標(biāo)題: Titlebook: Art, Excess, and Education; Historical and Discu Kevin Tavin,Mira Kallio-Tavin,Max Ryyn?nen Book 2019 The Editor(s) (if applicable) and The [打印本頁(yè)] 作者: 債務(wù)人 時(shí)間: 2025-3-21 17:48
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作者: dissolution 時(shí)間: 2025-3-21 21:42
Book 2019ific discourses of art history, art criticism, philosophy, and aesthetics, it explores how the concept of excess has been important and enduring from antiquity through contemporary art, and from early film through the newer interactive media. Examples considered throughout the book focus on disgust,作者: deciduous 時(shí)間: 2025-3-22 02:13 作者: JOT 時(shí)間: 2025-3-22 06:18
Kati Kuitto M. A.,Christoph Oberst M. A.tom limb sensation. A sculpture by Maltese artist Austin Camilleri and controversy sparked by its public display provide the basis for a discussion about the political dimensions of art, disability and loss, leading to the possibility of a questioning pedagogy.作者: NEX 時(shí)間: 2025-3-22 10:20 作者: enumaerate 時(shí)間: 2025-3-22 14:19
Research Analysis of Interviews,threshold between the known and the unknown without any guarantee of the outcome. While this may pose a challenge for hegemonic knowledge, Tervo argues that it can also reproduce the very hierarchical relations Duncan aims to disrupt.作者: 加花粗鄙人 時(shí)間: 2025-3-22 20:32
https://doi.org/10.1007/978-1-4899-7516-4 author, the grotesque may efficiently teach the valuation of otherness, incompleteness and humanity. The study of the grotesque may also enhance the ability to discern ideological meanings embedded in images.作者: 使閉塞 時(shí)間: 2025-3-22 21:49 作者: theta-waves 時(shí)間: 2025-3-23 02:52 作者: 畸形 時(shí)間: 2025-3-23 07:43 作者: BAN 時(shí)間: 2025-3-23 12:51 作者: cunning 時(shí)間: 2025-3-23 13:52
Hybrid Creatures and Monstrous Reproduction: The Multifunctional Grotesque in author, the grotesque may efficiently teach the valuation of otherness, incompleteness and humanity. The study of the grotesque may also enhance the ability to discern ideological meanings embedded in images.作者: 針葉 時(shí)間: 2025-3-23 18:53
Paul Lucardie,Gerrit Voerman,Friso WielengaTeemu M?ki’s video artwork, .; Pekka Jylh?’s installation, ., and Huang Yong Ping’s installation, .. Kallio-Tavin discusses these artworks in the light of humanism, its ethics, and its possible hypocrisy.作者: 震驚 時(shí)間: 2025-3-24 01:10
Andrew D. Navarrete MD,Michael L. Bentz MD installation was also displayed. Furthermore, the chapter also explores the installation from the perspective of feminist theorizations of the ‘gaze’ and the so-called pornographication of the mainstream concluding that the strategies utilized by the installation have become commonplace in contemporary mainstream visual culture.作者: Malaise 時(shí)間: 2025-3-24 03:12 作者: 開(kāi)始沒(méi)有 時(shí)間: 2025-3-24 08:52 作者: Classify 時(shí)間: 2025-3-24 13:33
Media Landscape in a Changing Middle East,nsight as to what they meant by .. Tehching Hsieh’s ‘lifework’ exemplifies ., deconstructing all forms of representational art that is institutionally defined, including most performative art that continues to be caught by spectacularity.作者: 有幫助 時(shí)間: 2025-3-24 18:54
https://doi.org/10.1007/978-3-642-66169-3h challenging oneself and through reflecting on one’s own borders through film might be a form of care of the self, and a way for us to not just experiment and reflect, but to teach ourselves and learn through film about our own bodies.作者: 傲慢物 時(shí)間: 2025-3-24 22:52 作者: CLEFT 時(shí)間: 2025-3-24 23:33
Sending Chills Up My Spine: Somatic Film and the Care of the Selfh challenging oneself and through reflecting on one’s own borders through film might be a form of care of the self, and a way for us to not just experiment and reflect, but to teach ourselves and learn through film about our own bodies.作者: Mucosa 時(shí)間: 2025-3-25 03:56 作者: Palatial 時(shí)間: 2025-3-25 11:14 作者: 提名的名單 時(shí)間: 2025-3-25 14:13
An Introduction to Excess in Art and Education: Discursive Explorations, their relationship to each other. The chapter focuses on examples of excessive artworks and argues for a different approach for the future of art education. The chapter also provides a summary of each chapter and the three thematic sections of the book.作者: 頭盔 時(shí)間: 2025-3-25 18:15
A Taxonomy of Disgust in Artys in which disgust functions in artworks both in terms of content and style, canvassing cases in which the content and/or style is literally disgusting in contrast to cases where the disgust serves to characterize the content, often for moral or political or broader cultural purposes.作者: 出生 時(shí)間: 2025-3-25 22:49
https://doi.org/10.1007/978-3-030-21828-7global contemporary art; excess and society; ethics and pedagogy; disgust in art; Foucault; Counteractual作者: 收藏品 時(shí)間: 2025-3-26 03:20 作者: 無(wú)力更進(jìn) 時(shí)間: 2025-3-26 07:47
