標(biāo)題: Titlebook: Art in the Age of Technoscience; Genetic Engineering, Ingeborg Reichle Book 2009Latest edition Springer-Verlag Vienna 2009 Biologie.Kunst.K [打印本頁(yè)] 作者: 方面 時(shí)間: 2025-3-21 18:25
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作者: 細(xì)微的差異 時(shí)間: 2025-3-21 22:52
Art in the Genetic Age,).. Some of the works by the artist Paul Klee (1879–1940) were inspired by Darwin’s theory of evolution,. and D’Arcy Wentworth Thompson’s (1860–1948) work .. of 1917 aroused the interest of abstract expressionist artists..作者: 傻 時(shí)間: 2025-3-22 02:33
When Life Becomes Art,ly involved in this debate about a genetically designed future and artists react to this reformulation of the image of humanity.. The multifaceted relations between art and science range from critical interrogation of ethically highly controversial technologies of the life sciences to the artistic e作者: ascend 時(shí)間: 2025-3-22 06:16 作者: Shuttle 時(shí)間: 2025-3-22 09:09
From Life-like Machines to a Silicon Second Nature,ton organized in 1987 at the Los Alamos National Laboratories, Los Alamos, New Mexico, which was attended by over 160 scientists from various disciplines to discuss this evolving field.. The Artificial Life workshop was supported by the Center for Nonlinear Studies, the recently founded Santa Fe Ins作者: Lice692 時(shí)間: 2025-3-22 15:25
Art and Digital Evolution,ve Arts) at the University College of Wales in Newport, which was set up in 1994, and STAR, the Centre for Science, Technology and Art Research at the School of Computing at the University of Plymouth, set up in 1997, to expand the multimedia area of research with new fields of study such as artific作者: PET-scan 時(shí)間: 2025-3-22 18:51 作者: Epidural-Space 時(shí)間: 2025-3-22 23:07
A. S. Unnikrishnan,Charls Antony).. Some of the works by the artist Paul Klee (1879–1940) were inspired by Darwin’s theory of evolution,. and D’Arcy Wentworth Thompson’s (1860–1948) work .. of 1917 aroused the interest of abstract expressionist artists..作者: 慌張 時(shí)間: 2025-3-23 02:23 作者: 持續(xù) 時(shí)間: 2025-3-23 07:30
A. S. Unnikrishnan,Charls Antonych’s lab full time from the early 1990s on, he also maintained studios outside of the laboratory for sculpture, electronics, and other “non-biological” work for various periods throughout his years with Alex Rich. While Davis was an undergraduate in the early 1970s he was working at Bell Telephone L作者: LUMEN 時(shí)間: 2025-3-23 10:29
,The Drude Free-Electron Model and Beyond …,ton organized in 1987 at the Los Alamos National Laboratories, Los Alamos, New Mexico, which was attended by over 160 scientists from various disciplines to discuss this evolving field.. The Artificial Life workshop was supported by the Center for Nonlinear Studies, the recently founded Santa Fe Ins作者: Embolic-Stroke 時(shí)間: 2025-3-23 15:56
https://doi.org/10.1007/b137953ve Arts) at the University College of Wales in Newport, which was set up in 1994, and STAR, the Centre for Science, Technology and Art Research at the School of Computing at the University of Plymouth, set up in 1997, to expand the multimedia area of research with new fields of study such as artific作者: 吼叫 時(shí)間: 2025-3-23 19:51 作者: 一再煩擾 時(shí)間: 2025-3-23 22:36 作者: 鳴叫 時(shí)間: 2025-3-24 06:25
,The Lorentz Oscillator Model and Beyond …,p for reliable navigation of this field, as is evident from the complexity of the framing and the diversity of examples described. Rather, this book offers a fruitful starting point for further reflections on this as yet virtually unexplored territory of art and science in the age of technoscience.作者: resuscitation 時(shí)間: 2025-3-24 08:22 作者: OVERT 時(shí)間: 2025-3-24 14:24
Ingeborg ReichleFirst comprehensive survey on "Transgenic Art", "Bio-Art" and "Artificial-Life-Art".280 colour images provide a broad overview of these new developments in art作者: chisel 時(shí)間: 2025-3-24 16:32 作者: Slit-Lamp 時(shí)間: 2025-3-24 20:31
Michael Gasperi,Philippe “Philo” Hurbains that detect a fundamental and unbridgeable divide between art and science, and an equally long history of narratives that never tire of emphasizing their consonance. For centuries art and science existed in a close relationship; it was only with the advent of modern science that the two began to g作者: 初學(xué)者 時(shí)間: 2025-3-25 01:13
