標(biāo)題: Titlebook: Art and the State; The Visual Arts in C Victoria D. Alexander,Marilyn Rueschemeyer Book 2005 Palgrave Macmillan, a division of Macmillan Pu [打印本頁(yè)] 作者: 令人不愉快 時(shí)間: 2025-3-21 19:48
書(shū)目名稱(chēng)Art and the State影響因子(影響力)
書(shū)目名稱(chēng)Art and the State影響因子(影響力)學(xué)科排名
書(shū)目名稱(chēng)Art and the State網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱(chēng)Art and the State網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱(chēng)Art and the State被引頻次
書(shū)目名稱(chēng)Art and the State被引頻次學(xué)科排名
書(shū)目名稱(chēng)Art and the State年度引用
書(shū)目名稱(chēng)Art and the State年度引用學(xué)科排名
書(shū)目名稱(chēng)Art and the State讀者反饋
書(shū)目名稱(chēng)Art and the State讀者反饋學(xué)科排名
作者: 不給啤 時(shí)間: 2025-3-21 23:28
The American System of Support for the Arts: Artists and Art Museums, ‘indecent’, or ‘blasphemous’ art has led to a substantial reduction in federal aid to arts organizations and to the elimination of direct federal grants to artists in most disciplines. Even before these cuts, the government of the United States supported the arts at a much lower per capita level th作者: –吃 時(shí)間: 2025-3-22 01:35 作者: 致命 時(shí)間: 2025-3-22 05:21 作者: 禁止,切斷 時(shí)間: 2025-3-22 11:41
East German Art Before and After the Fall of Communism,iety — first in the Soviet Union and later in the eastern European countries — that differed radically from the place of art in the capitalist west and from the lines of historical development which had shaped European art for many generations. Since the nineteenth century, art and artists had becom作者: 表否定 時(shí)間: 2025-3-22 12:57
Changing Countries: Russian Artists in the United States, United States, Britain, and Scandinavia emerged from these discussions. In eastern Germany, artists experienced dramatic transition in their own society — the introduction of new artistic institutions and a developed market system for the arts accompanied the political transformation. Yet significa作者: interference 時(shí)間: 2025-3-22 18:40 作者: 輕率看法 時(shí)間: 2025-3-22 22:43 作者: acrophobia 時(shí)間: 2025-3-23 02:22
https://doi.org/10.1007/978-1-4020-5656-7ivileging of business-world norms and rhetoric championed by both Conservatives and New Labour. The chapter concludes with a discussion of the continuing debate about state funding of the arts in the United Kingdom.作者: 證明無(wú)罪 時(shí)間: 2025-3-23 09:05 作者: 易彎曲 時(shí)間: 2025-3-23 09:47 作者: 要素 時(shí)間: 2025-3-23 14:05 作者: 乳汁 時(shí)間: 2025-3-23 21:00 作者: deficiency 時(shí)間: 2025-3-24 00:58
Book 2005ught about in East Germany after unification and the experiences of artists who left the Soviet Union for the west. The result is a significant contribution to the sociology and the political economy of art.作者: CHAFE 時(shí)間: 2025-3-24 05:20
2633-5964 hanges brought about in East Germany after unification and the experiences of artists who left the Soviet Union for the west. The result is a significant contribution to the sociology and the political economy of art.978-1-349-52287-3978-0-230-50792-0Series ISSN 2633-5964 Series E-ISSN 2633-5972 作者: 母豬 時(shí)間: 2025-3-24 07:25 作者: intoxicate 時(shí)間: 2025-3-24 12:45 作者: 壓碎 時(shí)間: 2025-3-24 15:08
The American System of Support for the Arts: Artists and Art Museums,ged this private involvement through a variety of means, especially tax laws. Indeed, though US direct support of the arts is one of the lowest, its level of indirect support of the arts is higher than in much of the developed world. The American state also affects the arts through its legislation o作者: 現(xiàn)代 時(shí)間: 2025-3-24 20:22
Art, Art Institutions, and the State in the Welfare States of Norway and Sweden,. I will focus on Norway and make some comparative comments on Sweden where they seem appropriate. The organization of art and art institutions as well as a number of developments in the art world are quite similar in the Nordic countries; yet there are also interesting differences among the social 作者: 增強(qiáng) 時(shí)間: 2025-3-25 02:30
