes to beauty from the Enlightenment onwards had a direct effect on representations of non-western peoples, especially Africans. Mitter takes the example of Hogarth’s wor作者: Infiltrate 時間: 2025-3-26 04:34
Valli and Devasenae Indian classical concepts of . (“adornment”) and . (“beauty”) can be traced to Bharat’s Natyashastra, the first written canvas of performance and appreciation of beauty or the .. In . or poetry, . refers mainly to sensual or material beauty without any suggestion of the metaphysical, moral, ethica作者: 分解 時間: 2025-3-26 12:01
Female Bodies in China: Literati Fantasies, Iron Girls and Olympics Hooplapment can be understood within the particular historical and cultural contexts in China and how it is related to factors such as economic and political situations. The second focus is with man as the speaking subject in the Chinese patriarchal system, how male imaginations (especially those represen作者: 卷發(fā) 時間: 2025-3-26 16:38 作者: invade 時間: 2025-3-26 17:59 作者: 噴出 時間: 2025-3-27 00:44 作者: conceal 時間: 2025-3-27 03:12 作者: 珍奇 時間: 2025-3-27 08:41
Artistic Creativity: Individual and the Community (Remarks on Tagore’s notion of the ‘Surplus’ in Maary for self-preservation, and it is what motivates creative expression in art. Tagore analyses artistic creativity as the expression of an individual, but also as an internalization of what is external to this person. Through art, the artist attains a sense of interconnection with the world that fa作者: Range-Of-Motion 時間: 2025-3-27 12:47 作者: CUR 時間: 2025-3-27 13:47
Perceiving Beauty, Recognizing Selft a reflection of the perceiver, or an enabler of recognition of the beauty of the human self. This idea is explored through a focus on Yuriko Lochan’s own work as a painter, which is partially driven by a search for an inner beauty reflected in the beauty of the external world.作者: 沒有準(zhǔn)備 時間: 2025-3-27 20:16 作者: saturated-fat 時間: 2025-3-28 00:40 作者: nitroglycerin 時間: 2025-3-28 06:10
Betweenness in Order-Theoretic Treesthat enhances appreciation of the natural world, Japanese artists draw emotionally evocative attention to the contexts audiences today share with predecessors, at the same time addressing the contemporary concerns over the future direction of our world.作者: Dendritic-Cells 時間: 2025-3-28 10:19
Bruno Biscontini,Markus Burger,Peter Russers. The chapter then reviews revolutionary revisions in the representation of female ideals under the Communist ruling, and concludes with the contemporary notion of female beauty in the new Socialist China, a notion that has departed from its national party discourses to follow the capitalist global作者: 多骨 時間: 2025-3-28 11:18
Larissa Vietzorreck,Wilfrid Pascherand movements. The chapter concludes by extending this ‘virtue-centric’ account of beauty to works of art. It is essential, here, to recognize the emphasis in Buddhist aesthetics on the grace and beauty of the bodily practices – those of calligraphers and potters, say – that are required for the pro作者: 群島 時間: 2025-3-28 18:00
Conference proceedings 20041st editionthical commitments and participation in a larger society. With proper cultivation, one’s bodily expression of moral dispositions can becomes an art, and one’s mastery becomes more consummate over time. The Confucian vision sees the aesthetics of personal bodily behavior and style as intertwined with作者: stratum-corneum 時間: 2025-3-28 20:34
https://doi.org/10.1007/3-540-08347-2duced beauty, and to all promises of happiness symbolized in beautiful images and figures. Are there no ways in which beauty can still serve a healing and redemptive purpose, at both the individual and the social levels, without falsification or the evocation of unfulfillable desire? And is there no作者: Indolent 時間: 2025-3-28 23:26 作者: geometrician 時間: 2025-3-29 03:46
Beauty: A Promise of Enduring Art it is highly informative. Due to their individuality, aesthetic orders do not compete with each other. The fact that high degree of beauty was achieved in the past does not put an end to the human quest for new beauties in new materials and new forms of art.作者: SPER 時間: 2025-3-29 10:04
Beauty, Religion and Tradition in Post-Nuclear Japanese Arts and Aestheticsthat enhances appreciation of the natural world, Japanese artists draw emotionally evocative attention to the contexts audiences today share with predecessors, at the same time addressing the contemporary concerns over the future direction of our world.作者: hematuria 時間: 2025-3-29 12:10 作者: 掃興 時間: 2025-3-29 18:28 作者: PALL 時間: 2025-3-29 22:05
Thinking Through an Embodied Confucian Aesthetics of Personsthical commitments and participation in a larger society. With proper cultivation, one’s bodily expression of moral dispositions can becomes an art, and one’s mastery becomes more consummate over time. The Confucian vision sees the aesthetics of personal bodily behavior and style as intertwined with作者: conduct 時間: 2025-3-30 01:39
Dwelling with Beautyduced beauty, and to all promises of happiness symbolized in beautiful images and figures. Are there no ways in which beauty can still serve a healing and redemptive purpose, at both the individual and the social levels, without falsification or the evocation of unfulfillable desire? And is there no作者: RENIN 時間: 2025-3-30 06:23
Artistic Creativity: Individual and the Community (Remarks on Tagore’s notion of the ‘Surplus’ in Mas inadequate for accommodating this kind of shared creativity, but Miri suggests the possibility of extending the notion of the surplus to communities as well as individuals, a theoretical possibility that Tagore himself did not consider.作者: Scintigraphy 時間: 2025-3-30 12:17 作者: Canvas 時間: 2025-3-30 16:27
Introduction,uty into dialogue with their Western counterparts. Our hope is that this interaction can help illuminate the status quo and suggest integrative possibilities for the future of beauty and of culture more generally.作者: xanthelasma 時間: 2025-3-30 16:52 作者: Capitulate 時間: 2025-3-30 20:56 作者: FUSE 時間: 2025-3-31 04:47 作者: 違抗 時間: 2025-3-31 06:13