https://doi.org/10.1007/978-981-19-2511-5ation of science into technoscience. Interest focused on the phenomena of the scientization and technization of society and their impact on the self-conception of human beings as well as on theorizing the multilayered interrelations between art and the modern life sciences. One of the key issues was作者: exceed 時(shí)間: 2025-3-25 05:12 作者: 貿(mào)易 時(shí)間: 2025-3-25 07:55
https://doi.org/10.1007/978-981-19-2511-5ular level, it seems that the life sciences are now dangerously close to creating life forms “in their own image.” In the age-old desire for a Utopia in the here and now, a concept of a human being is articulated that is inspired by the idea of “optimization” and “enhancement” and seeks to replace n作者: 拍翅 時(shí)間: 2025-3-25 13:00 作者: remission 時(shí)間: 2025-3-25 16:09 作者: MILK 時(shí)間: 2025-3-25 21:53
,The Drude Free-Electron Model and Beyond …,duce novel, that is, transgenic organisms, while scientists working in other fields of the life sciences developed methods to apply “the algorithms of the living world”. to inorganic substrates. Thus while scientists in molecular science laboratories made advances in manipulating natural life forms,作者: 大火 時(shí)間: 2025-3-26 03:01
Accounting for Propagation Effects,ecially of those who work with interactive media.. Artificial life has so far been utilized in art in very different ways, but frequently to generate dynamic or interactive processes or to produce artifacts that evolve interactively over time in relation to their environments. Additionally, using a 作者: overweight 時(shí)間: 2025-3-26 05:31
https://doi.org/10.1007/b137953 like the interactive installations . (1992) and . (1994) by Christa Sommerer and Laurent Mignonneau. Sommerer and Mignonneau’s activity at the institute of the International Academy of Media Arts and Sciences (IAMAS) in Ogaki near Gifu in Japan, where the artists conducted research from 1997 until 作者: 悄悄移動(dòng) 時(shí)間: 2025-3-26 11:41 作者: Clinch 時(shí)間: 2025-3-26 14:29
Book 2009Latest editionn the arts to engage with science through participation in the actual practice of science. ‘ Exchange proj- ects between artists and scientists, such as artist-in-lab projects, have become common and a large number oforganizations have emerged that stimulate and initiate collaboration between artist作者: Benign 時(shí)間: 2025-3-26 19:37 作者: 柱廊 時(shí)間: 2025-3-26 22:39 作者: Harbor 時(shí)間: 2025-3-27 01:18
Accounting for Propagation Effects,variety of artistic strategies artificial life makes it possible to produce artifacts that have both aesthetic power and social relevance. Many artists find it highly interesting that artificial life calls the boundary between the living and the non-living into question.作者: absorbed 時(shí)間: 2025-3-27 08:19 作者: Fierce 時(shí)間: 2025-3-27 09:29 作者: 譏諷 時(shí)間: 2025-3-27 16:34 作者: mendacity 時(shí)間: 2025-3-27 20:04 作者: 雄辯 時(shí)間: 2025-3-27 22:08
https://doi.org/10.1007/978-981-19-2511-5ering on the notions and images of humans and their relationship to nature—oscillating between the dangers of a biotechnologically designed future and the visions of a new genetic re-creation of humans in a world without aging and without pain.作者: 我邪惡 時(shí)間: 2025-3-28 04:33
The Dawning of the Biotech Century,ering on the notions and images of humans and their relationship to nature—oscillating between the dangers of a biotechnologically designed future and the visions of a new genetic re-creation of humans in a world without aging and without pain.作者: 躺下殘殺 時(shí)間: 2025-3-28 09:50
Art in the Age of Technoscience: Transgressing the Boundaries,s that detect a fundamental and unbridgeable divide between art and science, and an equally long history of narratives that never tire of emphasizing their consonance. For centuries art and science existed in a close relationship; it was only with the advent of modern science that the two began to g作者: OREX 時(shí)間: 2025-3-28 13:37 作者: 熱烈的歡迎 時(shí)間: 2025-3-28 17:07 作者: 膝蓋 時(shí)間: 2025-3-28 19:10
When Life Becomes Art,ular level, it seems that the life sciences are now dangerously close to creating life forms “in their own image.” In the age-old desire for a Utopia in the here and now, a concept of a human being is articulated that is inspired by the idea of “optimization” and “enhancement” and seeks to replace n作者: Allure 時(shí)間: 2025-3-29 00:02
Genesthetics: Molecular Biology and the Arts,nd art.. Since the 1980s, Joe Davis has been interested in a medium that up to now has been relatively uncommon in art: DNA. When the renowned biophysicist Alexander Rich. (who discovered left-handed DNA) offered Davis a position as a research affiliate in his laboratory in the Biology Department of