Kevin Tavin,Mira Kallio-Tavin,Max Ryyn?nenInvestigate how excess might represent the absolute Other in the most extreme way, forcing viewers to question their abilities to confront the alterity of the Other.Addresses the question of how exces作者: 違抗 時(shí)間: 2025-3-26 12:03 作者: CLASP 時(shí)間: 2025-3-26 15:00 作者: 我沒(méi)有命令 時(shí)間: 2025-3-26 19:13
Gianfausto Salvadori,Carlo De Micheleys in which disgust functions in artworks both in terms of content and style, canvassing cases in which the content and/or style is literally disgusting in contrast to cases where the disgust serves to characterize the content, often for moral or political or broader cultural purposes.作者: 不能和解 時(shí)間: 2025-3-26 23:51 作者: forbid 時(shí)間: 2025-3-27 03:26 作者: instate 時(shí)間: 2025-3-27 06:41 作者: FEAS 時(shí)間: 2025-3-27 12:08 作者: Triglyceride 時(shí)間: 2025-3-27 17:00
Kati Kuitto M. A.,Christoph Oberst M. A.s.). New York: Columbia University Press, 1982) explains that this excessiveness elicits not disgust but abjection, a state of simultaneous discomfort and pleasure, of fascinated victimhood. She identifies abjection as a prerequisite for ego formation and psychological development. Scholars have arg作者: HEDGE 時(shí)間: 2025-3-27 17:46
Research Analysis of Interviews,), Duncan’s works often address topics related to sex, death, and violence. Challenging the interpretation that Duncan’s works stand as means to represent sexual and religious trauma, Tervo proposes that Duncan’s repetitive utilization of total darkness and intense noise resonates with Calvinist emp作者: synovium 時(shí)間: 2025-3-27 23:23
https://doi.org/10.1007/978-1-4899-7516-4hin the viewer, the chapter explores the variety of functions that grotesque monsters, bodies and violence perform within a representation. Through an analysis of a classic science fiction horror film, . (1997), Huunan-Sepp?l? demonstrates how grotesque imagery functions in dynamic interaction with 作者: 乏味 時(shí)間: 2025-3-28 06:08
Andrew D. Navarrete MD,Michael L. Bentz MDn . (2008) and its media controversy in Finland, the chapter analyzes the work more broadly in the context of contemporary art and its history, and in relation to certain other controversial twentieth- and twenty-first-century works of art shown in various arenas of the Helsinki Art Museum where the作者: 規(guī)范就好 時(shí)間: 2025-3-28 09:31 作者: Deference 時(shí)間: 2025-3-28 14:17
Multivariate Analysis Via Copulas, their relationship to each other. The chapter focuses on examples of excessive artworks and argues for a different approach for the future of art education. The chapter also provides a summary of each chapter and the three thematic sections of the book.作者: 膽大 時(shí)間: 2025-3-28 18:23
Gianfausto Salvadori,Carlo De Micheleys in which disgust functions in artworks both in terms of content and style, canvassing cases in which the content and/or style is literally disgusting in contrast to cases where the disgust serves to characterize the content, often for moral or political or broader cultural purposes.作者: fender 時(shí)間: 2025-3-28 21:28 作者: Engaging 時(shí)間: 2025-3-29 02:31 作者: magenta 時(shí)間: 2025-3-29 03:37 作者: Dysplasia 時(shí)間: 2025-3-29 07:28
The Excessive Aesthetics of Tehching Hsieh: Art as ican citizen, is an exceptional case in articulating the worth of what has become the ‘fringe’ in the .. This chapter addresses durational performance art as to what exactly can be made of ‘excessive aesthetics,’ especially the question of ‘presence’ that is said to be the defining characteristic of作者: 豐富 時(shí)間: 2025-3-29 13:00
Killing Them Softly: Nonhuman Animal Relationships and Limitations of Ethicshuman/nonhuman–animal relationship through disturbing ideas and through radical use of animal as artistic material. Kallio-Tavin problematizes humanistic ethics by discussing four art examples by contrasting them to other types of animal exploitation: Guillermo Vargas, aka Habacuc’s, work called .; 作者: adroit 時(shí)間: 2025-3-29 19:35
Loss Is More: Art as Phantom Limb Sensation, once we question what supposedly makes anything complete, conventional parameters like these are blurred. Raphael Vella asks whether it might be possible to conceive of ‘less’ or ‘loss’ as a form of excess, distinct from the visual gluttony that characterizes many examples of contemporary art. The作者: Derogate 時(shí)間: 2025-3-29 21:59 作者: PACT 時(shí)間: 2025-3-30 03:16
Pedagogical Sacrifices: On the Educational Excess of John Duncan’s Darkness), Duncan’s works often address topics related to sex, death, and violence. Challenging the interpretation that Duncan’s works stand as means to represent sexual and religious trauma, Tervo proposes that Duncan’s repetitive utilization of total darkness and intense noise resonates with Calvinist emp
