標(biāo)題: Titlebook: Art and the Form of Life; Roy Brand Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature [打印本頁] 作者: Jaundice 時間: 2025-3-21 18:17
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書目名稱Art and the Form of Life網(wǎng)絡(luò)公開度學(xué)科排名
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書目名稱Art and the Form of Life讀者反饋
書目名稱Art and the Form of Life讀者反饋學(xué)科排名
作者: Leaven 時間: 2025-3-21 22:41
Pioniere der Extremophilenforschung,, from pop art to performance art—and to relate artistic works to important shifts in experience, as articulated by philosophy. Tying philosophy and art, the introduction animates the idea that human life has form and that it is ours to create and transform.作者: 心胸狹窄 時間: 2025-3-22 02:17
STSCL Standard Cell Library Developmenttent of the mind, visualize our thinking, and make mental states concrete so that we can examine, shape, and share them. Consecutive generations over thousands of years have used art to communicate their experiences of life. What we now call art represents the oldest repository of our forms of life, crafted through concrete social activity.作者: intimate 時間: 2025-3-22 05:55
Adnan Ibrahimbegovic,Ivica Kozar production, media, and art, and they helped clarify that art can happen outside sanctified white cubes and beyond the artist’s control or intention. In so doing, pop art returns to a longer tradition wherein art is not the other of life but a way of engaging life from within.作者: OTTER 時間: 2025-3-22 09:19 作者: Heretical 時間: 2025-3-22 13:23 作者: TOXIN 時間: 2025-3-22 18:37 作者: nostrum 時間: 2025-3-23 00:21
Tino Sehgal and the Everyday as Readymade,interpreters” talking with thousands of visitors each day and revealed the way in which life can be transformed into—and already is—a work of art. What causes that transformation? This chapter follows the details of this process and explores the intersection of daily life and artistic creation.作者: 小爭吵 時間: 2025-3-23 03:48
Perspective and the Invention of the Self,perience of self. This chapter extends the controversial claim that art making is life making, and it explores the notion that advances in ways to express and represent the world yield developments in thinking and self-consciousness.作者: 青春期 時間: 2025-3-23 09:16
Nietzsche: Out of the Spirit of Music,e with Kubrick allows us to understand the film through the lens of the Apollonian-Dionysian conflict—as a tragic struggle between the form-giving god of light, Apollo, and the madness and ecstasy of Dionysian revelry.作者: 租約 時間: 2025-3-23 11:38 作者: 率直 時間: 2025-3-23 15:57
Art and Accident,can accompany fusing art and life. Becoming the artist of one’s life requires ceding some control—art might now be a crime against the norms of a given culture or a form of violence for which the punishment is personal and possibly tragic.作者: Conflict 時間: 2025-3-23 20:20
Book 2021eat philosophical works, it argues that life practiced as an art form affords an experience of meaning, in the sense that it is engaging, creative, and participatory. It thus effects a fundamental renewal of experience. .作者: 緯度 時間: 2025-3-24 00:14 作者: 序曲 時間: 2025-3-24 02:33
Book 2021rshed moments in artistic practice alongside philosophers’ most enduring questions about the way we live. Coupling Tino Sehgal with Wittgenstein, cave art with Foucault, Stanley Kubrick with Nietzsche, and the Bauhaus with Walter Benjamin, the book animates the idea that life is literally ours to ma作者: 事情 時間: 2025-3-24 07:45 作者: canvass 時間: 2025-3-24 13:41
Extreme Low-Power Mixed Signal IC Designperience of self. This chapter extends the controversial claim that art making is life making, and it explores the notion that advances in ways to express and represent the world yield developments in thinking and self-consciousness.作者: cogent 時間: 2025-3-24 16:45
