標(biāo)題: Titlebook: Art, Religion and Resistance in (Post-)Communist Romania; Nostalgia for Paradi Maria Alina Asavei Book 2020 The Editor(s) (if applicable) a [打印本頁(yè)] 作者: 嚴(yán)峻 時(shí)間: 2025-3-21 18:20
書(shū)目名稱(chēng)Art, Religion and Resistance in (Post-)Communist Romania影響因子(影響力)
書(shū)目名稱(chēng)Art, Religion and Resistance in (Post-)Communist Romania影響因子(影響力)學(xué)科排名
書(shū)目名稱(chēng)Art, Religion and Resistance in (Post-)Communist Romania網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱(chēng)Art, Religion and Resistance in (Post-)Communist Romania網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱(chēng)Art, Religion and Resistance in (Post-)Communist Romania被引頻次
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書(shū)目名稱(chēng)Art, Religion and Resistance in (Post-)Communist Romania讀者反饋
書(shū)目名稱(chēng)Art, Religion and Resistance in (Post-)Communist Romania讀者反饋學(xué)科排名
作者: 別炫耀 時(shí)間: 2025-3-21 21:45
Thermal and energy properties in processing,eaning, content and politicality of “cultural resistance,” a concept that gained momentum in the post-communist Romanian public discourses. The argument advanced is that “cultural resistance” is multifarious and for its assessment, we need to focus on the analysis of the form and content of cultural作者: 連鎖 時(shí)間: 2025-3-22 02:20
Application to the individual machine,onalist canon. Against the main narrative—according to which communists did not tolerate any religion-related cultural production—the chapter scrutinizes the cultural policy of late communist Romania which selectively supported certain works of Byzantine inspiration. The . behind that was that these作者: FIR 時(shí)間: 2025-3-22 07:19 作者: 楓樹(shù) 時(shí)間: 2025-3-22 09:57 作者: 變化 時(shí)間: 2025-3-22 13:05
https://doi.org/10.1007/978-3-030-03460-3 The Zidarus’ religious art reveals a constant search for ethical amelioration and social justice. Currently, Marian and Victoria Zidaru’s art is either understood as a form of “offensive nationalism,” or as a dissident instance of religious art that rather conforms to popular Christian Orthodoxy th作者: 玩忽職守 時(shí)間: 2025-3-22 17:04
Evacuation Technology for Ceramic Extrusion,ent put forth is that human body is rendered, in the artistic production under scrutiny, as a multidirectional instrument for both salvation and resistance to oppression. The artistic renderings of the human body analysed in this chapter display a vision of the physical body as a site of religious r作者: Minatory 時(shí)間: 2025-3-22 22:13 作者: 善變 時(shí)間: 2025-3-23 03:23
https://doi.org/10.1007/978-1-4757-3001-2eligious” thematic clusters and tropes in their work, yet, for different ends and on different grounds than the Neo-Orthodox artists. They also employ the thematic clusters and the repertoires of religion and spirituality in order to challenge it (or at least to challenge “institutionalized religion作者: 開(kāi)花期女 時(shí)間: 2025-3-23 05:44
https://doi.org/10.1007/978-3-658-12303-1t-) communist Romania. Correspondingly, the chapter focuses first on the late communist hegemony’s ambivalent political approach to religion inspired artistic production. The second section surveys the relationship between political art and Eastern Christianity after the fall of the regime in 1989, 作者: Host142 時(shí)間: 2025-3-23 11:24 作者: ADJ 時(shí)間: 2025-3-23 16:47
Maria Alina AsaveiConsiders how artists have refashioned the meanings and purposes of religious art for political ends during and after communism.Spans the fields of contemporary history, political theory, history of r作者: 空中 時(shí)間: 2025-3-23 21:57 作者: AWL 時(shí)間: 2025-3-24 01:53 作者: 土產(chǎn) 時(shí)間: 2025-3-24 06:16 作者: 暗指 時(shí)間: 2025-3-24 10:21
Book 2020on functioned as a form of resistance, directed against both Romanian national communism (1960-1989) and, latterly, consumerist society and its global market. It investigates the critical, tactical and subversive employments of religious motifs and themes in contemporary art pieces that confront the作者: 期滿 時(shí)間: 2025-3-24 13:19
Art, Politics and Religion in (Post-)Communist Romania: An Introduction,religious inspiration alludes to a peculiar form of cultural memory—longing for a spiritual state of humankind (a symbolic Paradise Lost)—that can also be employed as a revitalization of the soul against a background of atomization and alienation of modern lifestyle, overlapping injustices, political violence and economic precariousness.作者: 舔食 時(shí)間: 2025-3-24 14:52
The Body in (Post-)Communist Art: A Site of Salvation and Resistance,ituals and sacraments but also of the realization of the highest human potentiality for freedom and salvation of the soul through “self-care” that does not preclude the care for other human beings. For the artists discussed in this chapter . takes precedence over ..作者: 艱苦地移動(dòng) 時(shí)間: 2025-3-24 21:04
