標(biāo)題: Titlebook: Art in the City, the City in Art; Elisha Masemann Book 2024 The Editor(s) (if applicable) and The Author(s) 2024 Contemporary Art.Urban ar [打印本頁] 作者: arouse 時間: 2025-3-21 17:02
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作者: gimmick 時間: 2025-3-21 21:04
A Rational City Programmeth an exposition of how utopian modernism came to develop concrete expression in the city’s bricks and mortar. Three case studies are used to highlight the underlying tenets of urban planning from the late nineteenth century to mid-twentieth century. Baron Haussmann’s transformation of Paris; Le Cor作者: 高歌 時間: 2025-3-22 00:38
Critical Responses to the City Planludes September 1959–May 1960. Verso, London and Brooklyn, 1995) and Jane (Jacobs, The death and life of great American cities. Random House, New York, 1961) demonstrated concerns that modern urban planning had an overtly utilitarian programme that suffocated the potential for creativity in urban li作者: 思考才皺眉 時間: 2025-3-22 04:46 作者: 逢迎白雪 時間: 2025-3-22 10:19 作者: 反應(yīng) 時間: 2025-3-22 13:20
The Body and the Citye city is activated through a series of automated or conditioned responses performed by city dwellers. Michel Foucault’s (Discipline and punish: The birth of the prison. Vintage Books, New York, 1979) dispositifs of bio-power and a concept of the ‘docile body’ qualifies a permanent registration and 作者: 外面 時間: 2025-3-22 20:07 作者: Robust 時間: 2025-3-23 01:05
Disrupting the Everyday City Through Art of enquiry converge in this chapter with a range of artist practices that problematise urban conditions in connection to these areas. Hans Haacke and Krzysztof Wodiczko have exposed an ideology of hierarchy in architecture, public institutions and civic spaces. Valie Export, Regina José Galindo and作者: 輪流 時間: 2025-3-23 03:27 作者: 反省 時間: 2025-3-23 06:56
Foundations for Cognitive Dissonanceunity engagement, empowered action and open-ended interaction, these practices can highlight a tendency to work away from hyper-connected states of communication and networks of big data. A growing focus on contingent, ameliorative or antagonistic forms of participation has been discussed by Nicolas作者: 口味 時間: 2025-3-23 11:10 作者: GROSS 時間: 2025-3-23 16:16 作者: Carcinogenesis 時間: 2025-3-23 20:08 作者: 接合 時間: 2025-3-23 22:33
,The Drude Free-Electron Model and Beyond …,ludes September 1959–May 1960. Verso, London and Brooklyn, 1995) and Jane (Jacobs, The death and life of great American cities. Random House, New York, 1961) demonstrated concerns that modern urban planning had an overtly utilitarian programme that suffocated the potential for creativity in urban li作者: 在駕駛 時間: 2025-3-24 05:23
Annalisa Calini,Constance M. Schoberlenges posed by the early twentieth-century avant-garde. Many of the works discussed build on foundations laid by these provocateurs. Its primary focus is art beginning in the late 1960s that tends to make the city ‘strange’ through moments that subvert coherent order. Fluxus art and happenings demo作者: 發(fā)怨言 時間: 2025-3-24 10:34 作者: 詢問 時間: 2025-3-24 14:17 作者: ALIBI 時間: 2025-3-24 18:51
https://doi.org/10.1007/978-3-319-97538-2rk, 2014) and Michel de Certeau (The practice of everyday life. University of California Press, Berkeley, 1984) to suggest how the city’s everyday cycles and routines supplement the ideology of its normative use. The actions and behaviours of city dwellers—the bodies who move within and routinely us作者: Organization 時間: 2025-3-24 21:43
https://doi.org/10.1007/978-3-319-97538-2 of enquiry converge in this chapter with a range of artist practices that problematise urban conditions in connection to these areas. Hans Haacke and Krzysztof Wodiczko have exposed an ideology of hierarchy in architecture, public institutions and civic spaces. Valie Export, Regina José Galindo and作者: THROB 時間: 2025-3-25 00:39 作者: ETHER 時間: 2025-3-25 06:01 作者: 肉體 時間: 2025-3-25 10:32
Extreme Photonics & Applicationsly engaged projects. Each section examines how artists have displaced dominant urban networks and systems of control. Network interventions undermine a growing ubiquity of media or surveillance to expose the cooperation of big data and neo-panopticism. Networked participation practices redeploy comm作者: Desert 時間: 2025-3-25 14:41
Art in the City, the City in Art978-981-99-6042-2Series ISSN 2634-5463 Series E-ISSN 2634-5471 作者: embolus 時間: 2025-3-25 15:50
https://doi.org/10.1007/978-981-99-6042-2Contemporary Art; Urban art intervention; Socially-engaged art; Concept city; Urban humanities作者: orthodox 時間: 2025-3-25 21:36 作者: geometrician 時間: 2025-3-26 03:26 作者: 言外之意 時間: 2025-3-26 05:50 作者: Visual-Field 時間: 2025-3-26 09:46
