標(biāo)題: Titlebook: Art-Based Social Enterprise, Young Creatives and the Forces of Marginalisation; Grace McQuilten,Amy Spiers,Peter Kelly Book 2022 The Autho [打印本頁(yè)] 作者: Blandishment 時(shí)間: 2025-3-21 16:51
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作者: ENACT 時(shí)間: 2025-3-21 20:59 作者: 慎重 時(shí)間: 2025-3-22 03:03 作者: 盟軍 時(shí)間: 2025-3-22 04:59 作者: 演繹 時(shí)間: 2025-3-22 09:06 作者: instate 時(shí)間: 2025-3-22 14:09
Creative Practice, Cultural Citizenship and the Urban Fringe,, values and career motivations of young people involved in art-based social enterprises. In recognising the socio-spatial changes brought about by gentrification and suburbanisation, including the displacement of communities to the urban fringe, a number of art-based social enterprises (ASEs) inter作者: 填滿 時(shí)間: 2025-3-22 18:33 作者: 變化無(wú)常 時(shí)間: 2025-3-22 21:35 作者: Overstate 時(shí)間: 2025-3-23 04:00
rises.Explores the operating models, pedagogical approaches .This book analyses the challenges and opportunities faced by art-based social enterprises (ASEs) engaging young creatives in education and training and supporting their pathways to the creative industries. In doing so, it addresses the com作者: affinity 時(shí)間: 2025-3-23 05:32 作者: 感染 時(shí)間: 2025-3-23 13:27
Art-Based Social Enterprise, Young Creatives and the Forces of Marginalisation作者: 向宇宙 時(shí)間: 2025-3-23 17:40
Art-Based Social Enterprise, Young Creatives and the Forces of Marginalisation978-3-031-10925-6作者: 追蹤 時(shí)間: 2025-3-23 18:23
Introduction: Artistic Practice and Social Outcomes in a Market-Driven Landscape, funding and delivery of welfare, cultural and community services; and (3) significant . disruptions and transformations in the nature of work, a shift that has disproportionately affected young people globally in terms of their access to employment and education opportunities.作者: barium-study 時(shí)間: 2025-3-24 01:29 作者: NICHE 時(shí)間: 2025-3-24 03:23 作者: 可憎 時(shí)間: 2025-3-24 06:52
Fashioning a Future: Material Practice, Creativity and Sustainable Economies,arketplaces through contemporary fashion, craft and textile design, which in turn support young people to position themselves as creative actors in contemporary global culture/s. This potential is evident in examples of fashion and craft-based social enterprise across both developing and developed e作者: SEVER 時(shí)間: 2025-3-24 13:51 作者: OPINE 時(shí)間: 2025-3-24 15:06 作者: indicate 時(shí)間: 2025-3-24 20:03 作者: 裁決 時(shí)間: 2025-3-25 01:17
Conclusion,ight the ways in which these models can contribute to young people’s well-being, engagement, education and training, and work pathways. More broadly, we examine the possibilities of art as a means of social and cultural engagement. In the context of the precarious future of the creative industries w作者: Generator 時(shí)間: 2025-3-25 03:55 作者: Commemorate 時(shí)間: 2025-3-25 09:55 作者: embolus 時(shí)間: 2025-3-25 15:35
Problematische Onlinespiele-Nutzung? funding and delivery of welfare, cultural and community services; and (3) significant . disruptions and transformations in the nature of work, a shift that has disproportionately affected young people globally in terms of their access to employment and education opportunities.作者: 隱士 時(shí)間: 2025-3-25 17:37 作者: SLUMP 時(shí)間: 2025-3-25 22:20
Zweite Ergebnisebene: Integrative Analysearning and employment. At the same time, while recognising?the importance of enabling processes that activate young voices, we?question?the way ‘voice’ is employed in social inclusion agendas and participatory media,?and insist that those voices also?need to be?adequately listened to and valued. We?作者: LUDE 時(shí)間: 2025-3-26 01:31 作者: 退出可食用 時(shí)間: 2025-3-26 04:30 作者: 充氣球 時(shí)間: 2025-3-26 11:50 作者: 憤慨點(diǎn)吧 時(shí)間: 2025-3-26 14:44
Roman Bednarik,Shahram Eivazi,Hana Vrzakovaased understandings of the social reality of living in the outer urban fringe, and to emphasise instead the strengths of emerging artists in the city’s outer suburbs. While the broader goal of OUP is to develop a new generation of professional artists and support them to access opportunities in the 作者: 逢迎春日 時(shí)間: 2025-3-26 18:24
Roman Bednarik,Shahram Eivazi,Hana Vrzakovaight the ways in which these models can contribute to young people’s well-being, engagement, education and training, and work pathways. More broadly, we examine the possibilities of art as a means of social and cultural engagement. In the context of the precarious future of the creative industries w作者: Metamorphosis 時(shí)間: 2025-3-26 23:57 作者: ineluctable 時(shí)間: 2025-3-27 04:43 作者: 洞穴 時(shí)間: 2025-3-27 05:37
https://doi.org/10.1007/978-3-031-10925-6arts-based social enterprise; education and marginalised youth; education and training; disengaged yout作者: 寒冷 時(shí)間: 2025-3-27 11:44 作者: 協(xié)定 時(shí)間: 2025-3-27 17:41 作者: CRP743 時(shí)間: 2025-3-27 20:08
Erste Ergebnisebene: Falldarstellungenls for the ‘workplace of the future.’ In the context of art-based social enterprises (ASEs), creative digital media skills offer an exciting means to bridge the gap between disengaged young people and education specifically, with further opportunities for pathways to employment. This chapter explore作者: 粗魯性質(zhì) 時(shí)間: 2025-3-27 22:36 作者: DAMP 時(shí)間: 2025-3-28 04:24 作者: aspersion 時(shí)間: 2025-3-28 10:13
Gazing the Text for Fun and Profit the global fashion market while prioritising social and ethical goals. This necessary pragmatism is explored in this chapter through the lens of our case study, The Social Studio (TSS): a social enterprise based in Australia that uses the vehicle of fashion to support educational and employment pat作者: 演繹 時(shí)間: 2025-3-28 14:22
