標(biāo)題: Titlebook: Art and the Challenge of Markets Volume 2; From Commodification Victoria D. Alexander,Samuli H?gg,Erkki Sev?nen Book 2018 The Editor(s) (if [打印本頁(yè)] 作者: 武士精神 時(shí)間: 2025-3-21 17:09
書(shū)目名稱(chēng)Art and the Challenge of Markets Volume 2影響因子(影響力)
書(shū)目名稱(chēng)Art and the Challenge of Markets Volume 2影響因子(影響力)學(xué)科排名
書(shū)目名稱(chēng)Art and the Challenge of Markets Volume 2網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱(chēng)Art and the Challenge of Markets Volume 2網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱(chēng)Art and the Challenge of Markets Volume 2被引頻次
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書(shū)目名稱(chēng)Art and the Challenge of Markets Volume 2讀者反饋
書(shū)目名稱(chēng)Art and the Challenge of Markets Volume 2讀者反饋學(xué)科排名
作者: 防御 時(shí)間: 2025-3-21 21:53
978-3-319-87842-3The Editor(s) (if applicable) and The Author(s) 2018作者: MIRTH 時(shí)間: 2025-3-22 00:25 作者: Spinal-Fusion 時(shí)間: 2025-3-22 07:57
Conversion and Neoadjuvant Therapieson for the emerging of the modern system of art, as well as for art’s emancipation from the control of royal ruler families, churches, patrons, and guilds. In this sense, the emerging and establishing of capitalist ways of action made modern art’s relatively autonomous position in society possible. 作者: Anthem 時(shí)間: 2025-3-22 10:07 作者: Additive 時(shí)間: 2025-3-22 15:04
Ricardo Garcia-Mónaco MD, PhD, FSIRarkets) and a new group of art buyers (i.e., art investors) challenged key practices of the traditional art world in terms of valuation and consumption. This chapter illustrates how recent market change(s) in the contemporary art market expedite the reordering of status in contemporary art. Moreover作者: phytochemicals 時(shí)間: 2025-3-22 17:46 作者: Reverie 時(shí)間: 2025-3-22 21:50
https://doi.org/10.1007/978-1-4020-5741-0veyed in Poland between 2010 and 2012 (with the main focus on in-depth interviews with animators, participants, and observers of socioartistic practices). Social art—previously explored both by artists, like Joseph Beuys, and by sociologists, like Pierre Bourdieu—here is defined as a combination of 作者: Addictive 時(shí)間: 2025-3-23 05:06 作者: cardiac-arrest 時(shí)間: 2025-3-23 09:12
LUIS GARROTE,MARTíN MOLINA,LUIS MEDIERO context of “network capitalism” and the imperative to creativity in the “Creative Age” (Florida). Drawing on recent debates about capitalism, critique, and crisis prompted by Boltanski and Chiapello’s seminal work . (2005) and other subsequent interventions, as well as on the notion of “critique” s作者: agglomerate 時(shí)間: 2025-3-23 11:32
LUIS GARROTE,MARTíN MOLINA,LUIS MEDIEROation of its critical power. The recent art history can be read as a search for strategies to resist the forces of market, leading first to the refusal of beauty and the adoption of other aesthetic qualities, including even disgusting. Latter, since the 1980s, many artists have embraced a program of作者: 愛(ài)好 時(shí)間: 2025-3-23 17:17 作者: 松雞 時(shí)間: 2025-3-23 18:10 作者: 輕信 時(shí)間: 2025-3-24 00:41 作者: 克制 時(shí)間: 2025-3-24 03:04
Sociology of the Artshttp://image.papertrans.cn/b/image/161841.jpg作者: 碎石 時(shí)間: 2025-3-24 08:17
Culturalization of the Economy and the Artistic Qualities of Contemporary Capitalism organization of the production process—of the artwork, on the one hand, and of the economic commodity, on the other hand. Through a contextual rereading of composer John Cage’s oeuvre and thought, the chapter constructs and illustrates three “artistic qualities” of postindustrial capitalism: ephemerality, relationality, and coproductivity.作者: BROW 時(shí)間: 2025-3-24 10:54 作者: AMITY 時(shí)間: 2025-3-24 15:12 作者: Default 時(shí)間: 2025-3-24 23:00
Artivism and the Spirit of Avant-Garde Artide face of protest. In the contribution, the author reflects upon Artivism as an artistic practice and as a political practice. In line with the main theme of this book, the author also analyzes its link to the impacts of the global capitalist economy and the so-called market-based turn in society.作者: foliage 時(shí)間: 2025-3-25 00:34
Parenchymal-Sparing Liver?Resections organization of the production process—of the artwork, on the one hand, and of the economic commodity, on the other hand. Through a contextual rereading of composer John Cage’s oeuvre and thought, the chapter constructs and illustrates three “artistic qualities” of postindustrial capitalism: ephemerality, relationality, and coproductivity.作者: Charitable 時(shí)間: 2025-3-25 06:48
https://doi.org/10.1007/978-1-4020-5741-0five interrelated elements: the public aim or result of an activity; the broad addressees of the activity; the inclusive way the addressees are engaged in the activity—as creators or recipients of art; the social location of the activity—outside both the art world and public cultural institutions; and the civic qualities of the activity.作者: 流行 時(shí)間: 2025-3-25 10:45 作者: epicardium 時(shí)間: 2025-3-25 13:24