Book 2020 religious ‘a(chǎn)ffair’ in post-communist Romania. In doing so, it addresses a key gap in previous scholarship, which has paid little attention to the relationship between religious art and political resistance in communist Central and South-East Europe.??.作者: artless 時(shí)間: 2025-3-25 00:54
Thermal and energy properties in processing,the pretension of offering an exhaustive list: for example, “cultural resistance” understood as critical complicity with the official canon of cultural production; “cultural resistance” understood as (religious) art collecting and resistance through the art of religious inspiration.作者: 智力高 時(shí)間: 2025-3-25 04:50 作者: 大量殺死 時(shí)間: 2025-3-25 09:31
https://doi.org/10.1007/978-1-4615-5793-7al bond between nature and human beings. Unlike the artists who dealt with “mere nature” or “national nature,” for Neo-Orthodox artists, nature is not only “natural” but impregnated with God’s presence.作者: 自制 時(shí)間: 2025-3-25 11:44 作者: 推延 時(shí)間: 2025-3-25 18:13
https://doi.org/10.1007/978-3-030-03460-3ings of “religion” being triggered by a peerless form of artistic prophetic activism. How should we assess the artistic creations of these artists who display their politics through visuals instantiations of their “personal use” Paradise?作者: 慢慢流出 時(shí)間: 2025-3-25 22:31 作者: 是貪求 時(shí)間: 2025-3-26 00:40 作者: 確定無(wú)疑 時(shí)間: 2025-3-26 05:38
https://doi.org/10.1007/978-3-658-12303-1relationship between political art and religion in post-communist Romania, but from the perspective of the secular-ecclesiastical synthesis and resistance against institutionalized and nationalized religion.作者: MURKY 時(shí)間: 2025-3-26 10:28 作者: 閑聊 時(shí)間: 2025-3-26 14:51
Godless Religious Art of Romanian National Communism,tional communist culture. Thus, “Godless religious art” was rendered as an indispensable cultural production to support the communist’s protochronist ethos, disregarding the fact that the “ancient materials” and symbols this cultural style employed were of Christian heritage.作者: Kernel 時(shí)間: 2025-3-26 18:35 作者: 呼吸 時(shí)間: 2025-3-26 22:51 作者: FLEET 時(shí)間: 2025-3-27 01:26 作者: Debate 時(shí)間: 2025-3-27 09:09
Religion Inspired Art and Politics: Neo-Orthodoxism as Neo-Traditionalism?,communism “Neo-Byzantinism,” as well as its moves towards the post-communist denominations of “Neo-Orthodoxism” and “Neo-Traditionalism.” Thus, this chapter asks whether these denominations accurately reveal the Neo-Orthodox artists’ set of concerns.作者: 小平面 時(shí)間: 2025-3-27 10:30 作者: Licentious 時(shí)間: 2025-3-27 15:12
Looking Forward: Looking Back Through the Three Lenses of Art, Politics and Religion,relationship between political art and religion in post-communist Romania, but from the perspective of the secular-ecclesiastical synthesis and resistance against institutionalized and nationalized religion.作者: minimal 時(shí)間: 2025-3-27 21:38 作者: 圖表證明 時(shí)間: 2025-3-27 22:32 作者: Interregnum 時(shí)間: 2025-3-28 04:08
Evacuation Technology for Ceramic Extrusion,ituals and sacraments but also of the realization of the highest human potentiality for freedom and salvation of the soul through “self-care” that does not preclude the care for other human beings. For the artists discussed in this chapter . takes precedence over ..作者: 保留 時(shí)間: 2025-3-28 06:48 作者: 短程旅游 時(shí)間: 2025-3-28 11:04 作者: 影響帶來(lái) 時(shí)間: 2025-3-28 15:36 作者: Nostalgia 時(shí)間: 2025-3-28 19:06 作者: 抒情短詩(shī) 時(shí)間: 2025-3-28 23:13
,Spiritual Ecologies and Meta-Byzantine: Music During Nicolae Ceau?escu’s Regime, Meta-Byzantine style, regarded by various categories of critics either as an inconvenient deviation from historical Byzantine musical canons (the Byzantine purists’ critique) or as a digression from national communism’s cultural policy. This case study illustrates that the return to humans’ spiritu作者: 無(wú)可爭(zhēng)辯 時(shí)間: 2025-3-29 03:42
Contemporary Aesthetic Mysticism and Religious Revitalization Movements, The Zidarus’ religious art reveals a constant search for ethical amelioration and social justice. Currently, Marian and Victoria Zidaru’s art is either understood as a form of “offensive nationalism,” or as a dissident instance of religious art that rather conforms to popular Christian Orthodoxy th作者: BRACE 時(shí)間: 2025-3-29 07:49
The Body in (Post-)Communist Art: A Site of Salvation and Resistance,ent put forth is that human body is rendered, in the artistic production under scrutiny, as a multidirectional instrument for both salvation and resistance to oppression. The artistic renderings of the human body analysed in this chapter display a vision of the physical body as a site of religious r