East German Art Before and After the Fall of Communism,h century. But the thrust of communist rule and its transformations over time gave art a place in politics and society that was radically at odds with central tendencies of modern art, which included the premium on experimental innovation and, at least for a significant minority, the critique of est作者: 不來(lái) 時(shí)間: 2025-3-25 04:42 作者: aspect 時(shí)間: 2025-3-25 10:46
https://doi.org/10.1007/978-1-4020-5656-7ged this private involvement through a variety of means, especially tax laws. Indeed, though US direct support of the arts is one of the lowest, its level of indirect support of the arts is higher than in much of the developed world. The American state also affects the arts through its legislation o作者: 描述 時(shí)間: 2025-3-25 12:25
D. Peri?,W. Dettmer,P.H. Saksono. I will focus on Norway and make some comparative comments on Sweden where they seem appropriate. The organization of art and art institutions as well as a number of developments in the art world are quite similar in the Nordic countries; yet there are also interesting differences among the social 作者: 協(xié)奏曲 時(shí)間: 2025-3-25 19:16 作者: buoyant 時(shí)間: 2025-3-25 21:40
Extreme Media and American Politicsl light on the contrast between two different political and economic environments in which art is produced. This chapter will begin by offering a brief historical background to the role of the arts in the Soviet Union, then review the experiences of artists who emigrated from the Soviet Union to the作者: 破裂 時(shí)間: 2025-3-26 01:27
D. Peri?,W. Dettmer,P.H. Saksonocontext, an ‘a(chǎn)rt world’ (Becker, 1982) or ‘a(chǎn)rtistic field’ (Bourdieu, 1993) that is situated in the wider society. Art objects are also embedded in a social context. Society and art worlds influence artists, in myriad ways, as they produce art. Distribution systems affect the size and type of audien作者: 直覺(jué)好 時(shí)間: 2025-3-26 06:52
https://doi.org/10.1007/978-1-4020-5656-7 ‘indecent’, or ‘blasphemous’ art has led to a substantial reduction in federal aid to arts organizations and to the elimination of direct federal grants to artists in most disciplines. Even before these cuts, the government of the United States supported the arts at a much lower per capita level th作者: 橫條 時(shí)間: 2025-3-26 08:54 作者: Wordlist 時(shí)間: 2025-3-26 15:32
D. Peri?,W. Dettmer,P.H. Saksonoweden, this chapter will reflect on the development of this support in the 1960s and the transformations that have taken place since then. I will examine public support for the arts, focusing on painting and sculpture.. The chapter begins with an analysis of the historical development of cultural po作者: 一瞥 時(shí)間: 2025-3-26 19:57
Extreme Media and American Politicsiety — first in the Soviet Union and later in the eastern European countries — that differed radically from the place of art in the capitalist west and from the lines of historical development which had shaped European art for many generations. Since the nineteenth century, art and artists had becom作者: 談判 時(shí)間: 2025-3-26 22:46
Extreme Media and American Politics United States, Britain, and Scandinavia emerged from these discussions. In eastern Germany, artists experienced dramatic transition in their own society — the introduction of new artistic institutions and a developed market system for the arts accompanied the political transformation. Yet significa作者: 無(wú)動(dòng)于衷 時(shí)間: 2025-3-27 01:11
https://doi.org/10.1007/978-1-4302-0211-0Art is socially and economically embedded, and the state plays a significant role in all of the countries we examined. At the same time, many artists have done work that did not respond to economic incentives or comply with political expectations, even when incentives and sanctions were most intense作者: Ancillary 時(shí)間: 2025-3-27 07:41
St Antony‘s Serieshttp://image.papertrans.cn/b/image/161843.jpg作者: 公司 時(shí)間: 2025-3-27 11:03
https://doi.org/10.1057/9780230507920communism; economy; Institution; Museum; Policy; visual arts; work作者: 模仿 時(shí)間: 2025-3-27 16:05 作者: 不來(lái) 時(shí)間: 2025-3-27 20:30
Art and the State978-0-230-50792-0Series ISSN 2633-5964 Series E-ISSN 2633-5972 作者: Eosinophils 時(shí)間: 2025-3-28 01:10 作者: 和平主義者 時(shí)間: 2025-3-28 04:06 作者: 緊張過(guò)度 時(shí)間: 2025-3-28 06:58