Austin J. Pourmoussa,Ripal T. Gandhiide face of protest. In the contribution, the author reflects upon Artivism as an artistic practice and as a political practice. In line with the main theme of this book, the author also analyzes its link to the impacts of the global capitalist economy and the so-called market-based turn in society.作者: nocturnal 時(shí)間: 2025-3-25 16:17
Conversion and Neoadjuvant Therapiesnment culture, which has called this autonomy in question and, in part, suppressed it. The chapter clears up this developmental line and shows that the current hegemony of capitalist economy has also aroused critical resistance in contemporary art.作者: Intruder 時(shí)間: 2025-3-25 20:36 作者: Glucocorticoids 時(shí)間: 2025-3-26 02:08
Parenchymal-Sparing Liver?Resectionss a change in the very concept of art, and a transformation linked to this shift. Art is a part of culture, it shares the same spheres of action, and it is strictly connected to certain national symbols, in one way or another. However, is it possible to assume that as social actions art and culture share the same Weberian “motivation”?作者: 規(guī)范要多 時(shí)間: 2025-3-26 05:24 作者: Esophagus 時(shí)間: 2025-3-26 11:30 作者: 無(wú)法治愈 時(shí)間: 2025-3-26 16:32 作者: Chronological 時(shí)間: 2025-3-26 18:17
Capitalist Economy as a Precondition and Restraint of Modern and Contemporary Art Worldsnment culture, which has called this autonomy in question and, in part, suppressed it. The chapter clears up this developmental line and shows that the current hegemony of capitalist economy has also aroused critical resistance in contemporary art.作者: fructose 時(shí)間: 2025-3-26 22:36
Neoliberal Marketization of Global Contemporary Visual Art Worlds: Changes in Valuations and the Scorging art markets. Focusing on the mechanisms and practice changes, the author shows how marketization has changed the conventional valuations and consumption practices in art markets, and created a growing interest in Asian contemporary art markets.作者: anticipate 時(shí)間: 2025-3-27 04:26 作者: Insul島 時(shí)間: 2025-3-27 07:13
A Plea for Responsible Art: Politics, the Market, Creationunderline the reverse difficulty of social sciences for formulating a convincing criticism. Reconsidering their passive inability or their active refusal to address questions of value, the author suggests in conclusion a pragmatist path in order to sustain both the artists’ claim for autonomy and the necessary public disputability of their work.作者: 悄悄移動(dòng) 時(shí)間: 2025-3-27 11:18
Artistic Critique on Capitalism as a Practical and Theoretical Problemradoxical consequences in terms of the emergence of new norms of excellence and creative lifestyles, adaptable, hyper-mobile and flexible, and artists’ divergent contribution to redevelop a particular sense of self-realization and self-fulfilment.作者: 慟哭 時(shí)間: 2025-3-27 17:05
Dirty Pictures: Scandal and Censorship in Contemporary Artrket, arts institutions, and among artists in the form of self-censorship. Equally important is the contingency of outcomes that may result from both overt and covert efforts at social control, ranging from suppression of content to selective support of particular types of aesthetic expression.作者: 領(lǐng)巾 時(shí)間: 2025-3-27 20:44 作者: Schlemms-Canal 時(shí)間: 2025-3-27 22:55 作者: Ganglion-Cyst 時(shí)間: 2025-3-28 03:50 作者: Incorporate 時(shí)間: 2025-3-28 09:14
Culturalization of the Economy and the Artistic Qualities of Contemporary Capitalism This chapter claims that we could, conversely, describe the constitutive logics of contemporary capitalism in terms of artistic creation. The common lens through which the realms of art and capitalism have converged from the 1960s onward can be found from a set of qualitative transformations in the作者: Awning 時(shí)間: 2025-3-28 13:17
Neoliberal Marketization of Global Contemporary Visual Art Worlds: Changes in Valuations and the Scoarkets) and a new group of art buyers (i.e., art investors) challenged key practices of the traditional art world in terms of valuation and consumption. This chapter illustrates how recent market change(s) in the contemporary art market expedite the reordering of status in contemporary art. Moreover作者: 善辯 時(shí)間: 2025-3-28 15:10 作者: 游行 時(shí)間: 2025-3-28 22:00
Art as a Means to Produce Social Benefits and Social Innovationsveyed in Poland between 2010 and 2012 (with the main focus on in-depth interviews with animators, participants, and observers of socioartistic practices). Social art—previously explored both by artists, like Joseph Beuys, and by sociologists, like Pierre Bourdieu—here is defined as a combination of 作者: 使腐爛 時(shí)間: 2025-3-29 00:02
A Plea for Responsible Art: Politics, the Market, Creationbates, a wide range of critique has been made by social scientists on the basis of political, sociological, or economic analyses, even if the actual complexity of this object puts disciplines to the test. The purpose of this contribution is quite different. Starting from a typical case (Koon’s exhib作者: 階層 時(shí)間: 2025-3-29 03:22 作者: Triglyceride 時(shí)間: 2025-3-29 10:56