Efim Pelinovsky,Christian Kharifngton and Indianapolis, 1994), along with questions of alterity and subjectivity. These works prepare the ground for analyses of embodied performances that disrupt an urban materiality of regulated bodies to subvert the city’s ideological function or use.作者: 秘密會議 時間: 2025-3-26 13:04
Extreme Photonics & Applicationsa, 2015b) have critiqued a series of issues in networked societies, such as the mutations of panopticism and the hyper-attention state. There is a growing sense in which digital technology is not so much located in the city, but the city in the technology, given the time, communication and economic 作者: 摻和 時間: 2025-3-26 18:30
Applications of Coherent Raman Scattering,ce art’s subversive qualities. I argue that, as acts of non-compliance in the networked city, key practices break with contrived systems of information exchange or cognitive control, exposing the impacts of these on urban communities, and may instigate moments of ‘cognitive dissonance,’ as theorised作者: bourgeois 時間: 2025-3-26 23:19
Book 2024making it visible and activating momentary encounters..?..where new modes of expression can emerge...This Book offers a new approach to interdisciplinary studies of art and urbanity...The book aims to delineate how the city—as concept and construct—is made..visible through artistic practice and in t作者: 痛苦一生 時間: 2025-3-27 04:23 作者: microscopic 時間: 2025-3-27 08:00
The Body and the Cityngton and Indianapolis, 1994), along with questions of alterity and subjectivity. These works prepare the ground for analyses of embodied performances that disrupt an urban materiality of regulated bodies to subvert the city’s ideological function or use.作者: 木質(zhì) 時間: 2025-3-27 09:37 作者: fixed-joint 時間: 2025-3-27 13:51
Foundations for Cognitive Dissonancece art’s subversive qualities. I argue that, as acts of non-compliance in the networked city, key practices break with contrived systems of information exchange or cognitive control, exposing the impacts of these on urban communities, and may instigate moments of ‘cognitive dissonance,’ as theorised作者: Polydipsia 時間: 2025-3-27 19:10 作者: 臆斷 時間: 2025-3-28 01:36
https://doi.org/10.1007/978-3-319-97538-2a catalogue of alienation in modern society, while attempting to express its inherently creative possibilities. Their works provide foundations for analysing art practices that directly or indirectly intervene in the everyday life of the city, interrupting its flows and cycles to make the everyday evident, and less repetitive or disempowering.作者: 直覺沒有 時間: 2025-3-28 04:16 作者: Occipital-Lobe 時間: 2025-3-28 09:43 作者: Friction 時間: 2025-3-28 13:36 作者: anesthesia 時間: 2025-3-28 14:53 作者: 死亡率 時間: 2025-3-28 21:23 作者: indices 時間: 2025-3-29 02:41
,The Lorentz Oscillator Model and Beyond …,ices to interrogate this relationship across different layers of the city. A critical appraisal is made of the tensions that arise between discourses on the city that stress rationality and functionality on one hand, and a proliferation of creative ‘misuses’ proposed through diverse forms of art intervention in urban space.作者: syncope 時間: 2025-3-29 04:59 作者: Venules 時間: 2025-3-29 10:06
,Establishing the City’s ‘Ground Rules’,ices to interrogate this relationship across different layers of the city. A critical appraisal is made of the tensions that arise between discourses on the city that stress rationality and functionality on one hand, and a proliferation of creative ‘misuses’ proposed through diverse forms of art intervention in urban space.作者: –DOX 時間: 2025-3-29 13:37
Art’s Non-rational Uses for the Citys is art beginning in the late 1960s that tends to make the city ‘strange’ through moments that subvert coherent order. Fluxus art and happenings demonstrate experimental uses for city spaces while performance and conceptual works situate alternative responses to the city’s top-down logic and the excesses of rational-functional order.作者: 不朽中國 時間: 2025-3-29 16:47
Book 2024rom the topdown..structures of urban life. Moving between theory and praxis, the book..situates the city as both a concept and physical construct through which lives and..possibilities are shaped or defined. In response, certain modalities of art create..spontaneous, non-rational and playful interlu作者: 多余 時間: 2025-3-29 20:10 作者: 敲竹杠 時間: 2025-3-30 01:59
Ideology and the Cityo examine an ideology of normative use operating in the urban system today, with the broader effects of globalisation and neoliberalism since the late-twentieth century. This lays the foundations for a discussion of artists’ misuses of an ideological order as they seek to expose latent hierarchies of power.