https://doi.org/10.1007/978-1-4419-6478-6e with Kubrick allows us to understand the film through the lens of the Apollonian-Dionysian conflict—as a tragic struggle between the form-giving god of light, Apollo, and the madness and ecstasy of Dionysian revelry.作者: EXULT 時間: 2025-3-24 21:40 作者: blight 時間: 2025-3-25 01:29
Conference proceedings 20071st editioncan accompany fusing art and life. Becoming the artist of one’s life requires ceding some control—art might now be a crime against the norms of a given culture or a form of violence for which the punishment is personal and possibly tragic.作者: flaggy 時間: 2025-3-25 07:20
https://doi.org/10.1007/978-1-4020-5656-7occupation with denouncing grand narratives. This immanence is vibrant, conflicted, and open. The final chapter focuses specifically on the ethical implications of thinking about the form of life from an artistic position.作者: Incumbent 時間: 2025-3-25 09:16
Creating Contemporary Immanence,occupation with denouncing grand narratives. This immanence is vibrant, conflicted, and open. The final chapter focuses specifically on the ethical implications of thinking about the form of life from an artistic position.作者: 制定法律 時間: 2025-3-25 13:40
http://image.papertrans.cn/b/image/161842.jpg作者: Friction 時間: 2025-3-25 19:15
https://doi.org/10.1007/978-3-030-54772-1Tino Sehgal; Nietzsche; Walter Benjamin; Passagen-Werk; Duchamp; Warhol作者: Stable-Angina 時間: 2025-3-25 23:59 作者: 可能性 時間: 2025-3-26 03:14 作者: 斥責(zé) 時間: 2025-3-26 07:07
Pioniere der Extremophilenforschung,stic creations. For six weeks in 2009, Sehgal’s performative piece, ., occupied the entire Guggenheim museum in New York. Emptied of objects, the modernist museum was filled instead with people who moved up the rotunda while having both stylized and unscripted conversations. . involved hundreds of “作者: 變色龍 時間: 2025-3-26 12:01 作者: 污穢 時間: 2025-3-26 13:05 作者: 天真 時間: 2025-3-26 19:08
https://doi.org/10.1007/978-1-4419-6478-6zsche rejected the notion of art as a leisure activity. Instead, he argued that it was one of the most fundamental human activities. Nietzsche’s work summons us to become the artists of our lives. A paired interlude reads Nietzsche’s invocation against Kubrick’s last film, . The coupling of Nietzsch作者: Annotate 時間: 2025-3-26 23:07 作者: dictator 時間: 2025-3-27 03:56 作者: Rebate 時間: 2025-3-27 05:17
Conference proceedings 20071st editionl noise? Can you create what you do not control? The works of artists such as Ives Klein, Bas Jan Ader, and Ana Mendieta suggest these possibilities. In so doing, they also explore how freedom can quickly turn into violence. In a Nietzschean spirit, this penultimate chapter explores the danger that 作者: Volatile-Oils 時間: 2025-3-27 10:03 作者: recession 時間: 2025-3-27 16:11 作者: NEXUS 時間: 2025-3-27 20:55 作者: Irksome 時間: 2025-3-27 23:10 作者: 裂口 時間: 2025-3-28 06:00
Perspective and the Invention of the Self,modern self was first constructed as a viewer for whom the world is given for observation and knowledge. Centuries later, the Cartesian . would articulate this discovery with respect to one’s own mental states. The loss of linear perspective in modernism spelled the loss of that point of view and ex作者: 外貌 時間: 2025-3-28 09:00 作者: custody 時間: 2025-3-28 11:57 作者: NOTCH 時間: 2025-3-28 14:37
Ghosts in the Machine: Duchamp, Warhol, and a Bit of Chaplin Too,ay, mass-produced objects and define “pop art” as a movement and a lifestyle. Their works provoked controversy for pushing the boundaries between mass production, media, and art, and they helped clarify that art can happen outside sanctified white cubes and beyond the artist’s control or intention. 作者: 縫紉 時間: 2025-3-28 19:58 作者: 楓樹 時間: 2025-3-29 02:16 作者: Stable-Angina 時間: 2025-3-29 06:55
10樓作者: elastic 時間: 2025-3-29 10:02
10樓
